The Slave In European Art
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The Slave In European Art
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Author : Elizabeth McGrath
language : en
Publisher:
Release Date : 2012
The Slave In European Art written by Elizabeth McGrath and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art, European categories.
This volume explores the imagery of slaves and enslavement - white as well as black - in early modern Europe. Long before the abolitionist movement took up the theme, European art abounded in images of slaves - chained, subjected, subdued figures. Often these enslaved figures were meant to be symbolic, for slavery was widely invoked as a metaphor in both religious and secular contexts. The ancient Roman iconography of triumphalism, with its trophies and caryatids, provided a crucial impetus to this imagery, particularly for Renaissance artists who developed their own variations. Here the use of classical models had a peculiar force, since nudity, the attribute of antique heroes and idealized abstractions, was the mark of the Mediterranean galley slave. It was also to become the condition of the enslaved and transported African. The poignant sculptures of naked black Africans on Italian monuments of the seventeenth century are Ottoman galley slaves, representatives of the Islamic enemy along with their Turkish companions.But with the expansion and extension of the trade in enslaved Africans among the nations of Europe, African blackness became in itself a sign of slavery in European art. Fashionable portraits increasingly showed young and servile blacks, sometimes wearing silver slave collars, paying tribute to the status or supposed beauty of their masters and mistresses. This imagery often presents itself as playfully metaphorical, even though the slavery of Africans so portrayed could be literal enough. Unsurprisingly, there was little demand for representations of the slave trade. In the few cases in which African slaves in colonial situations became the subject-matter of paintings, they were generally depicted as part of an imperialist and 'civilizing' mission, or accommodated to picturesque formulae, distant from the uncomfortable realities of life on the plantation. Indeed - as the case of Spain especially demonstrates - the representation of slaves in art is never proportionate to their numerical presence in slave-owning societies.It is only with abolitionism that the slave trade and its injustices becomes an artistic theme, provoking the visual counter-propaganda that is charted in the coda to this collection.
Witnessing Slavery
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Author : Sarah Thomas
language : en
Publisher: Paul Mellon Centre for Studies
Release Date : 2019
Witnessing Slavery written by Sarah Thomas and has been published by Paul Mellon Centre for Studies this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Art categories.
A timely and original look at the role of the eyewitness account in the representation of slavery in British and European art Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. "Being there," indeed, became significant not only because of the empirical opportunities to document slave life it afforded but also because the imagery of the eyewitness was more credible than sketches and paintings created by the "armchair traveler" at home. Full of original insights that cast a new light on these highly charged images, this volume reconsiders how slavery was depicted within a historical context in which truth was a deeply contested subject. Distributed for the Paul Mellon Centre for Studies in British Art
Public Art Memorials And Atlantic Slavery
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Author : Celeste-Marie Bernier
language : en
Publisher: Routledge
Release Date : 2013-09-13
Public Art Memorials And Atlantic Slavery written by Celeste-Marie Bernier and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-13 with Art categories.
In this collection distinguished American and European scholars, curators and artists discuss major issues concerning the representation and commemoration of slavery, as brought into sharp focus by the 2007 bicentennial of the abolition of the slave trade. Writers consider nineteenth and twentieth century American and European images of African Americans, art installations, photography, literature, sculpture, exhibitions, performances, painting, film and material culture. This is essential reading for historians, cultural critics, art-historians, educationalists and museologists, in America as in Europe, and an important contribution to the understanding of the African diaspora, race, American and British history, heritage tourism, and transatlantic relations. Contributions include previously unpublished interview material with artists and practitioners, and a comprehensive review of the commemorative exhibitions of 2007. Illustrations include images from Louisiana, Maryland, and Virginia, many previously unpublished, in black and white, which challenge previous understandings of the aesthetics of slave representation. This book was published as a special issue of Slavery and Abolition.
Blacks And Blackness In European Art Of The Long Nineteenth Century
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Author : AdrienneL. Childs
language : en
Publisher: Routledge
Release Date : 2017-07-05
Blacks And Blackness In European Art Of The Long Nineteenth Century written by AdrienneL. Childs and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.
Compelling and troubling, colorful and dark, black figures served as the quintessential image of difference in nineteenth-century European art; the essays in this volume further the investigation of constructions of blackness during this period. This collection marks a phase in the scholarship on images of blacks that moves beyond undifferentiated binaries like ?negative? and ?positive? that fail to reveal complexities, contradictions, and ambiguities. Essays that cover the late eighteenth through the early twentieth century explore the visuality of blackness in anti-slavery imagery, black women in Orientalist art, race and beauty in fin-de-si?e photography, the French brand of blackface minstrelsy, and a set of little-known images of an African model by Edvard Munch. In spite of the difficulty of resurrecting black lives in nineteenth-century Europe, one essay chronicles the rare instance of an American artist of color in mid-nineteenth-century Europe. With analyses of works ranging from G?cault's Raft of the Medusa, to portraits of the American actor Ira Aldridge, this volume provides new interpretations of nineteenth-century representations of blacks.
Slave Portraiture In The Atlantic World
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Author : Agnes Lugo-Ortiz
language : en
Publisher: Cambridge University Press
Release Date : 2013-09-30
Slave Portraiture In The Atlantic World written by Agnes Lugo-Ortiz and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-30 with History categories.
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Representing The Body Of The Slave
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Author : Jane Gardner
language : en
Publisher: Routledge
Release Date : 2013-11-12
Representing The Body Of The Slave written by Jane Gardner and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11-12 with History categories.
From the ancient world through to modern times the bodies of slaves have been represented in literature, documentary and personal narrative writing, and in art. This volume presents evidence of the past sins of mankind in both art and literature.
Slavery In Art And Literature
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Author : Birgit Haehnel
language : de
Publisher: Frank & Timme GmbH
Release Date : 2010-01-01
Slavery In Art And Literature written by Birgit Haehnel and has been published by Frank & Timme GmbH this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Art categories.
Slavery, both in its historical and modern forms, continues to be a matter of undiminished political and social relevance. This is mirrored by an increasing interest in scholarly research as well as by critical statements from within the field of contemporary art. The present volume is designed to bring together artists and scholars from various fields of study discussing trauma and visuality, or more precisely, memory and denial of traumatic history within visual discourses. The purpose of this project is to put the phenomenon of contemporary art production dealing with the issue of slavery into a wider, interdisciplinary and transcultural context. The book covers current case studies focusing on different media and including visual, literary and performative approaches of dealing with the history of slavery in West-African, American and European cultures.
Representing Slavery
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Author : Douglas J. Hamilton
language : en
Publisher: Lund Humphries Publishers
Release Date : 2007
Representing Slavery written by Douglas J. Hamilton and has been published by Lund Humphries Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Slave trade categories.
Representing Slavery draws on the extensive collections of the National Maritime Museum, Greenwich, and is published to mark the 200th anniversary of Parliament's abolition of the British slave trade in 1807.It explores the richness of the Museum's collections and highlights the unique insights they provide into the histories and legacies of slavery, the slave trade and abolition from the mid-sixteenth until the early twentieth centuries. Collections of art, artefacts and archives are examined across more than 600 entries, with many objects illustrated in print for the first time.Ten specially commissioned essays by leading scholars set the collections in their historical context, demonstrating the scale and brutality of slavery, the nature and extent of African resistance, and the widespread efforts to achieve abolition and emancipation. Representing Slavery reveals the astonishing range, complexity and longevity of the impact of slavery on Africa, Europe and the Americas, and the importance of the often neglected East African and Indian Ocean slave trades.
The Sun King At Sea
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Author : Meredith Martin
language : en
Publisher: Getty Publications
Release Date : 2022-01-04
The Sun King At Sea written by Meredith Martin and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-01-04 with Art categories.
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.
Black But Human
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Author : Carmen Fracchia
language : en
Publisher: Oxford University Press, USA
Release Date : 2019
Black But Human written by Carmen Fracchia and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Art, Spanish categories.
'Black but Human' is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb 'Black but Human' is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for critical and emancipatory practices by Afro-Hispanics themselves. The African presence in the Iberian Peninsula between the late fifteenth century and the end of the seventeenth century was as a result of the institutionalization of the local and transatlantic slave trades. In addition to the Moors, Berbers and Turks born as slaves, there were approximately two million enslaved people in the kingdoms of Castile, Aragon and Portugal. The 'Black but Human' topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a 'black nation' forges a collective resistance. It is visually articulated by Afro-Hispanic and Spanish artists in religious paintings and in the genres of self-portraiture and portraiture. This extraordinary imagery coexists with the stereotypical representations of African slaves and ex-slaves by Spanish sculptors, engravers, jewellers, and painters mainly in the religious visual form and by European draftsmen and miniaturists, in their landscape drawings and sketches for costume books.