The End Of Modernism In English Poetry
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The End Of Modernism In English Poetry
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Author : Rainer Emig
language : en
Publisher:
Release Date : 1992
The End Of Modernism In English Poetry written by Rainer Emig and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with English poetry categories.
The New University Wits And The End Of Modernism
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Author : William Van O'Connor
language : en
Publisher:
Release Date : 1963
The New University Wits And The End Of Modernism written by William Van O'Connor and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1963 with English literature categories.
Modernism In Poetry
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Author : Rainer Emig
language : en
Publisher: Longman Publishing Group
Release Date : 1995
Modernism In Poetry written by Rainer Emig and has been published by Longman Publishing Group this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Literary Criticism categories.
The books in this series provide students of twentieth-century literature with some of the most advanced scholarly and critical work in the field in a lucid and accessible form.
Beginning At The End
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Author : Robert Stilling Stilling
language : en
Publisher: Harvard University Press
Release Date : 2018-02-23
Beginning At The End written by Robert Stilling Stilling and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-23 with Law categories.
During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were “beginning at the end,” skipping the inventive phase of youth for a decadence thought more typical of Europe’s declining empires. Robert Stilling takes up Fanon’s assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art. In Stilling’s account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art’s sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siècle figures such as Wilde questioned the imperial ideologies of their own era. Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups—European decadents and postcolonial artists—maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions.
Poetic Modernism In The Culture Of Mass Print
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Author : Bartholomew Brinkman
language : en
Publisher: JHU Press
Release Date : 2016-12-15
Poetic Modernism In The Culture Of Mass Print written by Bartholomew Brinkman and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-15 with Literary Criticism categories.
How scrapbooking, book collecting, and other ways of handling print media informed modernist poetry. In Poetic Modernism in the Culture of Mass Print, Bartholomew Brinkman argues that an emerging mass print culture conditioned the production, reception, and institutionalization of poetic modernism from the latter part of the nineteenth century through the middle of the twentieth century—with lasting implications for the poetry and media landscape. Drawing upon extensive archival research in the United States and Britain, Brinkman demonstrates that a variety of print collecting practices—including the anthology, the periodical, the collage poem, volumes of selected and collected poems, and the modern poetry archive—helped structure key formal and institutional sites of poetic modernism. Brinkman focuses on the generative role of book collecting practices and the negotiation of print ephemera in scrapbooks. He also traces the evolution of the modern poetry archive as a particular case of the mid-twentieth-century rise of literary archives and identifies parallels between the beginning of mass print culture at the end of the nineteenth century and the growth of digital culture today. Advocating for a transatlantic modernism that stretches roughly from 1880 to 1960—one that incorporates both popular and canonical poets—Brinkman successfully extends the geographical, historical, and vertical dimensions of modernist studies. Poetic Modernism in the Culture of Mass Print will appeal not only to scholars and students of literary modernism, modern periodical studies, book history, print culture, media studies, history, art history, and museum studies but also to librarians, archivists, museum curators, and information science professionals.
Modern Poetry After Modernism
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Author : James Longenbach
language : en
Publisher: Oxford University Press
Release Date : 1997-11-27
Modern Poetry After Modernism written by James Longenbach and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-11-27 with Literary Criticism categories.
In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of postmodern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets--John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur--Longenbach reveals that American poets since mid- century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time-- without asking us to choose between them.
Locations Of Literary Modernism
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Author : Alex Davis
language : en
Publisher: Cambridge University Press
Release Date : 2000-10-05
Locations Of Literary Modernism written by Alex Davis and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-10-05 with Literary Criticism categories.
In this 2000 collection, an international team of contributors examine relationships between modernist poetry and place.
A History Of Modernist Poetry
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Author : Alex Davis
language : en
Publisher: Cambridge University Press
Release Date : 2015-04-27
A History Of Modernist Poetry written by Alex Davis and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-27 with Literary Criticism categories.
A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.
Modernism From The Margins
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Author : Chris Wigginton
language : en
Publisher: University of Wales Press
Release Date : 2020-10-01
Modernism From The Margins written by Chris Wigginton and has been published by University of Wales Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-01 with Literary Criticism categories.
“Modernism from the Margins” is an accessible and challenging account of the 1930s writing of two of the most popular authors of the time. Locating the work of Louis MacNeice and Dylan Thomas historically, the book questions standard accounts of the period as Auden-dominated and offers an inclusive and theoretical account of the engagement of both writers with the varieties of Modernism. It is the first reading at length of either MacNeice’s or Thomas’s work in the light of literary theory, and one of only a handful of texts to look at the writing of the 1930s in these terms.This book is an important contribution to contemporary discussions of both of these writers, and of the general issues of modernism, postmodernism, literary identity, and cultural identity it raises.
The Cambridge Introduction To Modernist Poetry
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Author : Peter Howarth
language : en
Publisher: Cambridge University Press
Release Date : 2011-11-10
The Cambridge Introduction To Modernist Poetry written by Peter Howarth and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-10 with Literary Criticism categories.
Modernist poems are some of the twentieth-century's major cultural achievements, but they are also hard work to read. This wide-ranging introduction takes readers through modernism's most famous poems and some of its forgotten highlights to show why modernists thought difficulty and disorientation essential for poetry in the modern world. In-depth chapters on Pound, Eliot, Yeats and the American modernists outline how formal experiments take on the new world of mass media, democracies, total war and changing religious belief. Chapters on the avant-gardes and later modernism examine how their styles shift as they try to re-make the community of readers. Howarth explains in a clear and enjoyable way how to approach the forms, politics and cultural strategies of modernist poetry in English.