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The Culture Of Pastiche


The Culture Of Pastiche
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Pastiche


Pastiche
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Author : Ingeborg Hoesterey
language : en
Publisher: Indiana University Press
Release Date : 2001

Pastiche written by Ingeborg Hoesterey and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Appropriation (Art). categories.


Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or--in the case of architects--the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualität von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth 0-253-33880-8 $45.95 L / £34.00 paper 0-253-21445-9 $19.95 s / £15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda



The Culture Of Pastiche


The Culture Of Pastiche
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Author : Jaidev
language : en
Publisher:
Release Date : 1993

The Culture Of Pastiche written by Jaidev and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Aestheticism (Literature) categories.


This Book Redefines The Concept Of Pastiche In Life As Well As In Art, To Make It Relevant In The Context Of Societies Which, For Non-Cultural Reasours, Find Themselves Naively Adopting, Instead Of Discriminately Adapting The Aggressive Codes Of Western Culture.



Americana Style A La Mode Retro Postmodern Pastiche Between Culture And Commodity


Americana Style A La Mode Retro Postmodern Pastiche Between Culture And Commodity
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Author : Irene Fowlkes
language : en
Publisher: GRIN Verlag
Release Date : 2009-06-16

Americana Style A La Mode Retro Postmodern Pastiche Between Culture And Commodity written by Irene Fowlkes and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-06-16 with Literary Collections categories.


Essay from the year 2006 in the subject American Studies - Literature, grade: A, University of Paderborn, language: English, abstract: An intriguing and controversial phenomenon in cultural theory is the fusion of high-and popular culture as characteristic of the postmodern period. Once provocative artists such as Brecht, Picasso and others had lost their subversive powers in school curricula and the museum and so were fully embraced by the bourgeoisie. In left wing reactionary fashion a new trend was born in British and American underground collectives, which aimed to incorporate the trivial and commercial into cultural expression. A new generation was on the move, which regarded an absolute distinction between elite–and mass production as extremely unhip. The most famous example is probably Andy Warhol’s pop art, which inevitably brings to mind stacked up Brillo boxes, Coca Cola bottles and Campbell soup cans, combining sophisticated painting techniques with mundane advertising images. When measured against the "real" culture of modernism, postmodernism signifies a culture of kitsch in much of the approach conceptualized by the leading American theorist Fredric Jameson. He puts a distinctly political spin on the concept of postmodernism in his book 'Postmodernism or the Cultural Logic of Late Capitalism'. He views it as the "cultural dominant" of global capitalism. What has happened is that aesthetic production today has become integrated into commodity production generally as a result of American economic domination. As an example of the practice of this new culture, Jameson utilizes cinema, which he regards as the preeminent postmodern medium, due to its emphasis on sight. Particular reference is given to Hollywood productions of the late 20th century. As a representation of this genre, my selection includes American Graffiti (1973), Pulp Fiction (1994), True Romance (1983), Back to the Future (1985), Peggy Sue got Married (1986) and Rumble Fish (1983). After closely viewing these movies their aesthetic style will be related back to the concepts of Jameson’s theory. My analysis will be guided by the assumption, that many of the features of the theory essentially will be affirmed, ultimately illustrating that the distinction between high and low art has in fact vanished.



Postmodernism Or The Cultural Logic Of Late Capitalism


Postmodernism Or The Cultural Logic Of Late Capitalism
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Author : Fredric Jameson
language : en
Publisher: Duke University Press
Release Date : 1992-01-06

Postmodernism Or The Cultural Logic Of Late Capitalism written by Fredric Jameson and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992-01-06 with Literary Criticism categories.


Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.



The Power Of Pastiche


The Power Of Pastiche
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Author : Alison DeSimone
language : en
Publisher: Liverpool University Press
Release Date : 2021-04-01

The Power Of Pastiche written by Alison DeSimone and has been published by Liverpool University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-01 with Music categories.


In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.



Pastiche


Pastiche
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Author : Ingeborg Hoesterey
language : en
Publisher: Indiana University Press
Release Date : 2001-04-22

Pastiche written by Ingeborg Hoesterey and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-04-22 with Art categories.


About cultural memory as a history of seeing and writing, this book traces the rise of the pastiche in the arts and popular culture.



V For Vendetta As Cultural Pastiche


V For Vendetta As Cultural Pastiche
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Author : James R. Keller
language : en
Publisher: McFarland
Release Date : 2014-11-04

V For Vendetta As Cultural Pastiche written by James R. Keller and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-04 with Performing Arts categories.


The 2005 James McTeigue and Wachowski Brothers film V for Vendetta represents a postmodern pastiche, a collection of fragments pasted together from the original Moore and Lloyd graphic novel of the same name, along with numerous allusions to literature, history, cinema, music, art, politics, and medicine. Paralleling the graphic novel, the film simultaneously reflects a range of authorial contributions and influences. This work examines in detail the intersecting texts of V for Vendetta. Subjects include the alternative dimensions of the cinematic narrative, represented in the film's conspicuous placement of the painting The Lady of Shalott in V's home; the film's overt allusions to the AIDS panic of the 1980s; and the ways in which antecedent narratives such as Terry Gilliam's Brazil, Huxley's Brave New World, and Bradbury's Fahrenheit 451 represent shadow texts frequently crossing through the overall V for Vendetta narrative.



Proust Pastiche And The Postmodern Or Why Style Matters


Proust Pastiche And The Postmodern Or Why Style Matters
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Author : James F. Austin
language : en
Publisher: Bucknell University Press
Release Date : 2013-08-28

Proust Pastiche And The Postmodern Or Why Style Matters written by James F. Austin and has been published by Bucknell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-08-28 with Literary Criticism categories.


Proust, Pastiche, and the Postmodern, or Why Style Matters argues against the traditional view that Marcel Proust wrote pastiches, that is, texts that imitate the style of another author, to master his literary predecessors while sharpening his writerly quill. On the contrary, James F. Austin demonstrates that Proust’s oeuvre, and In Search of Lost Time in particular, deploy pastiche to other ends: Proust’s pastiches, in fact, “do things with words” to create powerful real-world effects. His works are indeed performative acts that forge social relationships, redefine our ideas of literature, and even work against oppressive political and economic discourses. Building on the “speech-act” theory of J.L. Austin, Jacques Derrida, and J. Hillis Miller, and on the postmodern theory of Fredric Jameson, this book not only elucidates the performative nature of pastiche, but also shows that the famous “Goncourt” pastiche from In Search of Lost Time has attracted so much attention because it already attained the postmodern; that is, it eliminated temporal depth and experience, transforming time itself into a nostalgic style of an era, and into the sort of aestheticized surface that came to define postmodernism decades later. To reflect this transformation of pastiche, this work rearticulates its history in France around Proust. Reconfiguring a scholastic, classically-inspired pedagogical tradition based on imitation, and breaking with the dominant satirical practice, Proust’s work opened up possibilities in the twentieth century for a new kind of pastiche: playful and performative in the literary field, and postmodern in a French cinema that, as with the Goncourt pastiche, represents time as the visual style of an era, whether unreflexively in “heritage” films such as Régis Wargnier’s Indochine, or discerningly in Eric Rohmer’s Lady and the Duke, which uses period pictorial and painterly conventions to illustrate how the representation of history onscreen typically flattens time into style.



Par Dia Pastiche


Par Dia Pastiche
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Author :
language : en
Publisher:
Release Date : 1994

Par Dia Pastiche written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Arts categories.




Pastiche Fashion And Galanterie In Chardin S Genre Subjects


Pastiche Fashion And Galanterie In Chardin S Genre Subjects
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Author : Paula Radisich
language : en
Publisher: Rowman & Littlefield
Release Date : 2013-12-12

Pastiche Fashion And Galanterie In Chardin S Genre Subjects written by Paula Radisich and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-12 with Art categories.


This book analyzes the genre subjects created by Jean Siméon Chardin in the 1730s and 1740s as exemplars of a period-specific aesthetic known as the goût moderne or Modern taste, a category shaped by the literary Quarrel of the Ancients versus the Moderns.