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The Life And Work Of Pauline Viardot Garcia


The Life And Work Of Pauline Viardot Garcia
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Life And Work Of Pauline Viardot Garcia Vol I


Life And Work Of Pauline Viardot Garcia Vol I
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Author : Barbara Kendall-Davies
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2014-02-28

Life And Work Of Pauline Viardot Garcia Vol I written by Barbara Kendall-Davies and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-02-28 with Biography & Autobiography categories.


The name of Pauline Viardot Garcia was well known during her lifetime, but after her death in 1910, she passed into obscurity. She was born in Paris in 1821, the youngest child of the Spanish tenor, Manuel Garcia; her sister was Maria Malibran, and her brother, Manuel Patrizio Garcia, was an eminent teacher of singing. The first volume of her biography ranges from 1836 until 1863 and covers the most important years of her operatic career. Several composers wrote for her, including Meyerbeer, for whom she created Fidès in Le Prophète; Saint Saëns modelled the role of Delilah on her and Brahms composed the Alto Rhapsody, which she premiered in 1870. She encouraged Gounod to write his first opera, Sapho, and sang the title role in the premiere at the Paris Opéra and at Covent Garden. Schumann dedicated his Liederkreis Op. 24 to Viardot, and Fauré dedicated several of his songs to her. She launched the career of Jules Massenet, and gave valuable assistance to Sullivan, Bizet, Stanford, Arthur Goring Thomas and several other musicians at the beginning of their careers. Although she was not good looking, she had a fascinating personality and great charm and several men fell in love with her, including Alfred de Musset, Gounod, Maurice Sand, Ary Scheffer, Berlioz, and Ivan Turgenev, who loved her devotedly for forty years, although she was married to Louis Viardot for the whole of that time. She was a linguist, artist, composer and talented pianist who studied with Franz Liszt, as well as being a superb singer and actress. Liszt admired her songs and said that she was the first woman composer of genius. Her talent for friendship was great, and she counted Chopin and George Sand as two of her most intimate friends. From 1863 until 1870, she lived in Baden-Baden where she became a celebrated musical hostess, as well as a fine teacher and composer. This revised edition, which has additional images and an accompanying CD of songs by Viardot sung by the author, traces the life and work of one of the most important singers of the nineteenth century, Pauline Viardot Garcia. Her influence on figures such as Meyerbeer, Turgenev, Berlioz, Gounod and Liszt, makes this volume, only the second to appear in English, indispensable to the musicologist with an interest in the nineteenth century.



The Life And Work Of Pauline Viardot Garcia


The Life And Work Of Pauline Viardot Garcia
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Author : Barbara Kendall-Davies
language : en
Publisher:
Release Date : 2013

The Life And Work Of Pauline Viardot Garcia written by Barbara Kendall-Davies and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Biography & Autobiography categories.


This is the second volume of the Life and Work of Pauline Viardot Garcia: The Years of Grace, 1863â "1910. Viardot was an international opera singer, composer and teacher who was seminal in the world of music in the 19th century. She came from a famous family of musicians, her father being the Spanish tenor Manuel del Popolo Vicente Rodriguez Garcia. Her mother, Joaquina Sitchès, was also a singer and taught Pauline; her brother Manuel Patrizio Garcia was an eminent singing teacher and inventor of the laryngoscope and her sister was the legendary singer, Maria Malibran. Her friends and colleagues are household names, including the writer, George Sand and her lover Frederick Chopin, Clara and Robert Schumann, Johannes Brahms, Richard Wagner, Gabriel FaurÃ(c), Jules Massenet, Saint-Saëns, and Franz Liszt who gave Pauline piano lessons and on whom she had a girlish crush. Though considered ugly, she had a unique fascination and several men fell in love with her, including her husband, Louis Viardot, historian and man of letters; the Russian writer, Ivan Turgenev; Maurice Sand, artist son of George Sand; the composers Charles Gounod and Hector Berlioz, as well as her mentor, the painter, Ary Scheffer. Although famous in her day, after her death in 1910, she fell into obscurity but her songs are appearing again and her influence as a teacher of singing has spread worldwide. The first volume of the Kendall-Davies biography covers Viardotâ (TM)s international singing career from 1836 to 1863 and the second volume, although also featuring her performances, concentrates more fully on her work as a composer and teacher as well as a famous musical hostess. In addition to being the life of a fascinating woman, both professionally and personally, the book is also a portrait of an age, culturally, socially and politically. As Kendall-Daviesâ (TM)s first volume, the Life and Work of Pauline Viardot Garcia: The Years of Fame, 1836â "1863, was only the second Viardot biography in English, her work has been seminal and has attracted interest worldwide. The second volume: The Years of Grace, 1863â "1910, published by Cambridge Scholars Publishing, has been enthusiastically anticipated and includes a CD of three Viardot songs performed by baritone, Giles Davies.



The Life And Work Of Pauline Viardot Garcia


The Life And Work Of Pauline Viardot Garcia
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Author : Barbara Kendall-Davies
language : en
Publisher:
Release Date : 2010

The Life And Work Of Pauline Viardot Garcia written by Barbara Kendall-Davies and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with categories.




The Life And Work Of Pauline Viardot Garcia


The Life And Work Of Pauline Viardot Garcia
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Author : Barbara Kendall-Davies
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2014-07-24

The Life And Work Of Pauline Viardot Garcia written by Barbara Kendall-Davies and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-24 with Music categories.


This is the second volume of the Life and Work of Pauline Viardot Garcia: The Years of Grace, 1863–1910. Viardot was an international opera singer, composer and teacher who was seminal in the world of music in the 19th century. She came from a famous family of musicians, her father being the Spanish tenor, composer and teacher, Manuel del Popolo Vicente Rodriguez Garcia. Her mother, Joaquina Sitchès, was also a singer and taught Pauline; her brother Manuel was an eminent singing teacher and inventor of the laryngoscope and her sister was the legendary singer, Maria Malibran. Her friends and colleagues are household names, including the writer George Sand and her lover Frederick Chopin, Clara and Robert Schumann, Johannes Brahms, Richard Wagner, Gabriel Fauré, Jules Massent and Franz Liszt who taught Pauline piano and on whom she had a girlish crush. Though considered ugly, she had a unique fascination and many men fell in love with her, including her husband, Louis Viardot, historian and man of letters; the Russian writer, Ivan Turgenev; Maurice Sand, artist son of George Sand; the composers Charles Gounod and Hector Berlioz, as well as her mentor, the painter Ary Scheffer. Although famous in her day, after her death in 1910 she fell into obscurity but her songs are appearing again and her influence as a teacher has spread worldwide. The first volume largely covers Viardot’s international singing career from 1836 to 1863 and the second volume, although also featuring her performances, concentrates more fully on her work as a composer and teacher as well as a famous musical hostess. Although ostensibly the life, professional and personal, of an amazing individual, the book is also a portrait of an age, culturally, socially and politically. As the author’s first volume about Viardot, the Life and Work of Pauline Viardot Garcia: The Years of Fame, 1836–1863, was only the second biography in English of the singer, her work has been seminal and has attracted interest worldwide. The second volume, The Years of Grace, published by Cambridge Scholars Publishing, has been enthusiastically anticipated and includes a CD of three Viardot songs, performed by Giles Davies.



Alto


Alto
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Author : Dan H. Marek
language : en
Publisher: Rowman & Littlefield
Release Date : 2016-10-20

Alto written by Dan H. Marek and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-20 with Music categories.


Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.



Historical Dictionary Of Romantic Music


Historical Dictionary Of Romantic Music
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Author : John Michael Cooper
language : en
Publisher: Rowman & Littlefield
Release Date : 2024-02-12

Historical Dictionary Of Romantic Music written by John Michael Cooper and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-02-12 with Music categories.


Historical Dictionary of Romantic Music, Second Edition covers the persons, ideas, practices, and works that made up the worlds of Western music during the long 19th century (ca. 1780–1918). It’s the first book to recognize that Romantic music was very nearly a global phenomenon. It includes more women, more Black musicians and other musicians of color, and more exponents of musical Romanticism from Central and South America as well as Central and Eastern Europe than any other single-volume study of Romantic music—thus challenging the conventional hegemony of musical Romanticisms by men and by Western European nations. This book includes entries on topics including anti-Semitism, sexism, and racism that were pervasive and defining to the worlds of musical Romanticism but are rarely addressed in general studies of that subject. It includes Romantic musicians who were not primarily composers, as well as topics such as the Haitian Revolution, spirituals, and ragtime that were more important for music in the long 19th century than is generally acknowledged. The result is an expansive, inclusive, diverse, and more richly textured portrayal of Romantic music than is elsewhere available. Historical Dictionary of Romantic Music, Second Edition contains a chronology, an introduction, an extensive bibliography, and a dictionary section with more than 600 cross-referenced entries on traditions, famous pieces, persons, places, technical terms, and institutions of Romantic music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic music.



The Oxford Handbook Of The Operatic Canon


The Oxford Handbook Of The Operatic Canon
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Author : Cormac Newark
language : en
Publisher: Oxford University Press
Release Date : 2020-08-20

The Oxford Handbook Of The Operatic Canon written by Cormac Newark and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-20 with Music categories.


Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.



Pauline Viardot Garcia


Pauline Viardot Garcia
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Author : La Mara
language : en
Publisher:
Release Date : 1976

Pauline Viardot Garcia written by La Mara and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with categories.




Genealogies Of Music And Memory


Genealogies Of Music And Memory
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Author : Mark Everist
language : en
Publisher: Oxford University Press, USA
Release Date : 2021

Genealogies Of Music And Memory written by Mark Everist and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Biography & Autobiography categories.


The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible -- together with the soprano Pauline Viardot -- for the 'revival' of the composer's Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Gluck's music for the Parisian stage. The 'revival' of Orfeo is contextualised among other attempts at reviving Gluck's works in the 1860s, and the role of Berlioz, Viardot and a host of others re-examined.



Popularizing National Pasts


Popularizing National Pasts
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Author : Stefan Berger
language : en
Publisher: Taylor & Francis
Release Date : 2012-08-21

Popularizing National Pasts written by Stefan Berger and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-21 with History categories.


Popularizing National Pasts is the first truly cross-national and comparative study of popular national histories, their representations, the meanings given to them and their uses, which expands outside the confines of Western Europe and the US. It draws a picture of popular histories which is European in the full sense of this term. One of its fortes is the inclusion of Eastern Europe. The cross-national angle of Popularizing National Pasts is apparent in the scope of its comparative project, as well as that of the longue durée it covers. Apart from essays on Britain, France, and Germany, the collection includes studies of popular histories in Scandinavia, Eastern and Southern Europe, notably Romania, Bulgaria, Croatia, Armenia, Russia and the Ukraine, as well as considering the US and Argentina. Cross-national comparison is also a central concern of the thirteen case studies in the volume, which are, each, devoted to comparing between two, or more, national historical cultures. Thus temporality –both continuities and breaks- in popular notions of the past, its interpretations and consumption, is examined in the long continuum. The volume makes available to English readers, probably for the first time, the cutting edge of Eastern European scholarship on popular histories, nationalism and culture.