The Popular Stage

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The Popular Theatre

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Author : George Jean Nathan
language : en
Publisher: New York : A.A. Knopf
Release Date : 1923

The Popular Theatre written by George Jean Nathan and has been published by New York : A.A. Knopf this book supported file pdf, txt, epub, kindle and other format this book has been release on 1923 with Theater categories.

The Popular Theatre Movement In Russia 1862 1919

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Author : Gary Thurston
language : en
Publisher: Northwestern University Press
Release Date : 1998

The Popular Theatre Movement In Russia 1862 1919 written by Gary Thurston and has been published by Northwestern University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with History categories.

In The Popular Theatre Movement in Russia, Gary Thurston illuminates the "popular theater" of pre-revolutionary Russia, which existed alongside the performing arts for the nation's economic elite. He shows how from Peter the Great's creation of Europe's first theater for popular enlightenment to Lenin's decree nationalizing all Soviet theaters, Russian rulers aggressively exploited this enduring art form for ideological ends rather than for its commercial potential. After the emancipation of the serfs in 1861, educated Russians began to present plays as part of a crusade to "civilize" the peasants. Relying on archival and published material virtually unknown outside Russia, this study looks at how playwrights criticized Russian social and political realities, how various groups perceived their plays, and how the plays motivated viewers to change themselves or change their circumstances. The picture that emerges is of a potent civic art influential in a way that eluded and challenged authoritarian control.

Kabuki The Popular Stage Of Japan

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Author : Zoë Kincaid
language : en
Publisher: Good Press
Release Date : 2023-07-11

Kabuki The Popular Stage Of Japan written by Zoë Kincaid and has been published by Good Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-11 with Fiction categories.

"Kabuki : The popular stage of Japan" by Zoë Kincaid. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Stage To Screen Theatrical Method From Garrick To Griffith

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Author : A. Nicholas Vardac
language : en
Publisher: Davidson Press
Release Date : 2008-11

Stage To Screen Theatrical Method From Garrick To Griffith written by A. Nicholas Vardac and has been published by Davidson Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-11 with Drama categories.

STAGE TO SCREEN i THEATRICAL METHOD FROM 6ARRICE TO GRIFFITH A. NICHOLAS VARDAG HARVARD UNIVERSITY PRESS CAMBRIDGE 1949 TO SPYROS P. SKOURAS PREFACE The position of the motion picture in the evolution of the theatre of the world has yet to be determined. Much has been written in description and in critical analysis of the film. These studies spread roots like aerial plants through a fruitless vacuum. The atmosphere of nineteenth-century theatre has yet to be cleared and the proper source of cinema exposed. A new art form does not simply appear. In aesthetic as well as scientific and political areas the old dies as the new is born, the whole process being as in sistent as it is gradual. The time has come to see how the film fits into the evolutionary pattern of world theatre, how the blood stream of the screen was drawn from the stage, and how, under the pressure of this withdrawal, certain stage forms died upon the boards. The roots of a new art form are to be found in the sociological needs and tensions, in the spirit of the times, which sponsor its growth. This tension is so thoroughly woven into the cultural fabric that it can best be identified through its expression in the arts, in this case, in the related arts of theatre and of staging. In this fashion the spiritual, the sociological, and most of all, the aesthetic roots of the motion picture can be revealed through a composite study of both the early film and theatrical methods during the years leading to and surrounding its birth. The patterns within this period of theatrical history, as yet uncharted, must be traced by direct scrutiny of the spectacular promptbooks and the revealing periodical accounts of productions appearingduring these years. From this body of source material the expression as well as the motivation of the forces, the social tensions, working behind the aesthetic strivings of the popular nineteenth-century stage, the early twentieth-century popular the atre, the early twentieth-century experimental producers the atre and finally the motion picture, will appear in their distinct vii PREFACE and special relationship. A more complete and accurate under standing of stage and screen will arise. I should like to acknowledge my gratitude to Professor Al lardyce Nicoll for his inestimable support of the ideas of this study. To Dr. William VanLennep, Curator of the Harvard Theatre Collection, I am indebted for much valuable material. Untapped sources in that great collection eventually disclosed the use of cinematic devices upon the stage of the nineteenth century. To Miss Iris Barry, Curator of the Film Library of the Museum of Modern Art, may I express appreciation for courtesy and con sideration in the arrangement of special showings of early Ameri can and foreign films. I am particularly grateful to Mr. Percy MacKaye, whose interest in my subject has made possible the use of material concerning the work of his father, Steele MacKaye, which otherwise might not have been available for presentation at this time. And for the careful editorial perusal of Professor Hubert C. Hef ier both the reader and myself will find, I am sure, good reason for gratitude. A. NICHOLAS VARDAC Palo Alto, California June 1947 vtti CONTEHTS INTRODUCTION REALISM - ROMANCE - AND THE DEVELOP MENT OF THE MOTION PICTURE xvii I THEATRES . STAGING METHODS - AND THE BREAKDOWN OF NINETEENTH-CENTURY CONVENTIONS i II THEMELODRAMA CINEMATIC CONCEP TIONS AND SCREEN TECHNIQUES 20 III PICTURE PLAYS THE SPECTACLE STAGE 68 IV THE PHOTOGRAPHIC IDEAL 89 HENRY IRVING 89 DAVID BELASCO 108 STEELE MACKAYE 155 V PICTORIAL FANTASY THE PANTOMIME SPECTACLE 152 VI PHOTOGRAPHIC REALISM THE BIRTH OF THE FILM 1895-1902 165 VII PICTORIAL FANTASY GEORGE MfiLIfcS 174 MELODRAMA THE PHOTOPLAY - 1902-1913 180 IX IX REALISM AND ROMANCE D. W. GRIFFITH 199 X SPECTACLE THE FEATURE FILM an XI FROM GARRICK TO GRIFFITH 34 NOTES 55 INDEX 73 . . MJ ...

The Sixties Center Stage

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Author : James M. Harding
language : en
Publisher: University of Michigan Press
Release Date : 2017-04-06

The Sixties Center Stage written by James M. Harding and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-06 with Art categories.

Challenges the notion that the theater of the 1960s falls neatly into two categories, mainstream or experimental

African Popular Theatre

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Author : David Kerr
language : en
Publisher: James Currey
Release Date : 1995

African Popular Theatre written by David Kerr and has been published by James Currey this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Literary Criticism categories.

African popular theater includes conventional drama plus such nonliterary performance as dance, mime, storytelling, masquerades, vaudeville, improvization, & the theater of social action & resistance. Media such as radio, film, & television are included.

Shakespeare And The American Popular Stage

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Author : Frances Teague
language : en
Publisher: Cambridge University Press
Release Date : 2006-10-19

Shakespeare And The American Popular Stage written by Frances Teague and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-10-19 with Drama categories.

An account of popular Shakespeare performances in America, and of musicals based on Shakespeare's plays.

Playing To The Crowd

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Author : F. Burwick
language : en
Publisher: Springer
Release Date : 2011-11-03

Playing To The Crowd written by F. Burwick and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-03 with Performing Arts categories.

The first study of the productions of the minor theatres, how they were adapted to appeal to the local patrons and the audiences who worked and lived in these communities.

The Popular Stage Drama In Nineteenth Century England From Abarbanel The Hebrew To Exit By Mistake

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Author :
language : en
Publisher:
Release Date : 1985

The Popular Stage Drama In Nineteenth Century England From Abarbanel The Hebrew To Exit By Mistake written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with English drama categories.

Modern Popular Theatre

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Author : Jason Price
language : en
Publisher: Bloomsbury Publishing
Release Date : 2016-09-05

Modern Popular Theatre written by Jason Price and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-05 with Performing Arts categories.

This book offers a concise history of popular theatre since the early twentieth century. Using key popular culture theories and critical perspectives, Jason Price analyses popular theatres across different cultural and political contexts, drawing on a diverse range of international artists and theatre-makers who have worked with popular forms, including Vsevolod Meyerhold, Blue Blouse, Bertolt Brecht, Erwin Piscator, the San Francisco Mime Troupe, the Bread and Puppet Theatre and more. As well as defining what 'popular' means in relation to performance and the audiences who watch it, the book considers some of the political frameworks and causes that popular theatre has been placed in service of, such as socialism, the New Left and the gay rights movement. It also addresses the uses of cabaret, puppetry and circus outside their native popular contexts, examining the role they play in avant-garde and experimental theatre practices. In doing so, Price encourages readers to look beyond popular theatre as a simple form of entertainment and to consider its potential as a form of political activism, as a community-builder, and as a valuable tool for artistic experimentation.