The French Revolution And The London Stage 1789 1805
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The French Revolution And The London Stage 1789 1805
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Author : George Taylor
language : en
Publisher: Cambridge University Press
Release Date : 2000
The French Revolution And The London Stage 1789 1805 written by George Taylor and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Drama categories.
This 2001 book looks at how British drama and popular entertainment were affected by the French Revolution and Napoleonic Wars.
The Arms Bearing Woman And British Theatre In The Age Of Revolution 1789 1815
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Author : Sarah Burdett
language : en
Publisher: Springer Nature
Release Date : 2023-05-20
The Arms Bearing Woman And British Theatre In The Age Of Revolution 1789 1815 written by Sarah Burdett and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-05-20 with Literary Criticism categories.
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
The Cambridge Companion To British Literature Of The French Revolution In The 1790s
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Author : Pamela Clemit
language : en
Publisher: Cambridge University Press
Release Date : 2011-02-10
The Cambridge Companion To British Literature Of The French Revolution In The 1790s written by Pamela Clemit and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-02-10 with History categories.
The first major collection of essays to provide a comprehensive examination of the British literature of the French Revolution.
Charles Dickens A Tale Of Two Cities And The French Revolution
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Author : C. Jones
language : en
Publisher: Springer
Release Date : 2009-05-26
Charles Dickens A Tale Of Two Cities And The French Revolution written by C. Jones and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-05-26 with Literary Criticism categories.
A Tale of Two Cities has always been one of Dickens's most popular texts. Using a variety of disciplinary approaches, this new collection of essays examines the origins of Dickens vision of the French Revolution, the literary power of the text itself, and its enduring place in British culture through stage and screen adaptations.
British Music And The French Revolution
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Author : Paul F. Rice
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2010-04-16
British Music And The French Revolution written by Paul F. Rice and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-16 with Performing Arts categories.
British Music and the French Revolution investigates the nature of British musical responses to the cataclysmic political events unfolding in France during the period of 1789–1795, a time when republican and royalist agendas were in conflict in both nations. While the parallel demands for social and political change resulted from different stimuli, and were resolved very differently, the 1790s proved to be a defining period for each country. In Britain, the combination of a protracted period of Tory conservatism, and the strong spirit of patriotism which swept the nation, had a profound influence on the arts. There was an outpouring of concert and theatrical music dealing with the French Revolution and the subsequent war with France. While patriotic songs might be expected when a country is at war, the number of recreations on the London stages of events taking place on the Continent may surprise. Initially, such topical subjects were restricted to the summer or “minor” theatres; however, government restrictions were relaxed after 1793, giving Londoners the opportunity to see topical theatre in the royal or “patent” theatres, as well. The resulting repertoire of plays and recreations (often propagandist in nature) made considerable use of music, and those performed in the “minor” theatres were all-sung. Consequently, there exists a large repertoire of music which has been little studied. British Music and the French Revolution investigates this repertoire within a social and political context. Initial chapters examine the historical relationship between France and Britain from a musical perspective, the powerful symbols of national identity in both countries, and the complex laws that governed commercial theatres in London. Thereafter, the materials are presented in a chronological fashion, starting with the fall of the Bastille in 1789, and the Fête de la Fédération in 1790. The period of the Captivity was one of growing tension and fear in both France and Britain as war became an ever-increasing threat between the two nations. Two subsequent chapters examine the war years of 1793 until first half of 1795. The choice of a five-year period allows the reader to follow British musical reactions to the fall of the Bastille and subsequent events up to the rise of Napoléon.
The Gothic Novel And The Stage
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Author : Francesca Saggini
language : en
Publisher: Routledge
Release Date : 2015-08-12
The Gothic Novel And The Stage written by Francesca Saggini and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-12 with Literary Criticism categories.
In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
The Sentimental Theater Of The French Revolution
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Author : Cecilia Feilla
language : en
Publisher: Routledge
Release Date : 2016-03-03
The Sentimental Theater Of The French Revolution written by Cecilia Feilla and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-03 with Performing Arts categories.
Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.
New Readings In Theatre History
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Author : Jacqueline S. Bratton
language : en
Publisher: Cambridge University Press
Release Date : 2003-11-27
New Readings In Theatre History written by Jacqueline S. Bratton and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-11-27 with Drama categories.
Table of contents
The French Revolution A History
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Author : Thomas Carlyle
language : en
Publisher:
Release Date : 1888
The French Revolution A History written by Thomas Carlyle and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1888 with France categories.
Time And The French Revolution
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Author : Matthew John Shaw
language : en
Publisher: Boydell & Brewer Ltd
Release Date : 2011
Time And The French Revolution written by Matthew John Shaw and has been published by Boydell & Brewer Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with History categories.
A history of the innovation and effects of the French Republican Calendar. The French Republican Calendar was perhaps the boldest of all the reforms undertaken in Revolutionary France. Introduced in 1793 and used until 1806, the Calendar not only reformed the weeks and months of the year, but decimalisedthe hours of the day and dated the year from the beginning of the French Republic. This book not only provides a history of the calendar, but places it in the context of eighteenth-century time-consciousness, arguing that the French were adept at working within several systems of time-keeping, whether that of the Church, civil society, or the rhythms of the seasons. Developments in time-keeping technology and changes in working patterns challenged early-modern temporalities, and the new calendar can also be viewed as a step on the path toward a more modern conception of time. In this context, the creation of the calendar is viewed not just as an aspect of the broader republican programme of social, political and cultural reform, but as a reflection of a broader interest in time and the culmination of several generations' concern with how society should be policed. Matthew Shaw is a curatorat the British Library, London.