The Hymns And Hymn Melodies Of The Passions And Oratorios
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The Hymns And Hymn Melodies Of The Passions And Oratorios
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Author : Charles Sanford Terry
language : en
Publisher:
Release Date : 1915
The Hymns And Hymn Melodies Of The Passions And Oratorios written by Charles Sanford Terry and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1915 with Chorale categories.
Bach S Chorals
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Author : Charles Sanford Terry
language : en
Publisher:
Release Date : 1979
Bach S Chorals written by Charles Sanford Terry and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with categories.
Bach S Chorals Vol 1
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Author : Charles Sanford Terry
language : en
Publisher: Forgotten Books
Release Date : 2017-11-21
Bach S Chorals Vol 1 written by Charles Sanford Terry and has been published by Forgotten Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-21 with Music categories.
Excerpt from Bach's Chorals, Vol. 1: The Hymns and Hymn Melodies of the "Passions" And Oratorios English translations of the Hymn are noted in the Dictionary of Hymnology, pp. 517, 1648. Form. Simple (flutes, Strings, Organ. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Bach S Chorals Vol 1 The Hymns And Hymn Melodies Of The Passions And Oratorios
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Author : Charles Sanford Terry
language : en
Publisher:
Release Date : 1915
Bach S Chorals Vol 1 The Hymns And Hymn Melodies Of The Passions And Oratorios written by Charles Sanford Terry and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1915 with categories.
Bach S Chorals Part I
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Author : Charles Terry
language : en
Publisher:
Release Date : 2013-10-14
Bach S Chorals Part I written by Charles Terry and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-14 with categories.
An excerpt from the Preface: "Since we rarely know the history of a melody before it became attached to a hymn, the name of which it henceforth bears, it is difficult to decide which melodies were adopted and which composed by the musicians of the Reformation.... On the whole the number of musicians who wrote melodies for the Church was not large, not because at that time there were no musicians capable of the work, but rather because their services were not called for. For a new melody to become a true folk-melody, of the kind that would gain immediate acceptance everywhere, was a difficult process, requiring a long period of time. It was much more natural to impress existing melodies into the service of the Church, sacred melodies at first, and then, when these did not suffice, secular ones. The Reformed Church made the most abundant use of this latter source.... For the Reformation it was a question of much more than acquiring serviceable melodies. While it brought the folk-song into religion, it wished to elevate secular art in general. That the object was conversion rather than simple borrowing is shown by the title of a collection that appeared at Frankfort in 1571: 'Street songs, cavalier songs, mountain songs, transformed into Christian and moral songs, for the abolishing in course of time of the bad and vexatious practice of singing idle and shameful songs in the streets, in fields, and at home, by substituting for them good, sacred, honest words.'... Any foreign melody that had charm and beauty was stopped at the frontier and pressed into the service of the [Church].... When the treasures of melody to be drawn upon were at last exhausted, there came the epoch of the composer. The copious spiritual poetry of the seventeenth century called them to the work.... The spirit, however, which dominated music about the beginning of the eighteenth century made it incapable of developing the true church-tune any further. German music got out of touch with German song, and fell further and further under the influence of the more 'artistic' Italian melody. It could no longer achieve that naiveté" which, ever since the Middle Ages, had endowed it with those splendid, unique tunes.... When Bach came on the scene, the great epoch of Choral creation was at an end, like that of the sacred poem. Sacred melodies indeed were still written; but they were songs of the Aria type, not true congregational hymns; an indefinable air of subjectivity pervaded them." Bach's Oratorios and "Passions" contain forty-three Chorals: fifteen in the "St Matthew Passion," twelve in the "St John Passion," fourteen in the "Christmas Oratorio," and two in the "Ascension Oratorio." Of that number the majority (33) are in simple hymn form suitable for congregational use. The remaining ten fall into four categories : (1) Nos. 9, 23, 42, 64 of the "Christmas Oratorio" may be termed Extended Chorals, the lines of the hymn being separated by orchestral interludes. (2) In No. 1 of the "St Matthew Passion" the Choral melody is woven into, independent of, and surges above the doubled chorus and orchestra below. (3) No. 25 of the "St Matthew Passion," No. 32 of the "St John Passion," and No. 7 of the "Christmas Oratorio" are alike in this: the hymn (set to a unison melody in the last of them) is part of a dialogue, either commenting upon the narrative of a solo voice, or, as in the "Christmas Oratorio," No. 7, providing the solo voice with the subject of its reflexions. (4) No. 35 of the " St Matthew Passion " and No. 11 of the " Ascension Oratorio" are Choral Fantasias, the Choral melody being woven into a complicated musical scheme. In the following pages the form and orchestration of every Choral are stated.
Bach S Chorals Part 1 The Hymns And Hymn Melodies Of The Passions And Oratorios Facsimile Of 1915 Edition
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Author : &. Emery Travis &. Emery
language : en
Publisher:
Release Date : 2010-07
Bach S Chorals Part 1 The Hymns And Hymn Melodies Of The Passions And Oratorios Facsimile Of 1915 Edition written by &. Emery Travis &. Emery and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07 with Biography & Autobiography categories.
This is a facsimile reprint of the CUP edition of 1915.
Bach S Chorals Part I The Hymns And Hymn Melodies Of The Passions And Oratorios
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Author : Charles Sanford Terry
language : en
Publisher:
Release Date : 2020-10-21
Bach S Chorals Part I The Hymns And Hymn Melodies Of The Passions And Oratorios written by Charles Sanford Terry and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-21 with categories.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Bach S Chorals With The Music Edited With Commentaries By Charles Sanford Terry Pt I The Hymns And Hymn Melodies Of The Passions And Oratorios Xv 74p 1915 Pt Iii The Hymns And Hymn Melodies Of The Organ Works Xiv 361p 1921
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Author : Charles Sanford Terry
language : en
Publisher:
Release Date : 1915
Bach S Chorals With The Music Edited With Commentaries By Charles Sanford Terry Pt I The Hymns And Hymn Melodies Of The Passions And Oratorios Xv 74p 1915 Pt Iii The Hymns And Hymn Melodies Of The Organ Works Xiv 361p 1921 written by Charles Sanford Terry and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1915 with categories.
Bach S Chorals Part Ii
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Author : Charles Terry
language : en
Publisher:
Release Date : 2013-10-13
Bach S Chorals Part Ii written by Charles Terry and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-13 with categories.
An excerpt from the Preface: In the present volume those of the Cantatas and Motetts are considered. The author approaches the Chorals from the historical rather than an aesthetic standpoint. His object is to reveal the origin and authorship of the Hymns and Hymn melodies which, like jewels, decorate Bach's concerted Church music. The melodies are printed here in their earliest form and, where possible, Bach's variations of them are traced to an earlier tradition or attributed to himself In similar manner, the text of his Hymn stanzas, as printed by the Bachgesellschaft, has been collated with the originals in Philipp Wackernagel's Das deutsche Kirchenlied von der ältesten Zeit bis zu Anfang des XVII Jahrhunderts (Leipzig, 5 vols. 1864-77) or Albert Fischer and W. Tümpel's Das deutsche evangelische Kirchenlied des siebzehnten Jakrkunderts (Gütersloh, 1904-16). The few Hymns which are not in those collections are marked with an asterisk in the following pages. The author has not had the opportunity to examine their original texts elsewhere. For the help of students and others the author, on the first occurrence of every Choral melody, states where Bach uses it elsewhere in his concerted Church music and Organ works*. Thus, Bach's treatment of a particular tune can be studied exhaustively. Since all but a few of the Cantatas are published only with German texts, it has seemed advisable to provide an Appendix of translations of the Hymn stanzas, upwards of two hundred and fifty in number, which Bach uses in the Cantatas and Motetts. Wherever it is available, the text of Novello & Co.'s and Messrs J. & W. Chester's Editions has been used, with the permission of the two firms. Six melodies that occur in the "Passions" and Oratorios are not found in the Cantatas or Motetts. They are printed in an Appendix. This volume therefore contains all the Choral tunes used by Bach in his concerted Church music. * The references throughout are to Novello's Edition of Bach's Organ Works, Books xv-xix.
Bach S Chorals Part Iii
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Author : Charles Terry
language : en
Publisher:
Release Date : 2013-10-14
Bach S Chorals Part Iii written by Charles Terry and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-14 with categories.
An excerpt from the Preface: "Of all Bach's works, the Organ Chorals are probably the least known, even to organists," Mr Newman remarks in Novello's edition of the Orgelbuchlein. "Until recently," another English writer, Harvey Grace, confesses, "not more than one organist in a hundred knew what Bach was driving at in the Choral Preludes as a whole. We were confronted with collections of pieces bearing German titles, with no hint as to pace, power, or registration. Sometimes the thematic basis could be identified and followed, but more often not. In many cases it was even impossible to say whether the music was intended to be joyful or sad. We need not be surprised that the puzzle was laid aside in favour of Preludes and Fugues that carried their message on their face." In large measure English neglect of the Choral Preludes is due to unfamiliarity with the melodies and hymns on which they are founded, whereas, by reason of the intimate relation between them and Bach's music, a knowledge of both is imperative. No adequate attempt hitherto has been made to remove this serious impediment by placing the text of the hymns before English readers, systematically exploring them for guidance to Bach's treatment of their melodies, and expounding the form and historical antecedents of the tunes. The author believes that the following pages will be found to provide the necessary apparatus for a neglected study." The author's discovery of Bach's early use of Christian Friedrich Witt's Psalmodia sacra (1715) opens a new field of exploration and has produced important results. It has at length forced the secret of its design and purpose from the Orgelbuchlein, a problem which German scholarship, persistently and minutely concentrated on Bach's art for more than sixty years, either neglected or found insoluble. It affords, moreover, with some approximation to accuracy, the means to date the Choral Preludes according as Bach's version of their melodies conforms to or differs from Witt's - i.e. Gotha- Weimar - use. It is only necessary to add that the present volume repeats the method of its predecessors. The source of the hymns and melodies is stated: the tunes are given in their earliest published form: a translation of every hymn used by Bach is provided. Biographical and bibliographical information is furnished concerning such authors, composers, hymns, and tunes as do not occur in the earlier volumes of this work. In Part II an Appendix was provided disclosing the locus of the MS. and Autograph texts of the Oratorios, Passions, Masses, Cantatas, and Motetts. Similar information is provided here regarding the Choral Preludes