The Painting And Sculpture Of Michael Pacher
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The Painting And Sculpture Of Michael Pacher
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Author : Vincent Kubly
language : en
Publisher:
Release Date : 1965
The Painting And Sculpture Of Michael Pacher written by Vincent Kubly and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with categories.
Pacher Michael
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Author :
language : en
Publisher:
Release Date :
Pacher Michael written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Offers information on the Austrian painter Michael Pacher (c.1435-1498), presented by the Web Gallery of Art of Emil Kren and Daniel Marx. Includes a biographical sketch of Pacher and contains an image and a description of his painting entitled "Church Fathers Saint Augustine and Saint Gregory."
Michael Pacher
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Author : Nicolò Rasmo
language : en
Publisher:
Release Date : 1971
Michael Pacher written by Nicolò Rasmo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1971 with Art categories.
The Grove Encyclopedia Of Medieval Art And Architecture
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Author : Colum Hourihane
language : en
Publisher:
Release Date : 2012
The Grove Encyclopedia Of Medieval Art And Architecture written by Colum Hourihane and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Architecture, Medieval categories.
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Michael Pacher
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Author : Lukas Madersbacher
language : de
Publisher:
Release Date : 2015
Michael Pacher written by Lukas Madersbacher and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Art categories.
The Peter And Paul Altarpiece And Friedrich Pacher
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Author : Avraham Ronen
language : en
Publisher: Humanities Press International
Release Date : 1974
The Peter And Paul Altarpiece And Friedrich Pacher written by Avraham Ronen and has been published by Humanities Press International this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974 with categories.
European Art Of The Fifteenth Century
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Author : Stefano Zuffi
language : en
Publisher: Getty Publications
Release Date : 2005
European Art Of The Fifteenth Century written by Stefano Zuffi and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Art categories.
Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century
Sculpture In The Netherlands Germany France And Spain 1400 To 1500
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Author : Theodor Muller
language : en
Publisher:
Release Date : 1992-05-26
Sculpture In The Netherlands Germany France And Spain 1400 To 1500 written by Theodor Muller and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992-05-26 with Art categories.
A History Of Art In 2 Vols Vol 1 Down To The Age Raphael Vol 2 Later European Art Set
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Author : H. Cotterill
language : en
Publisher:
Release Date : 1998-01-01
A History Of Art In 2 Vols Vol 1 Down To The Age Raphael Vol 2 Later European Art Set written by H. Cotterill and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-01-01 with categories.
This Monumental Work In Two Volumes Attempts To Present Before The Readers A Comprehensive Account Of The History Of Art From Its Early Beginnings Down To Modern Days, Covering A Period Of More Than 4000 Years. Describing All The Artistically Great And Historically Important Works Of Ancient And Medieval Artists, The Author Aims At Bringing Out How European Nations Inherited Their Art And Developed Distinct Artistic Characteristics, Giving Rise To Diverse Of Modern Art. Volume One Begins With The Architecture, Sculpture And Painting Of Ancient Egypt And Ends With A Chapter On The Quattrocento Painters Of The Early And Middle Italian Renaissance-Treating The Subject According To Ears, Such As The Pre-Hellenic, Hellenic, Hellenisitic, Roman, Early Christian, Byzantine, Romanesque And Gothic. Volume Two After Continuing To Treat Italian Art, Also During The Cinquecento And Scicento, The Different Chapters Consider Separately Spanish, French, Flemish (And Dutch), German And English Art From About 1500 To 1830 Ad, And Closes With A Brief Account Of Oriental Art (Indian, Chinese And Japanese). The Two Volumes Together Present More Than 1000 Pages Of Text With Cover 700 Illustrations And Reference Hunting Is Easy With The Help Of Exhaustive Index With Each Volume. This Encyclopedic Work Is An Invaluable Asset For The Students And Scholars Of Art Particularly Art Historians. Contents Vol. 1 Part I: Pre-Hellenic Art; Chapter 1: Egypt; Egyptian Dynasties (3), Thinite Era (4), Memphite Era (8), First Theban Era (14), Second Theban Era (16), Salte Era (21); Chapter 2: Babylonia And Assyria; Ancient Babylonia (28), Assyria (30), New Babylonia (34), Note On The Hittites And Phoenicians (35); Chapter 3: Aegaean Art; Troy (43), Mycenae (44), Crete (49), Achaean Art (54), Note On The Dorians (59), Ionia (61); Part Ii: Greek Art; Chapter 1: Dark Age And Archaic Era; Dipylon And Other Dark Age Art (67), Archaic Era: Architecture (70), Sculpture (75); Chapter 2: The Periclean Era; Transitional Period: Architecture (83), Sculpture (84), The Great Period Of The Periclean Age: Architecture (87), Sculpture (91), Painting (99), Note On Persia (101); Chapter 3: The Fourth Century; Architecture (107), Sculpture (110); Chapter 4: The Hellenistic Era; Architecture In Greece (120), Hellenistic Architecture And Sculpture At Pergamon (122), Rhodes (124) And Alexandria (125), Note On Greek Or Hellenistic, Painting (127), Alexandrian Painting (130), Possible Copies Or Imitations Of Ancient Greek Paintings (131), Mosaics (132), Note On Classic Greek, Vases (132), Note On Greek Coins (135); Part Iii: Roman Art; Chapter 1: The Etruscans; Architecture (141), Tombs (142), Sculpture (143), Frescos (145), Ceramics (146); Chapter 2: Republican Rome; Architecture (148), Sculpture (155), Roman Coins (157); Chapter 3: Imperial Rome; Architecture (159); Sculpture (167), Painting And Mosaics (171); Part Iv: Early Christian Art; Chapter 1: The Catacombs; Chapter 2: Early Basilicas; Early Round Churches And Mausoleums; Chapter 3: Byzantine Architecture; Chapter 4: Mosaics; Early Christian Roman Mosaics (201), Ravenna Mosaics, Byzantine And Other (204), Later Roman And Eastern Mosaics, Byzantine And Other (207), Venetian Mosaics (210), Norman-Sicilian Mosaics (211); Chapter 5: Painting And Sculpture; The Roman School (213), The Byzantine School (217); Part V: The Romanesque Era; Chapter 1: Early Romanesque Architecture; Chapter 2: Later Southern Romanesque Architecture; Lombardy And Emilia (242), Tuscany (243), Central And Southern Italy (245), Sicily (245); Chapter 3: Northern Romanesque Architecture; France (247), Germany (251), England (254); Chapter 4: Romanesque Sculpture And Painting; Italian (258), Northern (262), Stained Glass (266), Art Of Illumination Or Miniature (267); Chapter 5: Arab Art; Egypt And Nearer East (273), Sicily (274), Spain (274), India (275); Part Vi: The Gothic Era; Chapter 1: Northern Gothic Architecture And Spanish Architecture And Sculpture; Principles Of Gothic Architecture (277); French (280); England (284), Flanders (288), Germany (289), Spain (290), Portugal (298), Spanish Sculpture (300); Chapter 2: Northern Gothic Sculpture And Painting; Sculpture: France (305); Germany (310), Celtic And English (310), Painting: French And English Stained Glass And Miniature (314), Flemish And German Painting-Fresco, Miniature And Altar-Pieces (316); Chapter 3: Italian Gothic And The Tuscan Revival; Italian Gothic (323), The Tuscan Revival Of Sculpture (326), The Tuscan Revival Of Painting (330), Note On The Cosmati (333); Part Vii: The Trecento; Chapter 1: Trecento Architecture; Arnolfo Di Cambio (337), Giotto (338), Talenti (338), Orcagna (339); Chapter 2: Trecento Sculpture; Niccolo Pisano (342), Giovanni Pisano (342), Andrea Pisano (343), Giotto (343), Orcagna (345); Chapter 3: Trecento Painting; Cimabue (349), Giotto And The Giotteschi (349), Orcagna (357), Sienese Painters (360); Part Viii: The Quattrocento; Chapter 1: Quattrocento Architecture; Florentine Early Renaissance Architecture: Brunelleschi (366), Michelozzo (368), Florentine Rustica (369), Alberti And Early Classic Renaissance (370), Early Renaissance At Urbino: Laurana (374); Bramante S Early Renaissance Style (374), The Facade Of The Certosa Of Pavia And Other Lombard Early Renaissance Buildings (375), Venetian Quattrocento Gothic And Early Renaissance (376), Verona: Fra Giocondo (377); Chapter 2: Quattrocento Sculpture; Della Quercia (379), Brunelleschi (379), Ghicerti (380), Donatello (381), The Della Robbias (383), Verrocchio (384), Rossellini, Desiderio And Other Tuscans (385), Venetian Monuments (387); Chapter 3: Quattrocento Painting; Its Character, Ideals And Technique (389), Florence And Tuscany (393-402): Fra Angelico (393); Masaccio (395); Paolo Uccello (396), Andrea Del Castagno (397), Filippo Lippi (397), Benozzo Gozzoli (398), Verrocchio (398), Botticelli (399), Filippino Lippi (400), Ghirlandaio (401), Umbria And The Marche (402-5): Piero Della Francesca (402), Signorelli (403), Perugino (403), Pinturicchio (404), Venice And Padua (405-5): Piero Della Francesca (402, Signorelli (403), Perugino (403), Pinturicchio (404), Venice And Padua (405-12): The Vivarini (406), Mantegna (406), The Bellini (408), Giorgione (411), Cima (411), Carpaccio (412), Emilia And Lombardy (413-14): Melozzo (413), Francia (413), Rome And Naples (414): Antonello Da Messina (414). Vol. 2 Part I: Italy: Il Cinquecento; Chapter 1: Cinquecento Architecture; Charactera And Period Of The Classic High Renaissance Style, Rome (1500-1564) (4-9): Bramante, Peruzzi, Raphael And Michelangelo As Architects At Rome (6); St Peter S (8), Central And Northern Italy, Especially Venice (9-13): Sansovino, Palladio, Scamozzi (13), The Decline (13-16): Vignola (14), Vasari (15); Chapter 2: Cinquecento Sculpture; Andrea And Jacopo Sansovino (18), Michelangelo (19), Cellini (25), Ammanati (28); Chapter 3: Cinquecento Painting; Preliminary (29-34): Its Main Characteristics, The Seven Schools (34-60): Lombardy, Especially Milan (34), Siena (37), Florence (39), Rome (42), Bologna (44), Parma (46, Venice (48), Monographs (61-88): Lenardo Da Vinci (61), Fra Barto-Lomeo (65), Michelangelo As Painter (68), Raphael (79); Part Ii: Italy: Seicento And Later; Chapter 1: Seicento And Later Architecture; Triumph Of Barocco And Jesuitic Style At Rome (89), Vignola (91), Carlo Maderna (91) And Bernini (91), Borromini (93), Fontana (94) And Pozzo (95), Barocco In Naples (96), Genoa (96), Florence (97) And Venice (97), Longhena (97), Later Architecture: Turin (98), Milan (99), Theatres (99), The Neo-Classic Reaction (100-104): Naples (102), Vanvitelli At Caserta (102), Fuga (103); Chapter 2: Sculpture: Seicento And Later; Bernini (106), Stefano Maderna (110), Algardi (110), Bernini S Pupils (110), Barocco Sculpture At Florence And Naples: Queirolo And Corradini (111), The Neo-Classic Revival (112-122): Canova And His School (113), Giovanni Dupre (119), Vela (119); Chapter 3: Painting: Seicento And Later; The Eclectics And The Naturalists (123-132): The Carracci (124), Caravaggio (126), Guido Reni (127), Domenichino (128), Tiarini (129), Albani (130): Guercino (130), Cristofano Allori (131), Carlo Dolci (131), Sassoferrato (132), The Spanish-Nepolitan School (1610-73) (132-134): Ribera (132), Salvator Rosa (133), The Barocco Decorators (1600-1770) (134-143): Tempesti The Barocco Decorators (1600-1770) (134-143): Tempesti (135), Pozzo (136), Giordano (137), Tiepolo (139), Canaletto (140), Neo-Classicism: Batoni (142), Appiani; Part Iii: Spain; Chapter 1: Architecture And Sculpture; Architecture, Gothic (145-148): Cathedrals Of Seville (146), Burgos (147), Toledo (147), Salamanca (147), Segovia (147) And Granada (148), Renaissance Styles (Plateresque, Herrera, Churriguera) 148-151): Cordova Cathedral (149): The Escorial (149) Curriguera (151), Sculputure (152-157): Retablos And Sillerias (152), Plateresque Carvings (153), Estile Mostruoso (154), Torrigiani In Spain (154), Michelangelo S Influence: Alonso Berruguete (154), Montanes And Cano (159); Chapter 2: Spanish Painting; Character Of Spanish Pictorial Art (158), Pacheco (160), Spanish Primitives And Foreign Influence (161), Starnina (163), Jan Van Eyck (163), Juan De Borgona (164), Pedro Berruguete (164), The Mannerists: Alonso Berruguete (165), Morales (165), Vargas (165), Juan De Las Roelas (166), Vicente Juanes (166), El Greco 9168), Zurbaran (169), Velasquez (170), Murillo (174), Claudio Coello (178), Giordano And Tiepolo In Spain (179), Goya (180) Madrazo (181); Part Iv: France; Preliminary; France At The End Of The Middle Age (183), Early Architecture (186), Early Sculpture (188), Origins And Development Of French Painting (191); Chapter 1: French Art From Charles Viii To Louis Xiv; Architecture (1500-1643) (197-208): Transition From Gohic To Renaissance 1500-1550: Churches (198, Chateaux-Chaumont (199), Amboise (200), Fontanebleau (201) And Others, Renaissance Prevails (202), Lescot S Louvre (203), Tours Cathedral (204), Saint-Pierre, Caen (204), Saint-Michel, Dijon (204), Classical And Palladian Style (205), Domes And Pantheon-Like Exteriors (206), Churches Of The Sorbonne, Les Invalides And Val-De-Grace (207), Luxembourg Palace (208), Sculpture (1500-1643) (208-214): Calvaries (208) And Sepultures (209), Colomber (209), Monuments (210), Goujon (212), Pilon (213) And Others (213-214), Painting (1500-1643) (214-223): Leonardo Da Vinci And Andrea Del Sarto In France-Francis I And The School Of Fontainebleau (215), Portraits And Busts (218), The Clouets (219), Mais (221), Flemish Influence During Reigns Of Henry Iv And Louis Xiii (221), Rubens Summoned To Paris By Marie De Medicis (221), Simon Vouet (222), Callot And Bosse (223); Chapter 2: From Louis Xiv To 1820; Preliminary (224-229), Observations On The Art And Political History Of The Period (224), Architecture (1643-1820) (229-239): The Case Of Architecture At This Epoch (230), Bernini Invited By Louis Xiv (232), Perrault S Louvre Colonnade (232), Versailles Chosen As The Royal Residence (233), Jules Mansard (233), Church Architecture And Other In Paris (234), Bruant (234), Francois Mansard (235), Le Vau (235), Blondel (235), Gabriel (236), Simplified High Renaissance And Colossal Style (236), Hotel De La Monnaie, Palais De Elysee And Odeon (236), Bourse (237), Pantheon (237), Madeleine (237), Arcs De Triomphe (238), Sculpture (1643-1820) (239-249): Girardon (239) And Coysevox (240), Puget (241), The Coustous (241), Pigalle (242) And Falconet (243), Houdon (244) Rude And David D Angers (246), Barye (248), Carpeaux (249), Painting (1643-1820): Preliminary (250), Louis Xiv (252-280): Nicolas Poussin (252), Ruskin On Landscape-Painters, Especially Poussin, Claude And Rubens (254), Claude Le Lorrain (263), Claude S Work Compared With Turner S (264), Le Sueur (266) And Philippe De Champaigne (266 And 274), Development Of A Genuine French School Of Painting Prevented By The Influence Of Colbert And Of Le Brun (267), The Royal Academy Of Painting And Sculpture (268), Le Brun And Versailles (269), Pierre Mignard (271 And 274), Callot And Bosse (272), Parisian Artists Form A School Independent Of Royal Patronage (273), Largilliere And Rigaud (275), Watteau (276), Lancret (279), Louis Xv (280-286), Chardin (280), Boucher (281), La Tour (283), Nattier (284), The Vernets (285), Louis Xvi (286-291): Greuze (288), Fragonard (290), Hubert Robert (290), Madame Vigee-Lebrun (291), The Revolution And First Empire (291-302): The New Classicism-Jacques-Louis David (294), Prud Hon (297), Francois Gerard (298), Antoine-Jean Gros (299), The Romantic School-Gericault S Raft Of The Medusa (301), Ingres (302); Part V: The Netherlands; Preliminary; Sketch Of The Political And Artistic History Of Flanders And Holland; Chapter 1: Architecture And Sculpture; Relics Of The Romanesque Era (310), Gothic Churches, Civic Buildings And Private Houses (311), Pre-Renais-Sance Sculpture: Gothic Stone-Sculpture And Bronzes (313), Wood-Carvings-Reredoses And Pulpits (315), Renaissance Influences Slow To Affect Flemish Architecture: Hotel De Ville At Antwerp (316), Jesuitic Church Style In Seventeenth And Eighteenth Centuries (317), In Civic Architecture An Attractive Flemish Style (318), Modified French Baroque, Followed By Revival Of Old Styles (319), Dutch Renaissance Architecture (320), Renaissance Stone-Sculpture And Wood-Carving In Flanders And Holland (321); Chapter 2: Flemish Painting; Miniature-Painting (324), Stained Glass (325), The Van Eycks (326), Van Der Weyden (326), Memling (326), Petrus Christus (327) Bouts (328), Gerard David (329), The Antwerp School And The Italianizers (330), Quentin Matsys (332), Patinir And Bles (333), Bosch (334), The Brueghels (335), Mabuse (336), Van Orley (337), The Brils And Othe Landscape-Painters (338), Antonis Mor (339), Rubens (340), Jordaens (346), Sustermans (346), Van Dyck (347), Philippe De Champaigne (350), Coques (350), Peter Lely (350), Brouwer And David Teniers (352); Chapter 3: Dutch Painting; Its Character (353), The Master Of Delft (353) Lucas Van Leyden (353), Earliest Dutch Portraitists And Rembrandt (356-361): Revesteyn (357), Frans Hals (357), Rembrandt (358), Post-Rembrandt Genre Painters And Portraitists (362-366): Ter Borch (364), The Van Ostades (364), Van Der Helst (364), Gerard Dou (364) Metsu (365), Maes (365), Jan Steen (365), Vermeer (366), Landscapes And Sea-Pieces (366-370), Characteristics Of Dutch Landscape-Painting (366), Jan Van Goyen (369), Albert Cuyp (369), Rysdael (369), Adriaen And Willem Van De Velde (370), Hobbema (370); Part Vi: Germany; Preliminary; The Origins, Development And Character Of German Architecture, Sculpture And Painting Until About The End Of The Middle Age (371), A Table Of Political Events In The History Of Germany From The Thirteenth To The Nineteenth Century (389); Chapter 1: Sculpture; Der Neue, Schweifende Stil (394), Multscher (394), Herlin (396), Veit Stoss And Adam Krafft Of Nurnberg (397), Till Riemenschneider And Michael Pacher (399), Northern Sculptors: Meister Bruggemann And Meister Bertran (400), Peter Vischer And His Sons (400), The Shrine Of St Sebald (401), The Maximilian Monument (402), Labernwolf S Gansemannchen, Wurzelbauer S Tugenbrunnen, The Perseusbrunnen And Others (404), The Ludwigsgrab (406) And Mariensaule (407) At Munich, Peter Witte (Candido), Hubert Gerard And Adrian De Bries (407), Berninesque And Rococo Sculpture: Corradini And Matielli At Dresden And Vienna (408), Catholic Statuary At Prag (409), Schluter S Fine Equestrian Status Of The Great Elector (409); Chapter 2: Architecture; The Introduction Of The Renaissance Style, Long Delayed, Aided By German Renaissance Sculpture (411), Deverse Types In Different Parts Of Germany (411), Over-Ornamentation: Architectural Stone-Carving And Holz-Schnitzerei (415), The Four Phases Of German Architecture, 1500-1820 (415), List Of Castles, Many Gothic Originally And Rebuilt In Transition Or Renaissance Style (416), Wholly Renaissance Palatial Castle Style At Heidelberg And Elsewhere (417), Fachwerkhauser (419), List Of Rathduser, Some Originally Gothic And Completed In Renaissance Style (419), Lustschlosser (421), List Of A Few Of The Churches And Palaces Built Between About 1650 And 1820 In Austria (422), Bavaria (423), South-West Germany (424), Middle Rhineland And Franconia And North-West Germany (424), North-West Germany (424), North Germany (425), Saxony (426) And Prussia (427); Chapter 3: Painting; The Early Prag School (430), Meister Wilhelm And The Early Cologne School (431), Stephan Lochner (431), Southern Rhineland: Conrad Witz (432), Schongauer Of Colmar (433), Van Der Weden S Influence On German Pictorial Art (433), Vast Output Of Reredoses (Altare) (434), List Of Painters And Carvers Of Such Altare: Meister Christophorus (434), The Master Of The Lippberg Passion (435), Herlin (435), Pleydenwurff (435), Wohlgemut (436), Pacher (436), Hans Holbein The Elder (436), Burgkmair (438), Albrecht Durer And His Works (439), Grunewald (442), Lucas Cranach (444), Hans Holbein The Younger (445), Chodowiecki (451), Graff (451), Raphael Mengs (452), Angelica Kauffmann (453), Carstens, Cornelius And Overbeck (453); Part Vii: England By Stewart Dick; Chapter 1: Architecture; Transition From Gothic To Renaissance Architecture (455), Increase Of Building Activity In Elizabeth S Reign (456), Inigo Jones (458), Wren (459), St Paul S Cathedral (460), John Vanburgh (461), William Kent (462), James Gibbs (462), Architecture In George Iii S Reign (462), The Brothers Adam (462); Chapter 2: Sculpture; Torrigiani S Tomb Of Henry Vii In Westminster Abbey (463), Italian And Other Foreign Artists In England (463), Nicholas Stone (464), Caius Gabriel Cibber (465), Grinling Gibbons (465), Francis Bird (466), Flaxman (466), Nollekens (466), Sir Francis Chantrey (466), Alfred Stevens (466); Chapter 3: Painting; English Painting Before Hogarth (468-471): Early Mural Paintings And Panel-Pictures (468), Miniature-Painters-Nichlos Hilliard, Isaac And Peter Oliver, The Two Hoskins, Samuel Cooper, Thomas Flatman And Nicholas Dixon (469), Holbein In England (469), Followers Of Holbein (470), Flemish And Dutch Artists In England (470), Van Dyck (4700), Lely (471), Kneller (471), Hogarth And The Rise Of The English School (472-475): Hogarth (472), Followers Of Hogarth (473), Allan Ramsay (474), Influence Of Canaletto: Samuel Scott (474), Charles Brooking (474), Richard Wilson (474), The Great Portraitists (475-484): Reynolds (475), Gainsborough (478), Romney (480), Stubbs And Morland (481), Other Contemporary Painters (481), Revival Of Miniature-Painting (481), Blake (482), Hoppner (482), Lawrence (482), Raeburn (483), Wilkie (483), The Watercolourists (484-489), Alexander And John Robert Cozens (484), Early Topographical Artists (485), Girtin (485), Turner (486), Cotman (487), Peter De Wint (488), David Cox (488), Richard Parkes Bohington (489), Crome Constable And Turner (489-497): Crome (489), Cotman (491), Other Contemporary Artists Of The Norwich School (491), Constable (491), Turner (493); Supplementary Chapters On The Art Of The Far East; Preliminary; Chapter 1: Sculpture; India (500-504): The Stupas At Sanchi (501) And Amaravati (502), The Shrine At Borobudur (502), Graeco-Roman Influence (503), Sculpture In The Gupta Period (504), Later Work (504), China ( 505-508): Early Incised Stone Tablets In Shantung Province (505), Buddhist Sculptures At Ta-Tong-Fou And At Long-Men (5070, Graeco-Roman Influence (507), Sculptures Of Tang And Sung Periods (508), Japan (509-512): Early Japanese Sculpture (509), Bronzes Of The Suiko And Tenchi Periods (510), Greek Influence (510), Giogo (510), Sculpture Of Tempyo Period (510), Kobo Daishi (511), Colossal Bronze Buddhas At Nara And Kamakura (511); Chapter 2: Painting; Early Stages-China, India And Turkestan (513-519): Calligraphic Quality Of Oriental Painting (513), Ku Kai-Chin (514), The Fresco At Ajanta (515), Painting Under The Tang Dynasty (516), Wu Tao-Tzu (Go-Dishi) (517), Wang-Wei (518), Han Kan (519), Early Stages-Japan (519-524): Early Japanese Paintings (519), Kobo Daishi (520), Kanaoka (521), Yesin Sodzu (521), The Tosa Painters-Takayoshi (522), Toba Sojo (523) And Nobuzane (523), The Battle-Pictures Of Mitsunaga, Sumiyoshi Keion And Kose Korehisa (523), The Sung And Ming Periods In China (524-527): Characteristics Of Sung Painting (524), The Sho-Sho Hakkei (525), Li Lung Mien (526), Hsia Kuei (Kakei) And Ma Yuan (Bayen) (526), Mu Chi (Mokkei), The Ming Period (527), Later Stages Of Japanese Painting (527-537): Cho Densu (528), Shiubun (528), Noami (528), Soami (528), Sesshiu And His Followers (529), The Kano School-Masanobu (530), Motonobu (530), Utanosuke (531), Yeitoku (531), Tanyu (532), Naonobu (532), Yasanobu (532), Tsunenobu (532), Hanabusa Itcho (532), Kawanabe Kyosai (532), Revival Of Minor Arts And Crafts Under Iyeyasu (533), The Korin School- Honnami Koyetsu (533), Tawaraya Sotatsu (533), Korin (534), Japanese Naturalistic Painters- Maruyama Okio (534), Mori Sosen (534), Goshun And Ganku (535), The Ukioye School- Matabei (535), Moronobu (535), Colour-Printing (535), Suzuki Harunobu (536), Kiyonaga (536), Utamaro (536), Hokusai (536), Hiroshige (536), Modern Japanese Art (537).
The Rough Guide To Austria
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Author : Jonathan Bousfield
language : en
Publisher: Rough Guides
Release Date : 2001
The Rough Guide To Austria written by Jonathan Bousfield and has been published by Rough Guides this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Austria categories.
Venture across every inch of this prosperous and stable central European country, from the cosmopolitan capital of Vienna--packed with cultural offerings and late-night musikcafes--to the awesome Alpine backwaters of the Tyrol or winemaking villages. Learn how to stretch your budget in what can be an expensive country to visit. 40 maps. color photos.