The Modernist Response To Chinese Art
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The Modernist Response To Chinese Art
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Author : Zhaoming Qian
language : en
Publisher: University of Virginia Press
Release Date : 2003
The Modernist Response To Chinese Art written by Zhaoming Qian and has been published by University of Virginia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Art categories.
The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.
East West Exchange And Late Modernism
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Author : Zhaoming Qian
language : en
Publisher: University of Virginia Press
Release Date : 2017-11-07
East West Exchange And Late Modernism written by Zhaoming Qian and has been published by University of Virginia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-07 with Literary Criticism categories.
In East-West Exchange and Late Modernism, Zhaoming Qian examines the nature and extent of Asian influence on some of the literary masterpieces of Western late modernism. Focusing on the poets William Carlos Williams, Marianne Moore, and Ezra Pound, Qian relates captivating stories about their interactions with Chinese artists and scholars and shows how these cross-cultural encounters helped ignite a return to their early experimental modes. Qian’s sinuous readings of the three modernists’ last books of verse—Williams’s Pictures from Brueghel (1962), Moore’s Tell Me, Tell Me (1966), and Pound’s Drafts and Fragments of Cantos CX-CXVII (1969)—expand our understanding of late modernism by bringing into focus its heightened attention to meaning in space, its obsession with imaginative sensibility, and its increased respect for harmony between humanity and nature.
Art History Narratology And Twentieth Century Chinese Art
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Author : Lian Duan
language : en
Publisher: Taylor & Francis
Release Date : 2023-07-28
Art History Narratology And Twentieth Century Chinese Art written by Lian Duan and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-28 with Art categories.
This study constructs a framework of narratology for art history and rewrites the development of twentieth-century Chinese art from a narratological perspective. Theoretically and methodologically oriented, this is a self-reflective meta-art history studying the art historical narratives while narrating the story of modern and contemporary Chinese art. Thus, this book explores the three layers of narrative within the narratological framework: the first-hand fabula, the secondary narration, and the tertiary narrativization. With this tertiary narrativization, the reader-author presents three types of narrative: the grand narrative of the central thesis of this book, the middle-range narrative of the chapter theses, and case analyses supporting these theses. The focus of this tertiary narrativization is the interaction between Western influence on Chinese art and the Chinese response to this influence. The central thesis is that this interaction conditioned and shaped the development of Chinese art at every historical turning point in the twentieth century. The book will be of interest to scholars working in art history, critical theory, Chinese studies, and cultural studies.
Half Life Of A Dream
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Author : Jeff Kelley
language : en
Publisher: University of California Press
Release Date : 2008
Half Life Of A Dream written by Jeff Kelley and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art categories.
Half-Life of a Dream: Contemporary Chinese Art from the Logan Collection is a breathtaking and insightful survey of post-Tiananmen Square Chinese art and culture. As this richly illustrated work reveals, contemporary Chinese art--often discussed as a cynical reaction to emerging consumerism or as a satiric response to the academic patriotism of socialist realism--is more haunted than cynical, more a matter of a nation's suppressed psychic expression than of pop iconoclasm or ironic detachment. The paintings, sculptures, and installations of such Chinese artists as Ai Weiwei, Liu Xiaodong, Zhang Xiaogang, and Lin Tianmiao convey the shadows that trouble their nation as it undergoes a rapid process of modernization. Half-Life of a Dream, companion book to the exhibition at the San Francisco Museum of Modern Art, is the museum's first sustained examination of Chinese artistic practice since the acclaimed publication of Inside Out: New Chinese Art. Beautiful in its presentation and fresh in its tone, Half-Life of a Dream gathers a distinguished group of art historians and critics to assess the Logan Collection and to capture this important moment in Chinese art. Copub: San Francisco Museum of Modern Art
Contemporary Chinese Art Aesthetic Modernity And Zhang Peili
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Author : Paul Gladston
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-10-17
Contemporary Chinese Art Aesthetic Modernity And Zhang Peili written by Paul Gladston and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-17 with Philosophy categories.
In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art. In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty. Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today.
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Author : Art Beatus Gallery (Vancouver, B.C.)
language : en
Publisher: The Gallery
Release Date : 1998
written by Art Beatus Gallery (Vancouver, B.C.) and has been published by The Gallery this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art, Chinese categories.
Total Modernity And The Avant Garde In Twentieth Century Chinese Art
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Author : Minglu Gao
language : en
Publisher: MIT Press
Release Date : 2011-04-29
Total Modernity And The Avant Garde In Twentieth Century Chinese Art written by Minglu Gao and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-04-29 with Art categories.
A groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation—modernityinextricably connects politics to art. It is this notion of "total modernity" that forms the foundation of the Chinese avant-garde aesthetic, and of this book. Gao examines the many ways Chinese artists engaged with this intrinsic total modernity, including the '85 Movement, political pop, cynical realism, apartment art, maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as the Shanghai Biennial. He describes the inner logic of the Chinese context while locating the art within the framework of a worldwide avant-garde. He vividly describes the Chinese avant-garde's embrace of a modernity that unifies politics, aesthetics, and social life, blurring the boundaries between abstraction, conception, and representation. Lavishly illustrated with color images throughout, this book will be a touchstone for all considerations of Chinese contemporary art.
Writing Modern Chinese Art
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Author : Josh Yiu
language : en
Publisher: University of Washington Press
Release Date : 2009
Writing Modern Chinese Art written by Josh Yiu and has been published by University of Washington Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art categories.
The complexity and confusion of styles and intentions are true characteristics of modern Chinese art. Just as the definition of "modernity" was subjected to reinterpretations at various points in China's recent history, current notions of the canon are likewise subjected to change. This book -- consisting of ten articles by art historians, artist, historian, and curator -- explores the developments of Chinese art in the 20th century, applying critical theories to question and reinterpret concepts that are normally taken for granted. Their writings also reveal the thought processes in which the authors filtered what they considered to be important information, especially regarding people, events, dates, and artworks. As such, the topic of each article is, in itself, a result of judicious selection. This volume demonstrates how modern Chinese art history has been -- and can be -- written.
China Art Modernity
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Author : David Clarke
language : en
Publisher: Hong Kong University Press
Release Date : 2019-01-22
China Art Modernity written by David Clarke and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-22 with Art categories.
China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation. ‘Here is a book that offers a comprehensive account of the dizzying transformations of Chinese art and society in the twentieth and twenty-first centuries. Breaking free of conventional dichotomies between traditional and modern, Chinese and Western that have hobbled earlier studies, Clarke’s highly original book is exactly what I would assign my own students. Anyone eager to understand developments in China within the global history of modern art should read this book.’ —Robert E. Harrist Jr., Columbia University ‘Clarke’s book presents a critically astute mapping of the arts of modern and contemporary China. It highlights the significance of urban and industrial contexts, migration, diasporas and the margins of the mainland, while imaginatively seeking to inscribe its subject into the broader story of modern art. A timely and reliable intervention—and indispensable for the student and non-specialist reader.’ —Shane McCausland, SOAS University of London
Urbanization And Contemporary Chinese Art
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Author : Meiqin Wang
language : en
Publisher: Routledge
Release Date : 2015-08-11
Urbanization And Contemporary Chinese Art written by Meiqin Wang and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-11 with Art categories.
This book explores the relationship between the ongoing urbanization in China and the production of contemporary Chinese art since the beginning of the twenty-first century. Wang provides a detailed analysis of artworks and methodologies of art-making from eight contemporary artists who employ a wide range of mediums, including painting, sculpture, photography, installation, video, and performance. She also sheds light on the relationship between these artists and their sociocultural origins, investigating their provocative responses to various processes and problems brought about by Chinese urbanization. With this urbanization comes a fundamental shift of the philosophical and aesthetic foundations in the practice of Chinese art: from a strong affiliation with nature and countryside to one that is complexly associated with the city and the urban world.