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The Concept Of Form In The Twentieth Century


The Concept Of Form In The Twentieth Century
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The Concept Of Form In The Twentieth Century


The Concept Of Form In The Twentieth Century
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Author : Martin J. Buss
language : en
Publisher: Sheffield Phoenix Press Limited
Release Date : 2008

The Concept Of Form In The Twentieth Century written by Martin J. Buss and has been published by Sheffield Phoenix Press Limited this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Philosophy categories.


This study provides a history of the concept of form in the twentieth century CE, focusing on the rise and character of relational theory. To some extent drawing on older traditions, relational theory accepts some aspects of modern particularism but moves beyond it by holding that relations simultaneously separate and connect. Particularity and generality are seen as aspects of relationality, and forms are viewed as complexes of relations. Prominent features of a relational view include: an avoidance of rigid structures through an orientation toward probability; multiperspectivity; possibility, not just particular actuality; continuity between the human and the nonhuman; and a valuational rather than a neutral view of reality. Socially, relational theory has supported a combination of freedoms. It joins internal freedom, which values both body and mind, with both negative and positive external freedom, including "freedom from" external controls and "freedom for" the fulfillment of possibilities in cooperation with others. Politically, this ideal favors economic solidarity, respectful recognition of different "racial" or ethnic groups, women's liberation, increased sexual freedom, and ecological consciousness. Relational theory was not the only notable view of form in the twentieth century, however. More-or-less individualistic particularism was radicalized in nihilist and skeptical philosophies, and powerful versions of group particularism arose in fascism, Stalinism, and continuing imperialism. Caucasian male thinkers varied considerably in the degree to which they supported relational conceptions of form, but, not surprisingly in view of the connection between a relational view of form and interactive freedom, most women and non-Caucasian males advocated relational views. Some of the tension described can be viewed positively from the relational side, however, for according to information theory uncertainty provides an opportunity for communication.



Forms And Functions Of Twentieth Century Architecture Volume I The Elements Of Building


Forms And Functions Of Twentieth Century Architecture Volume I The Elements Of Building
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Author : Talbot Hamlin
language : en
Publisher:
Release Date : 1952

Forms And Functions Of Twentieth Century Architecture Volume I The Elements Of Building written by Talbot Hamlin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1952 with ARCHITECTURE categories.


Examines architecture in the 20th century by looking at the elements of building and structure as well as arches, vaults, roofs, gutters, and floors.



Bridging The Void


Bridging The Void
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Author : Martin Earle
language : en
Publisher:
Release Date : 2007

Bridging The Void written by Martin Earle and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with categories.




Forms And Functions Of Twentieth Century Architecture


Forms And Functions Of Twentieth Century Architecture
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Author : Talbot Faulkner Hamlin
language : en
Publisher:
Release Date : 1952

Forms And Functions Of Twentieth Century Architecture written by Talbot Faulkner Hamlin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1952 with Architecture, Modern categories.


"Prepared under the auspices of the School of Architecture of Columbia University."



Forms And Functions Of Twentieth Century Architecture The Elements Of Building


Forms And Functions Of Twentieth Century Architecture The Elements Of Building
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Author : Talbot Hamlin
language : en
Publisher:
Release Date : 1952

Forms And Functions Of Twentieth Century Architecture The Elements Of Building written by Talbot Hamlin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1952 with Architecture categories.


Looks at 20th century architecture by focusing on buildings for residence including houses, apartments, hotels, camps and dormitories and buildings for gatherings including churches, theaters, and auditoriums. Also looks at buildings for education and government.



Forms And Functions Of Twentieth Century Architecture In Four Volumes 1 The Elements Of Building


Forms And Functions Of Twentieth Century Architecture In Four Volumes 1 The Elements Of Building
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Author : Talbot Hamlin
language : en
Publisher:
Release Date : 1952

Forms And Functions Of Twentieth Century Architecture In Four Volumes 1 The Elements Of Building written by Talbot Hamlin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1952 with Architecture, Modern categories.




The Changing Sixth Form In The Twentieth Century


The Changing Sixth Form In The Twentieth Century
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Author : A D Edwards
language : en
Publisher: Routledge
Release Date : 2013-05-13

The Changing Sixth Form In The Twentieth Century written by A D Edwards and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05-13 with Education categories.


Originally published 1970.This book traces the history of the sixth form in Britain from the first decade of this century and follows the continuing debate over its function to the present day. It analyzes what kind of organisation is required to meet the demands of rising numbers and questions whether the needs of older adolescents can be better met in the "new" sixth form of the comprehensive school or in a separate type of sixth-form college. The book also discusses the balance between general and specialized courses.



Music In The Words Musical Form And Counterpoint In The Twentieth Century Novel


Music In The Words Musical Form And Counterpoint In The Twentieth Century Novel
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Author : Alan Shockley
language : en
Publisher: Routledge
Release Date : 2017-07-05

Music In The Words Musical Form And Counterpoint In The Twentieth Century Novel written by Alan Shockley and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


There is a strong tradition of literary analyses of the musical artwork. Simply put, all musicology - any writing about music - is an attempt at making analogies between what happens within the world of sound and language itself. This study considers this analogy from the opposite perspective: authors attempting to structure words using musical forms and techniques. It's a viewpoint much more rarely explored, and none of the extant studies of novelists' musical techniques have been done by musicians. Can a novel follow the form of a symphony and still succeed as a novel? Can musical counterpoint be mimicked by words on a page? Alan Shockley begins looking for answers by examining music's appeal for novelists, and then explores two brief works, a prose fugue by Douglas Hofstadter, and a short story by Anthony Burgess modeled after a Mozart symphony. Analyses of three large, emblematic attempts at musical writing follow. The much debated 'Sirens' episode of James Joyce's Ulysses, which the author famously likened to a fugue, Burgess' largely ignored Napoleon Symphony: A Novel in Four Movements, patterned on Beethoven's Eroica, and Joyce's Finnegans Wake, which Shockley examines as an attempt at composing a fully musicalized language. After these three larger analyses, Shockley discusses two quite recent brief novels, William Gaddis' novella Agapgape and David Markson's This is not a novel, proposing that each of these confounding texts coheres elegantly when viewed as a musically-structured work. From the perspective of a composer, Shockley offers the reader fresh tools for approaching these dense and often daunting texts.



Music Of The Twentieth Century


Music Of The Twentieth Century
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Author : Ton de Leeuw
language : en
Publisher: Amsterdam University Press
Release Date : 2005

Music Of The Twentieth Century written by Ton de Leeuw and has been published by Amsterdam University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Music categories.


Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.



On Line


On Line
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Author : Cornelia H. Butler
language : en
Publisher: The Museum of Modern Art
Release Date : 2010

On Line written by Cornelia H. Butler and has been published by The Museum of Modern Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art categories.


On Line: Drawing Through the Twentieth Century explores the radical transformation of drawing that began during the last century as numerous artists critically re-examined the traditional concepts of the medium. In a revolutionary departure from the institutional definition of drawing and from reliance on paper as the fundamental support material, artists instead pushed the line into real space, expanding the medium's relationship to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published in conjunction with an exhibition at The Museum of Modern Art, On Line presents a discursive history of mark-making through nearly 250 works by 100 artists, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum and Monika Grzymala, among many others. Essays by the curators illuminate individual practices and examine broader themes, such as the exploration of the line by the avant-garde and the relationship between drawing and dance.