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The Jews On Tin Pan Alley


The Jews On Tin Pan Alley
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The Jews On Tin Pan Alley


The Jews On Tin Pan Alley
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Author : Kenneth Aaron Kanter
language : en
Publisher:
Release Date : 1980

The Jews On Tin Pan Alley written by Kenneth Aaron Kanter and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Jewish musicians categories.




The Jews On Tin Pan Alley


The Jews On Tin Pan Alley
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Author : Kenneth Aaron Kanter
language : en
Publisher: New York : Ktav Publishing House ; Cincinnati : American Jewish Archives
Release Date : 1982

The Jews On Tin Pan Alley written by Kenneth Aaron Kanter and has been published by New York : Ktav Publishing House ; Cincinnati : American Jewish Archives this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with History categories.




Funny It Doesn T Sound Jewish


Funny It Doesn T Sound Jewish
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Author : Jack Gottlieb
language : en
Publisher: SUNY Press
Release Date : 2004-07-09

Funny It Doesn T Sound Jewish written by Jack Gottlieb and has been published by SUNY Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-07-09 with Music categories.


Documents the influence of Jewish music on American popular song.



The Poets Of Tin Pan Alley


The Poets Of Tin Pan Alley
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Author : Philip Furia
language : en
Publisher: Oxford University Press
Release Date : 2022

The Poets Of Tin Pan Alley written by Philip Furia and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Lyricists categories.


"Mrs. Oscar Hammerstein, so the story goes, once overheard someone praise "Ol' Man River" as a "great Kern song." "I beg your pardon," she said, "But Jerome Kern did not write 'Ol' Man River.' Mr. Kern wrote dum dum dum da; my husband wrote ol' man river." It's easy to understand her frustration. While the years between World Wars I and II have long been hailed as the "golden age" of American popular song, it is the composers, not the lyricists, who always usually get top billing. "I love a Gershwin tune" too often means just that-the tune-even though George Gershwin wrote many unlovable tunes before he began working with his brother Ira in 1924. Few people realize that their favorite "Arlen" songs each had a different lyricist-Ted Koehler for "Stormy Weather," Yip Harburg for "Over the Rainbow," Johnny Mercer for "That Old Black Magic." Only Broadway or Hollywood buffs know which "Kern" songs get their wry touch from Dorothy Fields, who would flippantly rhyme "fellow" with "Jello," and which of Kern's sonorous melodies got even lusher from Otto Harbach, who preferred solemn rhymes like "truth" and "forsooth." Jazz critics sometimes pride themselves on ignoring the lyrics to Waller and Ellington "instrumentals," blithely consigning Andy Razaf or Don George to oblivion"--



In Search Of American Jewish Culture


In Search Of American Jewish Culture
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Author : Stephen J. Whitfield
language : en
Publisher: UPNE
Release Date : 1999

In Search Of American Jewish Culture written by Stephen J. Whitfield and has been published by UPNE this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Music categories.


A leading cultural historian explores the complex interactions of Jewish and American cultures.



Jazz Age Jews


Jazz Age Jews
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Author : Michael Alexander
language : en
Publisher: Princeton University Press
Release Date : 2018-06-05

Jazz Age Jews written by Michael Alexander and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-05 with History categories.


By the 1920s, Jews were--by all economic, political, and cultural measures of the day--making it in America. But as these children of immigrants took their places in American society, many deliberately identified with groups that remained excluded. Despite their success, Jews embraced resistance more than acculturation, preferring marginal status to assimilation. The stories of Al Jolson, Felix Frankfurter, and Arnold Rothstein are told together to explore this paradox in the psychology of American Jewry. All three Jews were born in the 1880s, grew up around American Jewish ghettos, married gentile women, entered the middle class, and rose to national fame. All three also became heroes to the American Jewish community for their association with events that galvanized the country and defined the Jazz Age. Rothstein allegedly fixed the 1919 World Series--an accusation this book disputes. Frankfurter defended the Italian anarchists Sacco and Vanzetti. Jolson brought jazz music to Hollywood for the first talking film, The Jazz Singer, and regularly impersonated African Americans in blackface. Each of these men represented a version of the American outsider, and American Jews celebrated them for it. Michael Alexander's gracefully written account profoundly complicates the history of immigrants in America. It challenges charges that anti-Semitism exclusively or even mostly explains Jews' feelings of marginality, while it calls for a general rethinking of positions that have assumed an immigrant quest for inclusion into the white American mainstream. Rather, Alexander argues that Jewish outsider status stemmed from the group identity Jews brought with them to this country in the form of the theology of exile. Jazz Age Jews shows that most Jews felt culturally obliged to mark themselves as different--and believed that doing so made them both better Jews and better Americans.



Jewish Jazz


Jewish Jazz
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Author : Industrial Defense Association
language : en
Publisher:
Release Date : 1932*

Jewish Jazz written by Industrial Defense Association and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1932* with categories.




Funny It Doesn T Sound Jewish


Funny It Doesn T Sound Jewish
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Author : Jack Gottlieb
language : en
Publisher: State University of New York Press
Release Date : 2004

Funny It Doesn T Sound Jewish written by Jack Gottlieb and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Folk songs, Yiddish categories.


Audio disc contains: musical examples.



The Art Of Being Jewish In Modern Times


The Art Of Being Jewish In Modern Times
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Author : Barbara Kirshenblatt-Gimblett
language : en
Publisher: University of Pennsylvania Press
Release Date : 2013-02-11

The Art Of Being Jewish In Modern Times written by Barbara Kirshenblatt-Gimblett and has been published by University of Pennsylvania Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-11 with Religion categories.


The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice. The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, including music, theater, dance, film, museums, architecture, painting, sculpture, and more. Working with a broad conception of what counts as art, the book asks the following questions: What roles have commerce and politics played in shaping Jewish artistic agendas? Who determines the Jewishness of art and for what purposes? What role has aesthetics played in reshaping religious traditions and rituals? This richly illustrated volume illuminates how the arts have helped Jews confront the various challenges of modernity, including cultural adaptation and self-preservation, economic diversification, and ritual transformation. There truly is an art to being Jewish in the modern world—or, alternatively, an art to being modern in the Jewish world—and this collection fully captures its range, diversity, and historical significance.



The Song Is Not The Same


The Song Is Not The Same
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Author : Bruce Zuckerman
language : en
Publisher: Purdue University Press
Release Date : 2011

The Song Is Not The Same written by Bruce Zuckerman and has been published by Purdue University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with History categories.


This volume of the Casden Institute's The Jewish Role in American Life annual series introduces new scholarship on the long-standing relationship between Jewish-Americans and the worlds of American popular music. Edited by scholar and critic Josh Kun, the essays in the volume blend single-artist investigations with looks at the industry of music making as a whole. They range from Jewish sheet music to the risqué musical comedy of Belle Barth and Pearl Williams, from the role of music in the shaping of Henry Ford's anti-Semitism to Bob Dylan's Jewishness, from the hybridity of the contemporary "Radical Jewish Culture" scene to the Yiddish experiments of 1930s African-American artists. Contents: Foreword (Gayle Wald); Introduction (Josh Kun); "Cohen Owes Me Ninety-Seven Dollars, and other Tales from the Jewish Sheet- Music Trade" (Jody Rosen); "'Dances Partake of the Racial Characteristics of the People Who Dance Them' : Nordicism, Antisemitism, and Henry Ford's Old Time Music and Dance Revival" (Peter La Chapelle); "Ovoutie Slanguage is Absolutely Kosher: Yiddish in Scat- Singing, Jazz Jargon, and Black Music" (Jonathan Z. S. Pollack); "'If I Embarrass You, Tell Your Friends' : Belle Barth, Pearl Williams, and the Space of the Risque" (Josh Kun); "'Here's a foreign song I learned in Utah' : The Anxiety of Jewish Influence in the Music of Bob Dylan" (David Kaufman); "Jazz Liturgy, Yiddishe Blues, Cantorial Death Metal, and Free Klez: Musical Hybridity in Radical Jewish Culture" (Jeff Janeczco).