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The Cinema Of Ermanno Olmi

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The Cinema Of Ermanno Olmi

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Author : Ian Pettigrew
language : en
Publisher: McFarland
Release Date : 2020-10-30

The Cinema Of Ermanno Olmi written by Ian Pettigrew and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-30 with Performing Arts categories.

Ermanno Olmi is one of cinema's great, unsung filmmakers. Emerging onto the Italian art film scene just as the last canonical neo-realist movies were released in the late 1950s and early 1960s, several of Olmi's films, including Il Posto (1961), The Tree of Wooden Clogs (1978) and The Legend of the Holy Drinker (1988), won top prizes at Cannes and Venice. However, the majority of his work has remained unappreciated. This, the first English language book on Olmi, explores the director's style and evolving environmentalism, from his early, institutional short films, made while working at an Italian energy company, to his 19 feature films.

A Man Named Ermanno

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Author : Francesco Giarusso
language : en
Publisher:
Release Date : 2012

A Man Named Ermanno written by Francesco Giarusso and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with categories.

The Films Of Ermanno Olmi

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Author :
language : en
Publisher:
Release Date : 1983

The Films Of Ermanno Olmi written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983 with Hong Kong International Film Festival categories.

Reclaiming Realities

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Author : Ian D Pettigrew
language : en
Publisher:
Release Date : 2014

Reclaiming Realities written by Ian D Pettigrew and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with categories.

The self-evident reasons for a work needing to be written on Olmi are plenty: his films have won many major international film festival awards, having Godard proclaim I fidanzati to be one of the ten best films ever made, and being consistently quoted visually by filmmakers such as Martin Scorsese, Mike Leigh,and Ken Loach. (2008: pg.31)1. But Olmi's films can have a very personal significance once an adventurous viewer has discovered them, that invites further viewings. Through Olmi's singular style, we develop an interest in the characters of his films in a way that beckons us to explore our own selves and our relationships with others.

Cinema Di Ermanno Olmi

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Author : Tullio Masoni
language : it
Publisher:
Release Date : 1990

Cinema Di Ermanno Olmi written by Tullio Masoni and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with categories.

Vital Crises In Italian Cinema

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Author : P. Adams Sitney
language : en
Publisher: Oxford University Press
Release Date : 2013-03-01

Vital Crises In Italian Cinema written by P. Adams Sitney and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-03-01 with Performing Arts categories.

Examining the landmark works that ushered in Italy's golden age of cinema, P. Adams Sitney provides a stylish, historically rich survey of the epochal films made by Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Federico Fellini, Michelangelo Antonioni, and others in the years after World War II. Remarking on the period in 1957, Pier Paolo Pasolini wrote that its films reflected a "vital crisis" in Italian culture after the fall of Fascism. Sitney expands this conceit to demonstrate the multivalent social and political forces behind a range of movies made from the mid-1940s through the1960s that includes Paisa, La terra trema, Ladri di biciclette, L'Avventura, and La dolce vita. Throughout its pages, the book considers how the nation's cinema depicts the convergence of Christian and Resistance iconography; contemplates the debate over dialect and a national language; deploys cinematic effects for the purposes of political allegory; and incorporates insights from the psychoanalytic discourse that became popular in Italy during the fifties and sixties. This new edition includes an epilogue that extends the range of the study into the 1970s with discussions of Nanni Moretti's Io sono autaurchico, the Tavianis' Padre Padrone, and Ermanno Olmi's L'albero degli zoccoli.

Clocking Out

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Author : Karen Pinkus
language : en
Publisher: U of Minnesota Press
Release Date : 2020-03-17

Clocking Out written by Karen Pinkus and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-17 with Performing Arts categories.

An original reflection on Italy’s postwar boom considers potentials for resistance in today’s neoliberal (dis)order What can 1960s Italian cinema teach us about how to live and work today? Clocking Out challenges readers to think about labor, cinema, and machines as they are intertwined in complex ways in Italian cinema of the early ’60s. Drawing on critical theory and archival research, this book asks what kinds of fractures we might exploit for living otherwise, for resisting traditional narratives, and for anticapitalism. Italy in the 1960s was a place where the mass-producing factory was the primary mode of understanding what it meant to work, but it was also a time when things might have gone another way. This thinking and living differently appears in the cracks, lapses, or moments of film. Clocking Out is organized into scenes from an obscure 1962 Italian comedy (Renzo e Luciana, from Boccaccio 70). Reconsidering the origins of paradigms such as clocking in and out, “society is a factory,” and the gendered division of labor, Karen Pinkus challenges readers to think through cinema, enabling us to see gaps and breakdowns in the postwar order. She focuses on the Olivetti typewriter company and a little-known film from an Italian anthology movie, thinking with cinema about the power of the Autonomia movement, the refusal to work, and the questions of wages, paternalism, and sexual difference. Alternating microscopic attention to details and zooming outward, Pinkus examines rituals of production, automation, repetition, and fractures in a narrative of labor that begins in the 1960s and extends to the present—the age of the precariat, right-wing resentment, and nostalgia for an order that was probably never was.