The Licensing Act Of 1737
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The Licensing Act Of 1737
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Author : Vincent J. Liesenfeld
language : en
Publisher:
Release Date : 1984
The Licensing Act Of 1737 written by Vincent J. Liesenfeld and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Law categories.
The Licensing Act Of 1737
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Author : Jerry M. Bowers
language : en
Publisher:
Release Date : 1977
The Licensing Act Of 1737 written by Jerry M. Bowers and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with Theater categories.
Plays About The Theatre In England From The Rehearsal In 1671 To The Licensing Act In 1737 Or The Self Conscious Stage And Its Burlesque And Satirical Reflections In The Age Of Criticism
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Author : Dane Farnsworth Smith
language : en
Publisher:
Release Date : 1936
Plays About The Theatre In England From The Rehearsal In 1671 To The Licensing Act In 1737 Or The Self Conscious Stage And Its Burlesque And Satirical Reflections In The Age Of Criticism written by Dane Farnsworth Smith and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1936 with English drama categories.
The Censorship Of Eighteenth Century Theatre
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Author : David O'Shaughnessy
language : en
Publisher: Cambridge University Press
Release Date : 2023-08-17
The Censorship Of Eighteenth Century Theatre written by David O'Shaughnessy and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-08-17 with Drama categories.
This collection reveals the wide-ranging impact of the Stage Licensing Act of 1737 on literary and theatrical culture in Georgian Britain. Demonstrating the differing motivations of the state in censoring public performances of plays after the Stage Licensing Act of 1737 and until the Theatres Act 1843, chapters cover a wide variety of theatrical genres across a century and show how the mechanisms of formal censorship operated under the Lord Chamberlain's Examiner of Plays. They also explore the effects of informal censorship, whereby playwrights, audiences and managers internalized the censorship regime. As such, the volume moves beyond a narrow focus on erasures and emendations visible on manuscripts to elucidate censorship's wide-ranging significance across the long eighteenth century. Demonstrating theatre archives' potency as a resource for historical research, this volume is of exceptional value for researchers interested in the evolving complexities of Georgian society, its politics and mores.
Licensing Act Of 1904
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Author : Great Britain
language : en
Publisher: Wentworth Press
Release Date : 2016-08-29
Licensing Act Of 1904 written by Great Britain and has been published by Wentworth Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-29 with History categories.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Theatre Censorship
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Author : David Thomas
language : en
Publisher: OUP Oxford
Release Date : 2007-11-01
Theatre Censorship written by David Thomas and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-11-01 with Drama categories.
Using previously unpublished material from the National Archives, David Thomas, David Carlton, and Anne Etienne provide a new perspective on British cultural history. Statutory censorship was first introduced in Britain by Sir Robert Walpole with his Licensing Act of 1737. Previously theatre censorship was exercised under the Royal Prerogative. By giving the Lord Chamberlain statutory powers of theatre censorship, Walpole ensured that confusion over the relationship between the Royal Prerogative and statute law would prevent any serious challenge to theatre censorship in Parliament until the twentieth century. The authors place theatre censorship legislation and its attempted reform in their wider political context. Sections outlining the political history of key periods explain why theatre censorship legislation was introduced in 1737, why attempts to reform the legislation failed in 1832, 1909, and 1949, and finally succeeded in 1968. Opposition from Edward VII helped to prevent the abolition of theatre censorship in 1909. In 1968, theatre censorship was abolished despite opposition from Elizabeth II, Lord Cobbold (her Lord Chamberlain) and Harold Wilson (her Prime Minister). There was strong support for theatre censorship on the part of commercial theatre managers who saw censorship as offering protection from vexatious prosecution. A policy of inertia and deliberate obfuscation on the part of Home Office officials helped to prevent the abolition of theatre censorship legislation until 1968. It was only when playwrights, directors, critics, audiences, and politicians (notably Roy Jenkins) applied combined pressure that theatre censorship was finally abolished. The volume concludes by exploring whether new forms of covert censorship have replaced the statutory theatre censorship abolished with the 1968 Theatres Act.
Plays About The Theatre In England From The Rehearsal In 1671 To The Licensing Act In 1737
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Author : Dane Farnsworth Smith
language : en
Publisher:
Release Date : 1936
Plays About The Theatre In England From The Rehearsal In 1671 To The Licensing Act In 1737 written by Dane Farnsworth Smith and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1936 with categories.
The Licensing Act 1904 Simply Stated
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Author : Alfred J. Slocombe
language : en
Publisher:
Release Date : 1904
The Licensing Act 1904 Simply Stated written by Alfred J. Slocombe and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1904 with License system categories.
The Licensing Act 1904
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Author : William Warrender Mackenzie Baron Amulree
language : en
Publisher:
Release Date : 1904
The Licensing Act 1904 written by William Warrender Mackenzie Baron Amulree and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1904 with License system categories.
Theatre And Culture In Early Modern England 1650 1737
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Author : Catie Gill
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2010
Theatre And Culture In Early Modern England 1650 1737 written by Catie Gill and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Literary Criticism categories.
Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Paying special attention to literary innovation and sociopolitical changes, this book is a valuable tool for scholars of Restoration and eighteenth-century performance, providing groundwork for future research and investigation.