The Arts Of Performance In Elizabethan And Early Stuart Drama
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The Arts Of Performance In Elizabethan And Early Stuart Drama
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Author : Murray Biggs
language : en
Publisher:
Release Date : 1991
The Arts Of Performance In Elizabethan And Early Stuart Drama written by Murray Biggs and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Drama categories.
Shakespeare Survey
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Author : Stanley Wells
language : en
Publisher: Cambridge University Press
Release Date : 2002-11-28
Shakespeare Survey written by Stanley Wells and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-11-28 with Drama categories.
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Elizabethan And Early Stuart Drama
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Author : John E. Cunningham
language : en
Publisher: London, Evans Brothers
Release Date : 1965
Elizabethan And Early Stuart Drama written by John E. Cunningham and has been published by London, Evans Brothers this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with English drama categories.
Performances At Court In The Age Of Shakespeare
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Author : Sophie Chiari
language : en
Publisher: Cambridge University Press
Release Date : 2019-10-24
Performances At Court In The Age Of Shakespeare written by Sophie Chiari and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-24 with Literary Criticism categories.
Even though Shakespeare openly dramatizes aristocratic shows in his own plays, the circumstances of early modern performance at court have received relatively little critical attention. With so much written on the playwright's wide and multi-layered audiences, the entertainment of the court itself has too long been dismissed as a secondary issue. This book aims to shed fresh light on the multiple aspects of Shakespearean performances at the Elizabethan and early Stuart courts, considering all forms of drama, music, dance and other entertainment. Taking the specific scenic environment and material conditions of early modern performance into account, the chapters examine both real and dramatized court shows in order to break ground for new avenues of thought. The volume considers how early modern court shows shaped dramatic writing and what they tell us of the aesthetics and politics of the Tudor and Stuart regimes.
Shakespeare And Memory
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Author : Hester Lees-Jeffries
language : en
Publisher: OUP Oxford
Release Date : 2013-08-22
Shakespeare And Memory written by Hester Lees-Jeffries and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-08-22 with Literary Criticism categories.
Hamlet's father's Ghost asks his son to 'Remember me!', but how did people remember around 1600? And how do we remember now? Shakespeare and Memory brings together classical and early modern sources, theatre history, performance, material culture, and cognitive psychology and neuroscience in order to explore ideas about memory in Shakespeare's plays and poems. It argues that, when Shakespeare was writing, ideas about memory were undergoing a kind of crisis, as both the technologies of memory (print, the theatre itself) and the belief structures underpinning ideas about memory underwent rapid change. And it suggests that this crisis might be mirrored in our own time, when, despite all the increasing gadgetry at our disposal, memory can still be recovered, falsified, corrupted, or wiped: only we ourselves can remember, but the workings of memory remain mysterious. Shakespeare and Memory draws on works from all stages of Shakespeare's career, with a particular focus on Hamlet, the Sonnets, Twelfth Night, and The Winter's Tale. It considers some little things: what's Hamlet writing on? And why does Orsino think he smells violets? And it asks some big questions: how should the dead be remembered? What's the relationship between memory and identity? And is it art, above all, that enables love and beauty, memory and identity, to endure in the face of loss, time, and death?
The Oxford Handbook Of Thomas Middleton
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Author : Gary Taylor
language : en
Publisher: Oxford University Press
Release Date : 2012-04-05
The Oxford Handbook Of Thomas Middleton written by Gary Taylor and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-05 with Drama categories.
The 37 essays in The Oxford Handbook of Thomas Middleton reinterpret the English Renaissance through the lens of one of its most original, and least understood, geniuses. Shakespeare's younger contemporary and collaborator, Middleton wrote modern comedies, tragedies, tragicomedies, history plays, masques, pageants, pamphlets, and poetry. The largest collection of new Middleton criticism ever assembled, this ambitious Handbook provides a comprehensive, in-depth, cutting-edge reaction to OUP's Collected Works of Thomas Middleton, winner of the 2009 MLA prize for editing, the first complete scholarly text of his voluminous and diverse oeuvre. The Handbook brings together an international, cross-generational team of experts to discuss all these genres through an equally diverse range of critical approaches, from feminism to stylistics, ecocriticism to performance studies, Aristotle to Zizek. Reinterpretations of canonical plays such as The Changeling, Women Beware Women, The Roaring Girl, and A Chaste Maid in Cheapside mingle with explorations of neglected or recently-identified works. Middleton's dramatic use of dance, music, and clothing, Middletonian adaptation, his relationships to the classical world and to continental Europe, his fascinating explorations of sexuality and religion, all receive attention. The collection also provides new essays on modern and postmodern reactions to Middleton, including recent Middleton revivals and films, and living artists' responses to his work-responses that range from the actresses who play Middleton's women to writers in various genres who have been inspired by his artistry. The Handbook establishes an authoritative foundation for the rapidly-expanding growth of interest in this extraordinarily protean, funny, moving, disturbing, and modern writer.
Shakespeare And Space
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Author : Ina Habermann
language : en
Publisher: Springer
Release Date : 2016-04-11
Shakespeare And Space written by Ina Habermann and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-11 with Literary Criticism categories.
This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and North America.
English Drama 1586 1642
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Author : G. K. Hunter
language : en
Publisher: Oxford University Press
Release Date : 1997
English Drama 1586 1642 written by G. K. Hunter and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Drama categories.
Shakespeare is usually set apart from his contemporaries, in kind no less than quality. This book, the long-awaited final volume in the Oxford History of English Literature, sees Elizabethan drama as drawn together by a shared need to deal with contradictory pressures from heterogeneous audiences, censorious authorities, profit driven managers, and authors looking for classic status and social esteem. Hunter follows the compromises and contradictions of the Elizabethan repertory, examining how Shakespeare and his fellow dramatists were able to move easily from vulgar realism to poetic transcendence.
Edward Ii
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Author : Christopher Marlowe
language : en
Publisher: Bloomsbury Publishing
Release Date : 2014-04-18
Edward Ii written by Christopher Marlowe and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-18 with Drama categories.
Marlowe's play retains its power to shock even today, and this edition gives full value to its three overriding themes of sexual favouritism, political confrontation and sheer cruelty. Critics in the last twenty years, who have focused on the overtly sexual relationship between Edward and his favourite Gaveston, have hailed it as a 'gay classic'; earlier interpretations concentrated rather on the deposition by his subjects of a weak king, reading it in tandem with Shakespeare's Richard II. The introduction shows how the play works to give the audience an equal emotional commitment to opposing points of view and concludes that this is what makes Edward II such an uncomfortable and challenging play.
O Let Us Howle Some Heavy Note
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Author : Amanda Eubanks Winkler
language : en
Publisher: Indiana University Press
Release Date : 2006-11-01
O Let Us Howle Some Heavy Note written by Amanda Eubanks Winkler and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-11-01 with Music categories.
A multidisciplinary study of the uses of music and the portrayal of characters with mental disorder in seventeenth-century English opera and theater. In the seventeenth century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous. O Let Us Howle Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects—those who presented either a direct or metaphorical threat to the health of the English kingdom in seventeenth -century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies. “In a world centered on notions of order and harmony, witchcraft, melancholia, and madness inhabit the margins of society. However, in this impressive and wide-ranging study, Amanda Eubanks Winkler skillfully relocates this trinity of disorder close to the center of our understanding of seventeenth-century English theater. Musically insightful, historically illuminating, and interpretatively rich, O Let Us Howle Some Heavy Note will amply reward scholars of music and theater alike.” —Steven Plank, Oberlin College “Winkler has crafted an extraordinarily useful and well-informed study that fills significant gaps in the existing musicological and theatrical scholarship on this period. With its interpretive subtlety, its approachable style, and its detailed exploration of a wide range of examples—from little-known stage works to such staples of the genre as Hamlet, The Duchess of Malfi, and Dido and Aeneas—this engaging book will be of interest to any scholar or non-specialist seeking to understand the seventeenth-century’s fascination with, and ambivalence toward, portrayals of witchcraft and madness on the theatrical stage.” —Dr. Andrew Walkling, Department of History, SUNY Binghamton “Seventeenth-century England provides an outstanding backdrop for this study, which focuses on theatrical characters generally associated with mental disorder. . . . Opera scholars should find this work helpful, and specialists in gender studies will gain much from Winkler’s discussion of stereotypes, role reversals, pathological diagnoses, and so on. . . . Recommended.” —Choice