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The Instrumental Music Of Felix Mendelssohn Bartholdy


The Instrumental Music Of Felix Mendelssohn Bartholdy
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The Instrumental Music Of Felix Mendelssohn Bartholdy


The Instrumental Music Of Felix Mendelssohn Bartholdy
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Author : R. Larry Todd
language : en
Publisher:
Release Date : 1982

The Instrumental Music Of Felix Mendelssohn Bartholdy written by R. Larry Todd and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with categories.




The Instrumental Music Of Felix Mendelssohn Bartholdy


The Instrumental Music Of Felix Mendelssohn Bartholdy
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Author : Ralph Larry Todd
language : en
Publisher:
Release Date : 1981

The Instrumental Music Of Felix Mendelssohn Bartholdy written by Ralph Larry Todd and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with categories.




Mendelssohn Time And Memory


Mendelssohn Time And Memory
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Author : Benedict Taylor
language : en
Publisher: Cambridge University Press
Release Date : 2011-10-27

Mendelssohn Time And Memory written by Benedict Taylor and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-10-27 with Music categories.


Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.



Cyclic Forms In The Instrumental Music Of Felix Mendelssohn


Cyclic Forms In The Instrumental Music Of Felix Mendelssohn
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Author : Benedict Taylor (Ph.D.)
language : en
Publisher:
Release Date : 2007

Cyclic Forms In The Instrumental Music Of Felix Mendelssohn written by Benedict Taylor (Ph.D.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Cyclic form (Music) categories.




Rethinking Mendelssohn


Rethinking Mendelssohn
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Author : Benedict Taylor Ph.D.
language : en
Publisher: Oxford University Press
Release Date : 2020-04-15

Rethinking Mendelssohn written by Benedict Taylor Ph.D. and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-15 with Music categories.


As one of the foremost composers, conductors, and pianists of the nineteenth century, Felix Mendelssohn played a fundamental role in the shaping of modern musical tastes through his contributions to the early music revival and the formation of the Austro-German musical canon. His career allows for a remarkable meeting point for critical engagement with a host of crucial issues in the last two centuries of music history, including the relation between musical meaning and social function, programmatic and absolute music, notions of classicism and Romanticism, modernism and historicism. It also serves as a pertinent case-study of the roles political ideology, racism, and musical ignorance may play in creating and perpetuating a composer's posthumous reception. Fittingly, Rethinking Mendelssohn focuses on critical engagement with the composer's music and aesthetics, and on the interpretation of his works in relation to contemporaneous culture. Building on the renaissance in Mendelssohn scholarship of the last two decades, Rethinking Mendelssohn sets a fresh and exciting tone for research on the composer. Opening new ways of understanding Mendelssohn and setting the future direction of Mendelssohn studies, the contributing scholars pay particular attention to Mendelssohn's contested views on the relationship between art and religion, analysis of Mendelssohn's instrumental music in the wake of recent controversies in Formenlehre, and the burgeoning interest in his previously neglected contribution to the German song.



Mendelssohn A New Image Of The Composer And His Age


Mendelssohn A New Image Of The Composer And His Age
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Author : Eric Werner
language : en
Publisher: Praeger
Release Date : 1978

Mendelssohn A New Image Of The Composer And His Age written by Eric Werner and has been published by Praeger this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with Biography & Autobiography categories.


Listening CD only; Duration: 39 minutes, 44 seconds



Romantic Irony In The String Quartets Of Felix Mendelssohn Bartholdy And Robert Schumann


Romantic Irony In The String Quartets Of Felix Mendelssohn Bartholdy And Robert Schumann
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Author :
language : en
Publisher:
Release Date : 2008

Romantic Irony In The String Quartets Of Felix Mendelssohn Bartholdy And Robert Schumann written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with String quartets categories.


This dissertation applies the concept of Romantic irony as a critical approach to instrumental music of the nineteenth century, based on the string quartets of Felix Mendelssohn Bartholdy and Robert Schumann. Romantic irony, notably identified by Friedrich Schlegel, influenced authors and composers and Mendelssohn and Schumann would have been familiar with the concept. As Romantic musicians with extensive literary knowledge who also composed significant string quartets, Mendelssohn and Schumann are the two most obvious choices whose music enables such a study. By the nineteenth century string quartets had become established as the most academic, intellectual, and abstract of the instrumental genres. The genre would intuitively seem the least likely to manifest Romantic irony. If Romantic irony could be shown to exist in string quartets, then it must have been a very powerful concept indeed. There can be no formulaic methodology for indentifying Romantic irony in a musical work. Consequently the primary criterion of any methodology for this investigation must be the flexibility to adapt to different situations. Certain fundamental objectives will remain constant, although in each case the subsidiary ones will differ. The procedure consists of examining each work in a series of steps: 1) identify the perceivable world of the work; 2) recognize the contradictions of that world; 3) identify the work's persona; 4) distinguish the paradoxes specific to the work; and 5) explain how the preceding steps lead to transcendence, or how a new understanding of the world is reached through the work's paradoxes. Mendelssohn and Schumann express some similar themes in their respective quartets. By raising issues of musical meaning, the quartets compel a look at the broader scope of music and meaning. The two composers express their concern with musical meaning in very different manners, however. Schumann's focus is on the larger picture that includes the history of music, while Mendelssohn emphasizes his own intriguing aesthetic position regarding meaning in music.



Mendelssohn Essays


Mendelssohn Essays
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Author : R. Larry Todd
language : en
Publisher: Routledge
Release Date : 2013-10-28

Mendelssohn Essays written by R. Larry Todd and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-28 with Music categories.


When R. Larry Todd’s biography, Mendelssohn: A Life in Music, appeared in 2003, it won acclaim from several critics as a definitive biography. In researching Mendelssohn’s life over the last two and a half decades, Todd uncovered much new information about the composer and his music, his family and his peers, and his complex reception history. Now, as we approach the 2009 bicentenary of Mendelssohn’s birth, the author has chosen and compiled fifteen essays written between 1980 and 2005, including five previously unpublished, that examine several aspects of the composer whom Goethe and Heine likened to a second Mozart. Mendelssohn Essays explores Mendelssohn’s precocity, his musical impressions of British culture, the role of the visual in his music, his compositional response to Bach’s St. Matthew Passion, and incomplete drafts from his musical estate of three instrumental works. In addition, a group of three essays focuses on the music of Mendelssohn’s sister Fanny Hensel, perhaps the most gifted woman composer of the century, and a significant, complex figure in the formation of the Mendelssohnian style.



Felix Mendelssohn Bartholdy Songs Without Words For The Piano


Felix Mendelssohn Bartholdy Songs Without Words For The Piano
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Author : Felix Mendelssohn-Bartholdy
language : en
Publisher: Createspace Independent Publishing Platform
Release Date : 2018-06-29

Felix Mendelssohn Bartholdy Songs Without Words For The Piano written by Felix Mendelssohn-Bartholdy and has been published by Createspace Independent Publishing Platform this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-29 with categories.


Book Size: 8 1/2 x 11" * * * * * * From the introductory: AN APPRECIATION FELIX MENDELSSOHN-BARTHOLDY (1809-1847) is usually regarded as belonging to that Romantic School or period in musical history in which the names of Schumann and Chopin are of similar prominence. This customary classification of Mendelssohn, however, is not altogether just, inasmuch as it applies to one side only in the wide compass of his musical personality, and not even to its strongest side, for it emphasizes unduly that romanticism which was only an incidental feature in his many-sided genius. The classification is somewhat unjust to Mendelssohn's other and far more pronounced characteristics; especially to those which so markedly differentiate him from his great contemporaries and which entitle him to be regarded as a "Classic-Romantic'* -- in fact, the Classic- Romantic. While he could not -- and evidently had no desire to -- keep altogether aloof from the strong wave of romanticism that swept over Germany at the beginning of the nineteenth century, he came within its range only occasionally: when the text of a song called for it or the drama which he either introduced or enlivened with his music. Thus we find him almost transcendentally romantic in some of his Overtures (Fingal's Cave, Hebrides), also in his '*Walpurgis Night," and above all in his music to Shakespeare's "Midsummer Night's Dream," the elf-like texture and fairy-tale mood of which frequently -- but also plainly -- recur in some of his piano compositions (Scherzo a capriccio, Rondo capriccioso, and others). And yet, when we enquire into the tendencies which were predominantly sympathetic to him and which he championed with all the strength of his personality, position and influence, we find them linked with the names of Bach and Beethoven. These were the masters for whose works he acted as an enthusiastic and energetic propagandist; it was their purity of form, their clarity of thought which impressed him far more strongly than the mysticism and fancy of the Romantics. With the farseeing' eye of a divinely appointed prophet he perceived that these masters had spoken not for their time only but for all times, that their fundamentality would outlast every transient fashion; and it was in their path rather than with the Romantics that his genius compelled him to pursue his way. That his works had lately to suffer somewhat from neglect is undoubtedly due to his so-called "followers," who -- as usual with Epigones -- had caught only the external qualities of his work (form, manner of workmanship, etc.), without its delightful and refined spirit; who imitated rather than followed him and who, by aping his style and by diluting his fine spirituality into a platitudinous conventionality, have wearied the music-lover. In the same degree, however, as these imitators fall more and more into oblivion (Sterndale Bennett is now completely forgotten), the true genius of their great model breaks forth anew in unimpeded light and reasserts it's great, masterly qualities....



Mendelssohn S Musical Education


Mendelssohn S Musical Education
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Author : R. Larry Todd
language : en
Publisher: Cambridge University Press
Release Date : 1983-04-21

Mendelssohn S Musical Education written by R. Larry Todd and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983-04-21 with Music categories.


This book is a study and critical edition of Mendelssohn's composition exercise book from his early period of study with Carl Friedrich Zelter (1819-1821). The workbook illustrates in considerable detail the young musician's struggle to master the rules of part writing and principles of counterpoint. Much of Zelter's systematic teaching method is grounded in the eighteenth-century theoretical tradition of Berlin; not surprisingly, the exercises bear the stamp of the music of J. S. Bach, which heavily influenced such Berlin musicians as C. P. E. Bach, C. F. C. Fasch, Marpurg, Kirnberger, Zelter and Mendelssohn. There is little doubt that the historicist attitude of the mature Mendelssohn - as seen in his efforts to revive the works of Bach and Handel and in his propensity toward strict contrapuntal techniques in his own music - was conditioned by these studies with Zelter. The publication of the workbook sheds new light on the early development of one ofthe most important nineteenth-century composers who, though affected by the new wave of romanticism that swept over Europe, never lost his respect for the past. No less important, the manuscript includes several previously unpublished pieces which rank among Mendelssohn's earliest compositions.