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The Social Limits Of Art


The Social Limits Of Art
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The Social Limits Of Art


The Social Limits Of Art
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Author : John Manfredi
language : en
Publisher: Univ of Massachusetts Press
Release Date : 1982

The Social Limits Of Art written by John Manfredi and has been published by Univ of Massachusetts Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Architecture categories.




The Limits Of Art


The Limits Of Art
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Author : Jiri Benovsky
language : en
Publisher: Springer Nature
Release Date : 2020

The Limits Of Art written by Jiri Benovsky and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Aesthetics categories.


This open access book is about exploring interesting borderline cases of art. It discusses the cases of gustatory and olfactory artworks (focusing on food), proprioceptive artworks (dance, martial arts, and rock climbing qua proprioceptive experiences), intellectual artworks (philosophical and scientific theories), as well as the vague limits between painting and photography. The book focuses on the author's research about what counts as art and what does not, as well as on the nature of these limits. Overall, the author defends a very inclusive view, 'extending' the limits of art, and he argues for its virtues. Some of the limits discussed concern our senses (our different perceptual modalities), some concern vagueness and fuzzy boundaries between different types of works of art, some concern the amount of human intention and intervention in the process of creation of an artwork, and some concern the border between art and science. In these various ways, by understanding better such borderline cases, Benovsky suggests that we get a better grip on an understanding of the nature of art.--



The Limits Of Art


The Limits Of Art
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Author : Huntington Cairns
language : en
Publisher:
Release Date : 1954

The Limits Of Art written by Huntington Cairns and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1954 with categories.




The Social Production Of Art


The Social Production Of Art
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Author : Janet Wolff
language : en
Publisher: NYU Press
Release Date : 1993-10

The Social Production Of Art written by Janet Wolff and has been published by NYU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-10 with Art categories.


In The Social Production of Art Janet Wolff shows systematically that the arts can be understood adequate only in a sociological perspective and argues that art is the complex construction of a number of historical factors.



Art And Authority


Art And Authority
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Author : K. E. Gover
language : en
Publisher: Oxford University Press
Release Date : 2018

Art And Authority written by K. E. Gover and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Art categories.


'Art and Authority' explores the sources, nature, and limits of artistic freedom. The author draws upon real-world cases and controversies in contemporary visual art to offer a better understanding of artistic authorship and authority. Each chapter focuses on a case of dispute over the rights of an artist with respect to his or her artwork.



Careers And Creativity


Careers And Creativity
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Author : Harrison C. White
language : en
Publisher: Routledge
Release Date : 2019-04-11

Careers And Creativity written by Harrison C. White and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-04-11 with Social Science categories.


How much does art provide escape from everyday life, and how much does it aid in controlling life? How are art worlds built and maintained? Are new styles the creations of whim or genius? Or are stylistic changes the product of the social and political world in which the artist lives? How does art itself shape these worlds? How are art worlds built



Art S Way Out


Art S Way Out
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Author : John Baldacchino
language : en
Publisher: Springer Science & Business Media
Release Date : 2012-03-26

Art S Way Out written by John Baldacchino and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-26 with Education categories.


In taking the critique of inclusion and entry as a first step, Art’s Way Out’s discussion of art, politics and learning aims to delineate what an exit pedagogy would look like: where culture is neither seen as a benign form of inclusion nor as a hegemonic veil by which we are all subscribed to the system via popularized forms of artistic and cultural immediacy. An exit pedagogy—as prefigured in what could be called art’s way out through the implements of negative recognition qua impasse—would not only avoid the all too facile symmetrical dualism between conservative and progressive, liberal and critical pedagogies, but also seek the continuous referral of such symmetries by setting them aside and look for a way out of the confined edifices of education and culture per se. An exit pedagogy seeks its way out by reasserting representation in the comedic, the jocular, and more effectively in the arts’ power of pausing, as that most effective way by which aesthetics comes to effect in its autonomist and radical essence. In this fluent, limpid, and scholarly work, Baldacchino examines, inter alia, the problem of empathy in relation to art as an event (or series of events), drawing upon a wide and rich range of sources to inform what in effect is his manifesto. With a profound understanding of its philosophical basis, Baldacchino unfolds his argument in an internally consistent and elegantly structured way. This is not a book to be ‘dipped into’, to do so would miss the development of Baldacchino’s philosophical position; like an art work itself, Art’s Way Out has coherent structure, and a complex, interrelation between form and content, reflecting an artist’s concern for getting things right. — Richard Hickman, Cambridge University Although art has a limitless capacity to take on myriad responsibilities, according to Baldacchino we also need to consider a ‘way out’ because only then will we understand how art goes beyond the “boundaries of possibility.” As he explains, “our way into reason also comes from an ability to move outside the limits that reasons sets”. This is the ‘exit pedagogy’ that he advocates. And here exit does not mean to leave, but rather to reach beyond, to extend and explore outside the borders we impose on learning, teaching, schooling and most forms of cultural agency. The need to embrace the capacity of art to cycle beyond the contingencies we impose on it also helps to clarify the limits of inclusive arguments for deploying art education for various individual, institutional, and socio-political ends: art as self expression, art as interdisciplinary method, art as culture industry, art as political culture, art as social justice and so on. This image invokes for me part of the legacy of Maxine Greene that Baldacchino revealed in his earlier text, Education Beyond Education (2009), when he explored her thesis of the social imagination, which is best, achieved when teaching becomes ‘reaching.’ What Art’s Way Out gives us is an exit strategy from the deadening tendency to ignore the enduring capacity of art to give life to learning, teaching and the very culture of our being. — Graeme Sullivan, Penn State University This is the sixth book authored by John Baldacchino, the other most recent books being Education Beyond Education. Self and the Imaginary in Maxine Greene’s Philosophy (2009) and Makings of the Sea: Journey, Doubt, and Nostalgia (2010). Currently Associate Dean at the School of Art & Design, University College Falmouth in England, he was full time member of faculty at Columbia University’s Teachers College in New York, Gray’s School of Art in Scotland and Warwick University in England. Front cover image: Monument to Marx / we should have spoken more (2009) by Mike Ting



The Subversive Imagination


The Subversive Imagination
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Author : Carol Becker
language : en
Publisher: Psychology Press
Release Date : 1994

The Subversive Imagination written by Carol Becker and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Art categories.


First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.



The Limits Of Art


The Limits Of Art
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Author : Tzvetan Todorov
language : en
Publisher: French List
Release Date : 2010

The Limits Of Art written by Tzvetan Todorov and has been published by French List this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art categories.


Artists and dictators -- Art and ethics.



Anti Portraiture


Anti Portraiture
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Author : Fiona Johnstone
language : en
Publisher: Bloomsbury Publishing
Release Date : 2020-11-26

Anti Portraiture written by Fiona Johnstone and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-26 with Art categories.


The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to provide a visual or psychological likenesses or an expression of personal, familial or social identity; it was typically associated with the privileged individual subject of Western modernity. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine subjectivity via a range of media including sculpture, photography and installation, and make a convincing case for an expanded definition of portraiture. By offering a timely reappraisal of the terms through which this genre is approached, the chapter authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries.