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The Middle Byzantine Kanon Notation Of Manuscript H


The Middle Byzantine Kanon Notation Of Manuscript H
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The Middle Byzantine Kanon Notation Of Manuscript H


The Middle Byzantine Kanon Notation Of Manuscript H
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Author : J. van Biezen
language : en
Publisher: Bilthoven, [The Netherlands]: A. B. Creyghton
Release Date : 1968

The Middle Byzantine Kanon Notation Of Manuscript H written by J. van Biezen and has been published by Bilthoven, [The Netherlands]: A. B. Creyghton this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Byzantine chants categories.




The Middle Byzantine Kanon Notation Of Manuscript H A Palaeographic Study With A Transcription Of The Melodies Of 13 Kanons And A Triodion


The Middle Byzantine Kanon Notation Of Manuscript H A Palaeographic Study With A Transcription Of The Melodies Of 13 Kanons And A Triodion
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Author : [Anonymus AC05609315]
language : en
Publisher:
Release Date : 1968

The Middle Byzantine Kanon Notation Of Manuscript H A Palaeographic Study With A Transcription Of The Melodies Of 13 Kanons And A Triodion written by [Anonymus AC05609315] and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Canons, fugues, etc. (Vocal) categories.




The Middle Byzantine Kanon Notation Of Manuscript H


The Middle Byzantine Kanon Notation Of Manuscript H
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Author : Jan van Biezen
language : en
Publisher:
Release Date : 1968

The Middle Byzantine Kanon Notation Of Manuscript H written by Jan van Biezen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Gregorian chants categories.




The Middle Byzantine Kanon Notation Of Manuscript H A Palaeographic Study With A Transcription Of The Melodies Of 13 Kanons And A Triodion Proefschrift Door Jan Van Biezen Etc


The Middle Byzantine Kanon Notation Of Manuscript H A Palaeographic Study With A Transcription Of The Melodies Of 13 Kanons And A Triodion Proefschrift Door Jan Van Biezen Etc
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Author : Jan van BIEZEN
language : en
Publisher:
Release Date : 1968

The Middle Byzantine Kanon Notation Of Manuscript H A Palaeographic Study With A Transcription Of The Melodies Of 13 Kanons And A Triodion Proefschrift Door Jan Van Biezen Etc written by Jan van BIEZEN and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with categories.




Palaeobyzantine Notations 3


Palaeobyzantine Notations 3
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Author : Gerda Wolfram
language : en
Publisher: Peeters Publishers
Release Date : 2004

Palaeobyzantine Notations 3 written by Gerda Wolfram and has been published by Peeters Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with History categories.


Der vorliegende Band als Ergebnis einer Tagung von Musikologen und Byzantinisten in Schloss Hernen/NL, beleuchtet verschiedene Aspekte des byzantinischen und des daraus entsprungenen slavischen Kirchengesangs. Zwei grosse Themenkreise stehen im Vordergrund: Notation und Melismatik, daneben beleuchten Beitrage zur Liturgie, zur Modalitat der Gesange und zur oralen Uberlieferung die byzantinische und slavische Tradition. Es ist wichtig, musikalische und liturgische Erscheinungsbilder der byzantinischen und slavischen Spatzeit nicht losgelost von der fruhen Tradition zu untersuchen, sondern die Wurzeln ihrer Entstehung stets im Auge zu behalten. Hierin stellt die Entwicklung der verschiedenen Notationssysteme die Basis fur jede weitere Untersuchung dar. In der liturgischen Musik der Hagia Sophia von Konstantinopel entstanden bereits im 8.-10. Jahrhundert melismatische Gesange, wahrend im monastischen Ritus einfache Melodien vorherrschten. Die Verschmelzung von Kathedral- und monastischer Tradition schuf eine neue Basis fur die Entstehung einer hochmelismatischen Gesangform, der Kalophonie. Basierend auf der byzantinischen Gesangtradition sind auch im slavischen Raum bereits ab dem 11. Jahrhundert melismatische Gesange uberliefert, die auf die ornamentierten Melodien der russischen Kirchenmusik des 15.-17. Jahrhunderts Einfluss hatten. Ein bedeutender Aspekt ist die Berucksichtigung der oralen Tradition, die durch alle Zeiten ein tragendes Element in der Uberlieferung der Gesange war.



The A To Z Of Sacred Music


The A To Z Of Sacred Music
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Author : Joseph P. Swain
language : en
Publisher: Rowman & Littlefield
Release Date : 2010

The A To Z Of Sacred Music written by Joseph P. Swain and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Music categories.


Nearly all religious traditions have reserved a special place for sacred music. Whether it is music accompanying a ritual or purely for devotional purposes, music composed for entire congregations or for the trained soloist, or music set to holy words or purely instrumental, in some form or another, music is present. In fact, in some traditions the relation between the music and the ritual is so intimate that to distinguish between them would be inaccurate. The A to Z of Sacred Music covers the most important aspects of the sacred music of Buddhism, Christianity, Confucianism, Hinduism, Islam, Judaism, and other smaller religious groups. It provides useful information on all the significant traditions of this music through the use of a chronology, an introductory essay, a bibliography, appendixes, and hundreds of cross-referenced dictionary entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions.



Experiencing Byzantium


Experiencing Byzantium
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Author : Dr Claire Nesbitt
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2013-11-28

Experiencing Byzantium written by Dr Claire Nesbitt and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11-28 with History categories.


From the reception of imperial ekphraseis in Hagia Sophia to the sounds and smells of the back streets of Constantinople, the sensory perception of Byzantium is an area that lends itself perfectly to an investigation into the experience of the Byzantine world. The theme of experience embraces all aspects of Byzantine studies and the Experiencing Byzantium symposium brought together archaeologists, architects, art historians, historians, musicians and theologians in a common quest to step across the line that divides how we understand and experience the Byzantine world and how the Byzantines themselves perceived the sensual aspects of their empire and also their faith, spirituality, identity and the nature of ‘being’ in Byzantium. The papers in this volume derive from the 44th Spring Symposium of Byzantine Studies, held for the Society for the Promotion of Byzantine Studies by the University of Newcastle and University of Durham, at Newcastle upon Tyne in April 2011. They are written by a group of international scholars who have crossed disciplinary boundaries to approach an understanding of experience in the Byzantine world. Experiencing Byzantium is volume 18 in the series published by Ashgate on behalf of the Society for the Promotion of Byzantine Studies.



Historical Dictionary Of Sacred Music


Historical Dictionary Of Sacred Music
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Author : Joseph P. Swain
language : en
Publisher: Rowman & Littlefield
Release Date : 2016-10-11

Historical Dictionary Of Sacred Music written by Joseph P. Swain and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-11 with Music categories.


Sacred music is a universal phenomenon of humanity. Where there is faith, there is music to express it. Every major religious tradition and most minor ones have music and have it in abundance and variety. There is music to accompany ritual and music purely for devotion, music for large congregations and music for trained soloists, music that sets holy words and music without words at all. In some traditions—Islamic and many Native American, to name just two--the relation between music and religious ritual is so intimate that it is inaccurate to speak of the music accompanying the ritual. Rather, to perform the ritual is to sing, and to sing the ritual is to perform it. This second edition of Historical Dictionary of Sacred Music contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions. This book is an excellent access point for students, researchers, and anyone wanting to know more about sacred music.



Byzantine Elements In Early Slavic Chant


Byzantine Elements In Early Slavic Chant
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Author : Miloš Velimirović
language : en
Publisher:
Release Date : 1960

Byzantine Elements In Early Slavic Chant written by Miloš Velimirović and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1960 with Byzantine chants categories.




Experiencing Byzantium


Experiencing Byzantium
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Author : Claire Nesbitt
language : en
Publisher: Routledge
Release Date : 2016-04-22

Experiencing Byzantium written by Claire Nesbitt and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-22 with History categories.


From the reception of imperial ekphraseis in Hagia Sophia to the sounds and smells of the back streets of Constantinople, the sensory perception of Byzantium is an area that lends itself perfectly to an investigation into the experience of the Byzantine world. The theme of experience embraces all aspects of Byzantine studies and the Experiencing Byzantium symposium brought together archaeologists, architects, art historians, historians, musicians and theologians in a common quest to step across the line that divides how we understand and experience the Byzantine world and how the Byzantines themselves perceived the sensual aspects of their empire and also their faith, spirituality, identity and the nature of ’being’ in Byzantium. The papers in this volume derive from the 44th Spring Symposium of Byzantine Studies, held for the Society for the Promotion of Byzantine Studies by the University of Newcastle and University of Durham, at Newcastle upon Tyne in April 2011. They are written by a group of international scholars who have crossed disciplinary boundaries to approach an understanding of experience in the Byzantine world. Experiencing Byzantium is volume 18 in the series published by Ashgate on behalf of the Society for the Promotion of Byzantine Studies.