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The Great War And The Golden Age Of Hollywood Horror


The Great War And The Golden Age Of Hollywood Horror
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The Great War And The Golden Age Of Hollywood Horror


The Great War And The Golden Age Of Hollywood Horror
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Author : R Bruce Crelin
language : en
Publisher:
Release Date : 2021-04-02

The Great War And The Golden Age Of Hollywood Horror written by R Bruce Crelin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-02 with categories.


Every fan of the Universal Horror films of the 1930s knows that James Whale directed four of the best of those films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933), and Bride of Frankenstein (1935). But do they know he served as a Second Lieutenant in the British Army on the Western Front in the First World War, going to France in July 1916 and serving in the trenches? Do they know the details of his service? Do they know he was captured by the Germans in August 1917 and spent some 16 months in a German P.O.W. camp? Do they know he participated with the prisoners' theatrical troupe while in the camp, and this led to his career on the stage? Do they know the details of how his first big break as a theater director came when he helmed Journey's End, first in London and then on Broadway, a war play written by R.C. Sherriff, who had also served as a British officer on the Western Front? The details of how his first break as a credited film director came with the movie version of Journey's End? That The Old Dark House is based upon Benighted, a novel by J.B. Priestley, who also served in the British Army on the Western Front, and that Great War themes figure prominently in both the novel and the film? Do they know about the influences of Great War themes in James Whale's films? In The Great War and the Golden Age of Hollywood Horror, the reader will explore all these things, in detail, and will also read about other participants in the Universal Horrors who were involved in the War, and how the War influenced other aspects of those Universal films as well-down to the village sets used in nearly every Universal horror movie from Frankenstein through the 1940s. Little, if any, in-depth coverage of these topics exists. This book will take the reader over new ground, while revisiting old subjects with a new twist. The decade of the 1930s is generally regarded as the "Golden Age" of the American horror film, with Universal as the studio which set the trend. Indeed, the term "horror film" arose when, following the success of Dracula (1930), 1 Universal declared its intention to make "another horror film."2 That "other" horror film was, of course, Frankenstein (1931). The decade would see a string of horror films from Universal, including Murders in the Rue Morgue (1931), The Old Dark House (1932), The Mummy (1932), The Invisible Man (1933), The Black Cat (1934), Bride of Frankenstein (1935), Werewolf of London (1935), The Raven (1935), The Invisible Ray (1935), Dracula's Daughter (1936), and Son of Frankenstein (1938). James Whale directed four of these films: Frankenstein, The Old Dark House, The Invisible Man, and Bride of Frankenstein, which are generally regarded by critics and fans alike as among the very best of these Golden Age Horrors. Whale, and other creative talents involved in these films, served with the British Army on the Western Front and saw combat in the First World War. The War influenced other Universal Horrors, as well. This book will detail the War experiences of these individuals, and explore how those experiences, as well as the War itself, helped to shape Universal's Golden Age Horrors. In coming up with this idea,



Wasteland


Wasteland
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Author : W. Scott Poole
language : en
Publisher: Catapult
Release Date : 2018-10-16

Wasteland written by W. Scott Poole and has been published by Catapult this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-16 with Literary Criticism categories.


Historian and Bram Stoker Award nominee W. Scott Poole traces the confluence of military history, technology, and art that gave us modern horror films and literature. From Nosferatu to Frankenstein’s monster, from Fritz Lang to James Whale, the touchstones of horror can all trace their roots to the bloodshed of the First World War. Bram Stoker Award nominee W. Scott Poole traces the confluence of military history, technology, and art in the wake of World War I to show how overwhelming carnage gave birth to a wholly new art form: modern horror films and literature. "Thoroughly engrossing cultural study . . . Poole persuasively argues that the birth of horror as a genre is rooted in the unprecedented destruction and carnage of WWI." —Publishers Weekly (starred review)



Hollywood Cauldron


Hollywood Cauldron
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Author : Gregory William Mank
language : en
Publisher: McFarland
Release Date : 2010-06-21

Hollywood Cauldron written by Gregory William Mank and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-21 with Performing Arts categories.


Thirteen of Hollywood's horror classics in detail: Dr. Jekyll and Mr. Hyde (1931), The Old Dark House(1932), The Mask of Fu Manchu (1932), Mark of the Vampire (1935), Mad Love (1935), The Black Room (1935), The Walking Dead (1936), Cat People (1942), Bluebeard (1944), The Lodger (1944), The Picture of Dorian Gray (1945), Hangover Square (1945) and Bedlam (1946). From original interviews and research, the styles of the various studios (from giant M-G-M to Poverty Row's PRC), along with the performers, directors, and backstage events, are examined.



The Great War In Hollywood Memory 1918 1939


The Great War In Hollywood Memory 1918 1939
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Author : Michael Hammond
language : en
Publisher: State University of New York Press
Release Date : 2019-12-01

The Great War In Hollywood Memory 1918 1939 written by Michael Hammond and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-01 with Performing Arts categories.


This is the definitive account of how America's film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war's memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade, Grand Hotel, Hell's Angels, The Black Cat, and Wings. Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry.



Golden Horrors


Golden Horrors
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Author : Bryan Senn
language : en
Publisher: McFarland
Release Date : 2015-09-03

Golden Horrors written by Bryan Senn and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-03 with Performing Arts categories.


From the grindhouse oddities to major studio releases, this work details 46 horror films released during the genre's golden era. Each entry includes cast and credits, a plot synopsis, in-depth critical analysis, contemporary reviews, time of release, brief biographies of the principal cast and crew, and a production history. Apart from the 46 main entries, 71 additional "borderline horrors" are examined and critiqued in an appendix.



Dracula


Dracula
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Author : Marius-Mircea Crișan
language : en
Publisher: Springer
Release Date : 2017-11-11

Dracula written by Marius-Mircea Crișan and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-11 with Performing Arts categories.


This volume analyses the role of Bram Stoker’s Dracula and its sequels in the evolution of the Gothic. As well as the transformation of the Gothic location—from castles, cemeteries and churches to the modern urban gothic—this volume explores the evolution of the undead considering a range of media from the 19th century protagonist to sympathetic contemporary vampires of teen Gothic. Based on an interdisciplinary approach (literature, tourism, and film), the book argues that the development of the Dracula myth is the result of complex international influences and cultural interactions. Offering a multifarious perspective, this volume is a reference work that will be useful to both academic and general readers.



Censored Screams


Censored Screams
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Author : Tom Johnson
language : en
Publisher: McFarland
Release Date : 2006-07-05

Censored Screams written by Tom Johnson and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-07-05 with Performing Arts categories.


As Dracula (1931) and Frankenstein (1931) ushered in the golden age of horror films in the United States, studios and distributors were faced with a major problem in their number one overseas market: the British Board of Film Censors (BBFC) were demanding extensive cuts, enforcing age restrictions, and banning outright many of Hollywood's horror movies. The issue most often used to limit the showing of horror films was their "unsuitability" to children. With that in mind, the BBFC developed specific film codes--the "A" (for adults) and the "H" (for horrific), both of which restricted viewing to those 16 or older--and then applied them liberally. This work examines how and why horror films were censored or banned in the United Kingdom, and the part these actions played in ending Hollywood's golden age of horror.



Hollywoods Pre Code Horrors 19


Hollywoods Pre Code Horrors 19
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Author : Raymond Valinoti Jr
language : en
Publisher: BearManor Media
Release Date : 2017-01-04

Hollywoods Pre Code Horrors 19 written by Raymond Valinoti Jr and has been published by BearManor Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-04 with Performing Arts categories.


In the first few years of the Great Depression, before the Production Code was rigidly enforced in 1934, Hollywood took advantage of its laxity, producing racy and violent films that titillated filmgoers and outraged reformers. The American horror genre blossomed during this time and the studios exploited its lurid possibilities. The results were both shocking and controversial. Some of these films remain unsettling today. Hollywood's Pre-Code Horrors 1931-1934 appraises all of these films, from Dracula (1931), which spearheaded the American horror market, to The Black Cat (1934), the last chiller released before the strengthening of the Code. Each film is thoroughly analyzed, not only in its insinuations and/or portrayals of sex and violence, but in the context of the era in which it was made and the reactions of critics and filmgoers during this time. Raymond Valinoti, Jr. is a resident of Berkeley Heights, NJ. He has a Master's in Library Science from Rutgers University and is a freelance researcher. He is also the author of Another Nice Mess: The Laurel and Hardy Story. His articles on films have been published in the magazines Midnight Marquee and Films of the Golden Age.



The Crisis Of Identity In Contemporary Japanese Film


The Crisis Of Identity In Contemporary Japanese Film
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Author : Timothy Iles
language : en
Publisher: BRILL
Release Date : 2008

The Crisis Of Identity In Contemporary Japanese Film written by Timothy Iles and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Performing Arts categories.


This study, from a variety of analytical approaches, examines ways in which contemporary Japanese film presents a critical engagement with Japan's project of modernity to demonstrate the 'crisis' in conceptions of identity. The work discusses gender, the family, travel, the 'everyday' as horror, and ways in which animated films can offer an ideal space in which an ideal conception of identity may emerge and thrive. It presents close, theoretically-informed textual analyses of the thematic issues contemporary Japanese films raise, through a wide range of genres, from comedy, family drama, and animation, to science fiction and horrror by directors such as Kurosawa Kiyoshi, Morita Yoshimitsu, Miike Takashi, Oshii Mamoru, Kon Satoshi, and Miyazaki Hayao, in language that is accessible but precise.



Un Representing The Great War


Un Representing The Great War
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Author : Mariavita Cambria
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2019-01-03

Un Representing The Great War written by Mariavita Cambria and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-03 with History categories.


This collection of essays investigates the multifarious meanings of the Great War considered from a multifaceted perspective as the event that opens up the cultural history of the 20th century. After an introduction delineating ‘unrepresentability’, the core methodological issue of the book, the volume brings together many different strands of analysis and is divided into two main sections: the first provides a cultural and philosophical framework while the second explores specific linguistic and literary issues. Given the variety of perspectives and methodological approaches adopted by the contributors, the volume offers original and useful insights into WWI. The underlying rationale of the book, remaining faithful to the catastrophe of the war, without transforming it into a mere object of scientific investigation or ideological interpretation, helps to shed light on contemporary scenarios.