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The Fringe Of An Art Appreciations In Music

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The Fringe Of An Art

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Author : Vernon Blackburn
language : en
Publisher:
Release Date : 1898

The Fringe Of An Art written by Vernon Blackburn and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1898 with Music categories.

The Fringe Of An Art Appreciations In Music

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Author : Vernon Blackburn
language : en
Publisher:
Release Date : 1908

The Fringe Of An Art Appreciations In Music written by Vernon Blackburn and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1908 with categories.

Fringe Of An Art Appreciations

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Author : Vernon D. 1907 Blackburn
language : en
Publisher:
Release Date : 2016-08-26

Fringe Of An Art Appreciations written by Vernon D. 1907 Blackburn and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-26 with History categories.

The Fringe Of An Art Appreciations In Music By Vernon Blackburn

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Author : Vernon Blackburn
language : en
Publisher:
Release Date : 1898

The Fringe Of An Art Appreciations In Music By Vernon Blackburn written by Vernon Blackburn and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1898 with categories.

The Oxford Handbook Of Music And Intellectual Culture In The Nineteenth Century

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Author : Paul Watt
language : en
Publisher: Oxford University Press
Release Date : 2020-08-04

The Oxford Handbook Of Music And Intellectual Culture In The Nineteenth Century written by Paul Watt and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-04 with Music categories.

Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.

Music Theater And Cultural Transfer

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Author : Annegret Fauser
language : en
Publisher: University of Chicago Press
Release Date : 2009-12-15

Music Theater And Cultural Transfer written by Annegret Fauser and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-12-15 with Music categories.

Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.