The Neapolitan Canzone In The Early Nineteenth Century As Cultivated In The Passatempi Musicali Of Guillaume Cottrau
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The Neapolitan Canzone In The Early Nineteenth Century As Cultivated In The Passatempi Musicali Of Guillaume Cottrau
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Author : Pasquale Scialò
language : en
Publisher: Lexington Books
Release Date : 2015-12-17
The Neapolitan Canzone In The Early Nineteenth Century As Cultivated In The Passatempi Musicali Of Guillaume Cottrau written by Pasquale Scialò and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-12-17 with Drama categories.
This volume is a multi-disciplinary study of the Neapolitan tradition of nineteenth-century song or “Canzona napoletana.” It is based on primary (original music manuscripts) and secondary (correspondence, diaries, and varied historical materials) sources recovered from Neapolitan archives, libraries, and private collections. The book takes as its focus the figure of Guillaume Cottrau (1797-1847), a musician and publisher who left a significant breadth of original songs and arrangements issued in the song collection and series entitled Passatempi musicali. Cottrau was a cultural auteur, who integrated his diverse activities as editor, folklorist, and patron of salon music and musicians (including the commissioning of original works and adaptations) to establish a tradition of Neapolitan song. This repertory was disseminated throughout Europe and ultimately the United States to great acclaim through the publication of the Passatempi musicali. The songs presented in the Passatempi musicali remain within the international repertory affiliated with Neapolitan song, including “Fenesta vascia,” “Lo guarracino,” “Cannetella,” and many others. They are, moreover, closely linked to the historical, cultural and linguistic identity of Naples and the Neapolitan diaspora. This volume is the first of its kind in the English language and offers original, unpublished research about the endeavors of Cottrau, the contemporary cultural environs, the artists and their music that established the international fame of the Neapolitan canzona.
The Neapolitan Canzone In The Early Nineteenth Century As Cultivated In The Passatempti Musicali Of Guillaume Cottrau
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Author : Pasquale Scialò
language : en
Publisher:
Release Date : 2015
The Neapolitan Canzone In The Early Nineteenth Century As Cultivated In The Passatempti Musicali Of Guillaume Cottrau written by Pasquale Scialò and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Music categories.
This collection examines the history of the Canzona Napoletana and its emergence as a leading genre of popular music in the early nineteenth century. Featuring original research by leading scholars in the fields of ethnomusicology, historical musicology, and theater, this is the first collection of essays in the English language to address the topic.
The Great Vogue For The Guitar In Western Europe
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Author : Christopher Page
language : en
Publisher: Boydell & Brewer
Release Date : 2023-02-28
The Great Vogue For The Guitar In Western Europe written by Christopher Page and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-02-28 with Music categories.
The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vouge throughout Western Europe during the early decades of the nineteenth century.Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur musicians throughout Europe persisted; many instruments were built to meet the demand, a substantial volume of music was published for amateurs to play, and soloist-composers moved freely between European cities. This book follows these lines of travel venturing as far as Moscow, and visiting all the great musical cities of the period, from London to Vienna, Madrid to Naples. The first section of the book looks at eighteenth-century precedents, the instrument - its makers and owners, amateur and professional musicians, printing and publishing, pedagogy, as well as aspects of repertoire. The second section explores the extensive repertoire for accompanied song and chamber music. A final substantive section assembles chapters on a wide array of the most significant soloist-composers of the time. The chapters evoke the guitar milieu in the various cities where each composer-player worked and offer a discussion of some representative works. This book, bringing together an international tally of contributors and never before examined sources, will be of interest to devotees of the guitar, as well as music historians of the Romantic period.
Sigismund Thalberg Primordi E Sviluppi Della Scuola Pianistica Napoletana
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Author : Massimo Distilo
language : it
Publisher: Booksprint
Release Date : 2016-08-08
Sigismund Thalberg Primordi E Sviluppi Della Scuola Pianistica Napoletana written by Massimo Distilo and has been published by Booksprint this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-08 with Music categories.
Dall’incontro fra Sigismund Thalberg e Beniamino Cesi prese avvio, nella seconda metà dell’Ottocento, il fenomeno designato come Scuola pianistica napoletana. Il mitico pianista ginevrino e il suo più importante allievo trovarono però un terreno già ampiamente dissodato dall’opera di alcuni precursori tra cui emergono i nomi di Francesco Lanza (nutritosi in Inghilterra alla scuola di Clementi e Field), Ernesto Coop e Teodoro Döhler. Il Conservatorio di S. Pietro a Majella ed il Liceo Musicale di Napoli formarono, nel corso di due secoli, schiere di pianisti e pianiste le cui carriere ebbero spesso respiro internazionale. Molti di costoro si dedicarono anche alla didattica perpetuando una tradizione che, con diramazioni a volte tortuose, si protrae fino ai nostri giorni. La nota introduttiva dal titolo “Il pianoforte a Napoli”, posta all’inizio del libro, è stata scritta da un grande pianista contemporaneo la cui formazione fa riferimento a questa scuola: Francesco Libetta.
Padron Mio Colendissimo Letters About Music And The Stage In The 18th Century
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Author : Iskrena Yordanova
language : it
Publisher: Hollitzer Wissenschaftsverlag
Release Date : 2021-06-28
Padron Mio Colendissimo Letters About Music And The Stage In The 18th Century written by Iskrena Yordanova and has been published by Hollitzer Wissenschaftsverlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-28 with Music categories.
This volume explores the important role that epistolary exchanges play in the reconstruction of musical and theatrical contexts all over Europe in the early modern age, with particular attention to the century of the Enlightenment. Correspondence often bears witness to the reconstruction of performers' careers and theatrical venues, and to the transfers of professionals and repertoires, as well as to social themes and production issues. Archival sources, private letters, and official documents are not only rich in precious data and information, but can also provide material for new research perspectives, related both to their methodological implications and to the interpretation of music and theatre in a given time and place, along with raising questions about historical performance practices and their current revival.
Klavierwelten
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Author : Claudius Torp
language : de
Publisher: Campus Verlag
Release Date : 2022-04-13
Klavierwelten written by Claudius Torp and has been published by Campus Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-13 with History categories.
Zwischen den 1830er und den 1930er Jahren entfaltete die europäische Kunstmusik eine erhebliche kosmopolitische Anziehungskraft. Auch der Handel mit Tasteninstrumenten nahm damals globale Dimensionen an. Besonders das Klavier erfüllte bedeutsame kulturelle Funktionen: Es war ein Werkzeug der Kanonbildung sowie der Übersetzung musikalischer und literarischer Stoffe. Es stand im Zentrum öffentlicher Spektakel und diente einer ästhetischen Leistungsschau. Darüber hinaus beförderte es eine intime Gefühlskultur. Weltbild und Habitus außereuropäischer Eliten und Musiker haben die Auseinandersetzung mit dem Klavier entscheidend geprägt. Claudius Torp zeichnet in seiner Globalgeschichte des Klaviers die Institutionen des Instrumentenhandels, der Missionen und Konservatorien nach und analysiert die Bedeutung des Klaviers in den drei Fallstudien USA, Südafrika und Japan.
Storia Della Canzone Napoletana 1824 1931
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Author : Pasquale Scialò
language : it
Publisher: Neri Pozza Editore
Release Date : 2017-12-18T00:00:00+01:00
Storia Della Canzone Napoletana 1824 1931 written by Pasquale Scialò and has been published by Neri Pozza Editore this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-18T00:00:00+01:00 with Music categories.
Nel 1824 Guglielmo Cottrau, primogenito di una famiglia alsaziana trasferitasi a Napoli nel 1806 al seguito di Giuseppe Bonaparte, pubblica i Passatempi musicali, un insieme di «canzoncine raccolte per la prima volta dalla bocca popolare ed aggiustate con accompagnamento di pianoforte». Editore e compositore, Cottrau trae i suoi materiali da molteplici fonti, dall’ascolto diretto di performance urbane e dai cosiddetti «fogli volanti», che nei primi decenni dell’Ottocento svolgono un ruolo fondamentale nella diffusione della canzone. Il risultato è la paradossale creazione di un «canto popolare scritto da un compositore», un canto che non si lascia più incasellare nelle consuete opposizioni alto-basso, colto-popolare. Coprendo l’arco temporale di poco più di un secolo, dal 1824 al 1931, questa Storia della canzone napoletana ricostruisce il lungo percorso cronologico e tematico che dalle raccolte di materiali popolari confezionati per il salotto borghese conduce alla canzone d’autore napoletana propriamente detta. Da Fenesta vascia pubblicata da Cottrau a Santa Lucia luntana di E.A. Mario, da Era de maggio di Salvatore Di Giacomo e Mario Costa a canzoni drammatiche, cosiddette «di giacca», come Pupatella di Libero Bovio e Francesco Buongiovanni, dalle «macchiette» create da Ferdinando Russo per il «buffo di società» Nicola Maldacea fino alle creazioni per il Varietà sulla prostituzione e la marginalità di Raffaele Viviani, come So’ Bammenella ’e copp’ ’e Quartiere e ’O sapunariello, attraverso una pluralità di fonti, cartacee, sonore, iconografiche, filmiche, una delle più sublimi arti musicali e canore, capace di coniugare tradizione colta e popolare, si offre in queste pagine.
Passatempi Musicali
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Author : Pasquale Scialò
language : it
Publisher: Guida Editori
Release Date : 2013
Passatempi Musicali written by Pasquale Scialò and has been published by Guida Editori this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Music categories.
Neapolitan Postcards
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Author : Goffredo Plastino
language : en
Publisher: Scarecrow Press
Release Date : 2016-06-22
Neapolitan Postcards written by Goffredo Plastino and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-22 with Music categories.
Neapolitan Postcards gathers a diverse group of international scholars to investigate unexplored transnational aspects of the intimate yet globally popular canzone napoletana. Performed and beloved worldwide in almost every language, the style had hits such as “Funiculì funiculà” (1880) and “’O sole mio” (1898) which sold millions of copies. These hits fueled the tradition’s spread across the world over the course of the twentieth century with the eventual popularity of covers by singers and musicians of all music genres and styles, from popular music to opera and jazz. This book is the first scholarly work that considers the specific complexities of the international Neapolitan Song scenes through case studies from Argentina, England, Greece, and the United States, employing analyses of compositions, iconographical sources, international films, mechanical musical instruments, performances, and recordings devoted to the canzone napoletana.
Storia Della Canzone Napoletana 1932 2003
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Author : Pasquale Scialò
language : it
Publisher: Neri Pozza Editore
Release Date : 2021-11-25T00:00:00+01:00
Storia Della Canzone Napoletana 1932 2003 written by Pasquale Scialò and has been published by Neri Pozza Editore this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-25T00:00:00+01:00 with Music categories.
DA TAMMURIATA NERA AL RAP E ALLA TRAP CONTEMPORANEE, PASSANDO PER CAROSONE E PINO DANIELE, LA GRANDE STAGIONE DELLA CANZONE NAPOLETANA IN UN VOLUME INDISPENSABILE PER TUTTI I SUOI NUMEROSI AMANTI. "Nanà, Nanù, Makabù, Evviva ’a tessera" si canta a Napoli nei primi anni Trenta: nomi esotici della canzone coloniale e grida di giubilo della propaganda fascista. Le canzonette di regime, tuttavia, non riescono per fortuna a occupare tutta la scena. Intorno alla metà degli anni Trenta non mancano infatti capolavori come Passione e, all’inizio degli anni Quaranta, gemme del genere comico come Ciccio Formaggio. È a partire dal secondo dopoguerra che la canzone napoletana sviluppa con nuove forme la sua costitutiva natura ibrida, rielaborando alla sua maniera le nuove tendenze che avanzano sulla scena musicale internazionale. Da Tammurriata nera e Pistol packin’ mama dell’immediato dopoguerra si passa agli anni Cinquanta, in cui, accanto a canzoni destinate a permanere (Sciummo, Lazzarella, Guaglione, Tu si’ na cosa grande), si inaugura il «bainait» napoletano con i suoi innesti fra tradizioni locali e matrici d’oltreoceano (Nun è peccato, Anema e core, Accarézzame!, Na voce, na chitarra e ’o ppoco ’e luna) e in cui Renato Carosone si fa largo prepotentemente sulla scena a tempo di boogie woogie e quick step. Poi arriva la stagione irripetibile degli anni Settanta, nella quale tendenze diverse convivono come in un arcipelago formato da isole immerse nel mare della lingua napoletana (James Senese, il rock progressive degli Osanna, il giovane music maker Pino Daniele e, negli stessi incredibili anni, la sceneggiata di Mario Merola e Pino Mauro e la nuova canzone sottoproletaria di Patrizio e Nino D’Angelo), fino ai neomelodici e ai singolari esiti del nuovo Millennio, in cui il rap e fenomeni come Liberato pongono allo studioso problemi di non facile risposta. Su questa ampia scena musicale si snoda il racconto della canzone napoletana dal 1932 al 2003, in un’appassionante narrazione che mescola costume, documenti musicali, interviste inedite, immagini, letteratura, cinema, teatro, clip. Una storia lunga e articolata, che include testi originali con traduzione a fronte, una bibliografia ragionata e un indice dei nomi dei protagonisti e delle canzoni citate.