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The French Popular Theatre


The French Popular Theatre
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Theatre And State In France 1760 1905


Theatre And State In France 1760 1905
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Author : Frederick William John Hemmings
language : en
Publisher: Cambridge University Press
Release Date : 1994-02-25

Theatre And State In France 1760 1905 written by Frederick William John Hemmings and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-02-25 with Drama categories.


Relations between theatre and state were seldom more fraught in France than in this period. F. W. J. Hemmings traces the vicissitudes of this perennial conflict.



The French Popular Theatre


The French Popular Theatre
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Author : Ruth Ann Weiner
language : en
Publisher:
Release Date : 1973

The French Popular Theatre written by Ruth Ann Weiner and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973 with Theater categories.




The Origins Of The French Popular Theatre


The Origins Of The French Popular Theatre
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Author : David James Fisher
language : en
Publisher:
Release Date : 1977

The Origins Of The French Popular Theatre written by David James Fisher and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with categories.




Popular Theatre And Political Utopia In France 1870 1940


Popular Theatre And Political Utopia In France 1870 1940
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Author : Jessica Wardhaugh
language : en
Publisher: Springer
Release Date : 2017-10-20

Popular Theatre And Political Utopia In France 1870 1940 written by Jessica Wardhaugh and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-20 with Performing Arts categories.


This book is the first study of popular theatre in France from left to right, exploring how theatre shapes political acts, ideals, and communities in the modern world. As the French found innovative ways of imagining culture and politics in the age of the masses, popular theatre became central to the republican project of using art to create citizens, using secular spaces for the experience of civic communion. But while state projects often faltered in finding playwrights, locations, and audiences, popular theatre flourished on the political and geographical peripheries. Drawing on extensive archival research, this book illuminates lost worlds of political conviviality, from anarchist communes and clandestine agit-prop drama to royalist street politics and right-wing mass spectacle. It reveals new connections between French initiatives and their European counterparts, and demonstrates the enduring strength of radical communities in shaping political ideals and engagement.



Stage Directors In Modern France


Stage Directors In Modern France
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Author : David Whitton
language : en
Publisher: Manchester, UK : Manchester University Press
Release Date : 1987

Stage Directors In Modern France written by David Whitton and has been published by Manchester, UK : Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Performing Arts categories.


"This book offers an introduction to seventeen key figures in French stagecraft. It is not a systematic study of mise en scène. Readers can consult the sections on individual directors who most interest them. But those who take the study as a whole will also ... find a guide to the changing attitudes and assumptions, the new ideas and controversies, that have shaped the French stage during the last hundred years."--Preface.



An Introduction To The French Theatre


An Introduction To The French Theatre
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Author : Peter D. Arnott
language : en
Publisher: Totowa, N.J. : Rowman and Littlefield
Release Date : 1977

An Introduction To The French Theatre written by Peter D. Arnott and has been published by Totowa, N.J. : Rowman and Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with French drama categories.




The Popular Theater Movement In France


The Popular Theater Movement In France
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Author : Helen Whitman Machan
language : en
Publisher:
Release Date : 1950

The Popular Theater Movement In France written by Helen Whitman Machan and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1950 with Revue d'art dramatique categories.




The Theatre Of The French Revolution


The Theatre Of The French Revolution
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Author : Marvin Carlson
language : en
Publisher: Ithaca, N.Y : Cornell University Press
Release Date : 1966

The Theatre Of The French Revolution written by Marvin Carlson and has been published by Ithaca, N.Y : Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1966 with France categories.




Quest For A Public


Quest For A Public
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Author : Vera Lee
language : en
Publisher:
Release Date : 1970

Quest For A Public written by Vera Lee and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with French drama categories.




Discriminating Democracy


Discriminating Democracy
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Author : Emmanuelle Sandrine Chapin
language : en
Publisher: Stanford University
Release Date : 2011

Discriminating Democracy written by Emmanuelle Sandrine Chapin and has been published by Stanford University this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with categories.


The dissertation analyzes the projects of popular theater devised by the republican governments and assemblies, 1878 to 1893, in order to understand the conflicted point of view of republicans with regard to the democratization of art. In the 1880s, the four state-subsidized theaters (the Opéra, the Opéra-Comique, the Comédie-Française, and the Odéon) had a very select audience. Yet, republicans were divided on the issue of its diversification. On the one hand, the purportedly inferior moral capacities of the popular public made dramatic performances hazardous without a prior education of its will. On the other hand, it was fair to let people who paid for the upkeep of state-subsidized theaters access these institutions and to fulfill the wish of a significant part of the population to acquaint themselves with high-brow culture. The successive projects of popular theater represent the various solutions imagined by republican governments to reconcile two contradictory impulses, democratization and discrimination. They show how a culture of prejudices, inherited from previous regimes, progressively came to terms with a new conception of justice, more respectful of individuals' autonomy and sovereignty. At the end of the 1870s, the minister of public instruction and fine arts Agénor Bardoux denied that the state had any responsibility to democratize art. He variously argued that democratization happened spontaneously or that the artistic mission of the state did not include the dissemination of works. Jules Ferry believed that the state owed a theater to the lower classes, but, convinced that lower classes were inferior in their aptitudes, he imagined a popular lyric theater that would be the pale copy of the Opéra. Finally, Léon Bourgeois accepted the director of the Opéra's proposition that the institution should organize reduced-price performances. Bourgeois thought it more conducive to social peace to promote a common culture than to cultivate separate class identities. In his mind, the difference between the people and the elite should consist in their respective degrees of exposure to high-brow culture. The study of theatrical democratization in the 1880s shows that French republicans abided by two principles of government. One, which reflected the republicans' universalist credo, advocated the equal treatment of individuals by virtue of their equal rights. The other, inspired by utilitarian tenets, defended the differentiated treatment of individuals on the grounds of their unequal aptitudes. This dissertation argues that the ambiguity of the notion of merit in the republicans' discourse (did it lie in the essence of a social group or was it the result of individuals' actions?) informed a tension between the desire to extend liberties and democratize elite practices, on the one hand, and the perceived necessity to control activities and discriminate against the people, on the other.