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The Musical Rhetoric Of The Polish Baroque

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The Musical Rhetoric Of The Polish Baroque

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Author : Tomasz Jasiński
language : en
Publisher: Eastern European Studies in Musicology
Release Date : 2015

The Musical Rhetoric Of The Polish Baroque written by Tomasz Jasiński and has been published by Eastern European Studies in Musicology this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Music categories.

"Our analysis shall focus on the music of Polish composers of the baroque period, i.e. from the seventeenth and first half of the eighteenth century."--Page 45.

Musica Poetica Musical Rhetorical Figures In German Baroque Music

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Author : Dietrich Bartel
language : en
Publisher: U of Nebraska Press
Release Date : 1997-07-01

Musica Poetica Musical Rhetorical Figures In German Baroque Music written by Dietrich Bartel and has been published by U of Nebraska Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-07-01 with Music categories.

Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.