The Politics Of India S Conventional Cinema
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The Politics Of India S Conventional Cinema
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Author : Fareed Kazmi
language : en
Publisher:
Release Date : 1999-01-01
The Politics Of India S Conventional Cinema written by Fareed Kazmi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-01-01 with Motion pictures categories.
The Politics Of India S Conventional Cinema
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Author : Fareed Kazmi
language : en
Publisher:
Release Date : 1999
The Politics Of India S Conventional Cinema written by Fareed Kazmi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with categories.
The Politics Of India S Conventional Cinema
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Author : Fareed Kazmi
language : en
Publisher: SAGE Publications Pvt. Limited
Release Date : 1999
The Politics Of India S Conventional Cinema written by Fareed Kazmi and has been published by SAGE Publications Pvt. Limited this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Business & Economics categories.
This book challenges the widely held belief that India's mainstream cinema is pure entertainment and entirely fantasy-oriented. Instead, the author shows how conventional cinema voices the concerns of the people and is essentially political, in that it is a major cultural and ideological force that not only reflects reality, but constructs it.
Bollywood And Globalization
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Author : David J. Schaefer
language : en
Publisher: Routledge
Release Date : 2013
Bollywood And Globalization written by David J. Schaefer and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Business & Economics categories.
The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences. Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India’s growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood’s increasing integration into and subsumption by globalized practices that are fundamentally altering India’s cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations.
Cinema And Censorship
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Author : Someśvara Bhaumika
language : en
Publisher:
Release Date : 2009
Cinema And Censorship written by Someśvara Bhaumika and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Motion pictures categories.
The Secret Politics Of Our Desires
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Author : Ashis Nandy
language : en
Publisher: Oxford University Press, USA
Release Date : 1998
The Secret Politics Of Our Desires written by Ashis Nandy and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with India categories.
This book deals with an important and too-often ignored area of cultural studies. To examine the enormous industry of Indian popular cinema is to study Indian modernity at its very rawest. The questions and perspectives this book presents provoke a thinking of cinema that is political in the widest sense from cinemas importance in ideas of nation and national cultural formation to psycho-social perspectives on identity, class and gender. The contributors deal with a range of themes from the metaphor of the slum as a defining cultural phenomenon to personal reflections on the political meanings and strategies of South Asian film, from Tamil blockbusters to the intrinsic ineffectivity of TV as a propagator of state ideology. Whilst the book is essential reading for students and academics of film, media and of South Asian studies. It will also fascinate anyone with an interest in the genuinely global phenomenon of South Asian cinema.
Gender Cinema Streaming Platforms
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Author : Runa Chakraborty Paunksnis
language : en
Publisher: Springer Nature
Release Date : 2023-03-24
Gender Cinema Streaming Platforms written by Runa Chakraborty Paunksnis and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-03-24 with Performing Arts categories.
This book offers interdisciplinary examination of gender representations in cinema and SVOD (Subscription Video on Demand) platforms in India. This book will identify how the so-called feminist enunciations in twenty-first century film and SVOD content in India are marked by an ambiguous entanglement of feminist and postfeminist rhetoric. Set against the backdrop of two significant contemporary phenomena, namely neoliberalism and the digital revolution, this book considers how neoliberalism, aided by technological advancement, re-configured the process of media consumption in contemporary India and how representation of gender is fraught with multiple contesting trajectories. The book looks at two types of media—cinema and SVOD platforms, and explores the reasons for this transformation that has been emerging in India over the past two decades. Keeping in mind the complex paradoxes that such concomitant process of the contraries can invoke, the book invites myriad responses from the authors who view the shifting gender representations in postmillennial Hindi cinema and SVOD platforms from their specific ideological standpoints. The book includes a wide array of genres, from commercial Hindi films to SVOD content and documentary films, and aims to record the transformation facilitated by economic as well as technological revolutions in contemporary India across various media formats.
India S New Independent Cinema
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Author : Ashvin Immanuel Devasundaram
language : en
Publisher: Routledge
Release Date : 2016-06-10
India S New Independent Cinema written by Ashvin Immanuel Devasundaram and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-10 with Social Science categories.
This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.
Bollywood Nation
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Author : Vamsee Juluri
language : en
Publisher: Penguin UK
Release Date : 2013-08-01
Bollywood Nation written by Vamsee Juluri and has been published by Penguin UK this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-08-01 with Performing Arts categories.
Bollywood Nation charts the evolution of Indian cinema from its mythological films in the early 20th century to its world-class gangster and terrorist melodramas of today. In doing so, the book investigates why and how our films have become so deeply embedded in the nation’s popular imagination. Is it merely that cinema is the only common form of mass national culture in a country that does not have either a common language or a common religion—or is it entwined with greater social, cultural and spiritual aspirations? By narrating the story of India through the stories that our films tell us, Vamsee Juluri posits cinema as the voice of the nation and examines how it has shaped our understanding of our place in the world.
Philosophical Issues In Indian Cinema
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Author : MK Raghavendra
language : en
Publisher: Taylor & Francis
Release Date : 2020-12-13
Philosophical Issues In Indian Cinema written by MK Raghavendra and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-13 with Art categories.
This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions from which it derives its influences. It re-examines terms and concepts used in film criticism and contextualizes them within the aesthetics, poetics and politics of Indian cinema. The book looks at terms and concepts borrowed from the scholarship on American and world cinema and explores their use and relevance in describing the characteristics and evolution of cinema in India. It highlights how realism, romance and melodrama in the context of India appear in a culturally singular way and how the aggregation of constituent elements – like songs, action, comedy – in Indian film can be traced to classical theatre and other diverse religious and philosophical influences. These influences have characterized popular film and drama in India which present all aspects of life for a diverse nation. The author explores concepts like ‘fantasy’, ‘family’ and ‘patriotism’ by using various examples from films in India and outside, as well as practices in the other arts. He identifies the fundamental logic behind the choices made by film-makers in India and discusses concepts which allow for a fresh theorizing on Indian cinema’s characteristics. This book will be of great interest to students and researchers of film studies, media studies, cultural studies, literature, cultural history and South Asian studies. It will also be useful for general readers who are interested in learning more about Indian cinema, its forms, origins and influences.