[PDF] The Celluloid Empire - eBooks Review

The Celluloid Empire


The Celluloid Empire
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The Celluloid Empire


The Celluloid Empire
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Author : Robert Henry Stanley
language : en
Publisher: Hastings House Book Publishers
Release Date : 1978

The Celluloid Empire written by Robert Henry Stanley and has been published by Hastings House Book Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with Business & Economics categories.


Not an aesthetic approach. Concentrates on the business aspects of motion picture production and distribution. Within each historical chapter, generally deals with one major studio at a time.



Lawrence Of Arabia


Lawrence Of Arabia
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Author : Abdullah AlMaaini
language : en
Publisher:
Release Date : 1999

Lawrence Of Arabia written by Abdullah AlMaaini and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with categories.




The Celluloid Courtroom


The Celluloid Courtroom
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Author : Ross D. Levi
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2005-03-30

The Celluloid Courtroom written by Ross D. Levi and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-03-30 with Performing Arts categories.


The genre of legal cinema is an extensive and revealing one: it is a body of films that depicts lawyers, clients, criminals, judges, and juries, often not as they actually are, but as we would like them to be. The idealized courtroom of many legal movies tells us a great deal about what we think of our justice system and what we want it to reflect about America, but the films in the genre vary widely in how they do this. From To Kill a Mockingbird to Liar, Liar, from A Time to Kill to Twelve Angry Men, we see certain stereotypes repeating themselves again and again: the judge as stern referee, the jury as an ultimately fair body of decisionmakers, the lawyer as hardworking and passionate fighter for the underdog. In this new and comprehensive study of this understudied category of film, author Ross D. Levi argues that, contrary to popular belief, legal movies show us a system that is far more fair than our actual one, with corruption downplayed and greed made subordinate to compassion and compromise. With a comprehensive filmography, penetrating analysis—both cinematic and legal—and engaging discussion of a wide array of movies, The Celluloid Courtroom is an indispensable guide to a key aspect of American movies and American justice. The genre of legal cinema is an extensive and revealing one: it is a body of films that depicts lawyers, clients, criminals, judges, and juries, often not as they actually are, but as we would like them to be. The idealized courtroom of many legal movies tells us a great deal about what we think of our justice system and what we want it to reflect about America, but the films in the genre vary widely in how they do this. From To Kill a Mockingbird to Liar, Liar, from A Time to Kill to Twelve Angry Men, we see certain stereotypes repeating themselves again and again: the judge as stern referee, the jury as an ultimately fair body of decisionmakers, the lawyer as hardworking and passionate fighter for the underdog. In this new and comprehensive study of this understudied category of film, author Ross D. Levi argues that, contrary to popular belief, legal movies show us a system that is far more fair than our actual one, with corruption downplayed and greed made subordinate to compassion and compromise. These are films that have affected as much as reflected the American justice system, as we enter the courts hoping, often against hope, that they will be something like what we've seen in the movies. With a comprehensive filmography, penetrating analysis—both legal and cinematic—and engaging and enlightening discussion, The Celluloid Courtroom is an indispensable guide to a key aspect of American movies and American justice.



The Decline Of The Hollywood Empire


The Decline Of The Hollywood Empire
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Author : Hervé Fischer
language : en
Publisher:
Release Date : 2006

The Decline Of The Hollywood Empire written by Hervé Fischer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Art categories.


The digital distribution has levelled the creative playing field between the towering Hollywood empire and marginalized independent artists and producers.



The Empire S Old Clothes


The Empire S Old Clothes
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Author : Ariel Dorfman
language : en
Publisher: Duke University Press
Release Date : 2010-01-05

The Empire S Old Clothes written by Ariel Dorfman and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-05 with Social Science categories.


In this powerful cultural critique, Ariel Dorfman explores the political and social implications of the smiling faces that inhabit familiar books, comics, and magazines. He reveals the ideological messages conveyed in works of popular culture such as the Donald Duck comics, the Babar children’s books, and Reader’s Digest magazine. The Empire’s Old Clothes was widely praised when it was first published in 1983. This edition, including a new preface by the author, makes a contemporary classic newly available.



The Cinema Book


The Cinema Book
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Author : Bloomsbury Publishing
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

The Cinema Book written by Bloomsbury Publishing and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.


The Cinema Book is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of exciting new sections and in-depth case studies. Sections address Hollywood and other World cinema histories, key genres in both fiction and non-fiction film, issues such as stars, technology and authorship, and major theoretical approaches to understanding film.



The Hollywood Story


The Hollywood Story
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Author : Joel Waldo Finler
language : en
Publisher: Wallflower Press
Release Date : 2003

The Hollywood Story written by Joel Waldo Finler and has been published by Wallflower Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Biography & Autobiography categories.


This fully revised and updated edition of an award-winning classic traces the history of Hollywood from the silent era to the present day. The Hollywood Storycomprehensively covers every aspect of movie-making in America, taking in nickelodeans, drive-ins and multiplexes; the transition from silent to sound, black and white to color; the relationships of producers, directors, stars and technicians; and the function and output of the studios - their major hits and most expensive flops.



Why Docudrama


Why Docudrama
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Author : Alan Rosenthal
language : en
Publisher: SIU Press
Release Date : 1999

Why Docudrama written by Alan Rosenthal and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Literary Criticism categories.


Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual filmmaking process, the eight essays in the second part focus on how "docudrama as a 'commodity' is created in the United States and England." Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including Battleship Potemkin, Roots, Reds, JFK, Mississippi Burning, Schindler's List, and In the Name of the Father.



The Attractive Empire


The Attractive Empire
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Author : Michael Baskett
language : en
Publisher: University of Hawaii Press
Release Date : 2008-03-19

The Attractive Empire written by Michael Baskett and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-03-19 with Performing Arts categories.


"Because imperialism has had such an appalling ideological reputation, we’ve lost sight of its excitement, the breathless anticipation of adventures in far-off lands. The Attractive Empire is a tour de force of enthralling historical scholarship that puts the appeal, and seductions, of imperialism on display, without underestimating its ugly consequences. Like its chosen subject, the book covers an astonishing array of texts, events, people, and issues. The clarity and vividness of the writing make it work effortlessly. Baskett’s organizational skills, narrative, and rhetoric deftly orchestrate a complex subject." —Darrell William Davis, University of New South Wales "Michael Baskett removes imperial Japanese film from its solitary confinement and commandingly analyzes how it functioned internationally. He commits a depth of research rarely found in English-language studies of Japanese cinema, and his mastery of the primary and secondary sources from beyond Japan’s borders distinctly set his book apart from previous scholarship on the subject. Not only is this a work that historians and film scholars will appreciate but also one that I look forward to assigning to undergraduates." —Barak Kushner, Cambridge University Japanese film crews were shooting feature-length movies in China nearly three decades before Akira Kurosawa’s Rashomon (1950) reputedly put Japan on the international film map. Although few would readily associate Japan’s film industry with either imperialism or the domination of world markets, the country’s film culture developed in lock step with its empire, which, at its peak in 1943, included territories from the Aleutians to Australia and from Midway Island to India. With each military victory, Japanese film culture’s sphere of influence expanded deeper into Asia, first clashing with and ultimately replacing Hollywood as the main source of news, education, and entertainment for millions. The Attractive Empire is the first comprehensive examination of the attitudes, ideals, and myths of Japanese imperialism as represented in its film culture. In this stimulating new study, Michael Baskett traces the development of Japanese film culture from its unapologetically colonial roots in Taiwan and Korea to less obvious manifestations of empire such as the semicolonial markets of Manchuria and Shanghai and occupied territories in Southeast Asia. Drawing on a wide range of previously untapped primary sources from public and private archives across Asia, Europe, and the United States, Baskett provides close readings of individual films and trenchant analyses of Japanese assumptions about Asian ethnic and cultural differences. Finally, he highlights the place of empire in the struggle at legislative, distribution, and exhibition levels to wrest the "hearts and minds" of Asian film audiences from Hollywood in the 1930s as well as in Japan’s attempts to maintain that hegemony during its alliance with Nazi Germany and Fascist Italy.



Early Cinema


Early Cinema
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Author : Thomas Elsaesser
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

Early Cinema written by Thomas Elsaesser and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.


In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood. The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers - Melies, Lumiere, Porter, and Griffith - while also suggesting new perspectives on major European filmmakers of the 1910s and 20s. Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema.