The Syntax Of Sound


The Syntax Of Sound
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Sounds Of Silence


Sounds Of Silence
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Author : Jutta Hartmann
language : en
Publisher: BRILL
Release Date : 2008

Sounds Of Silence written by Jutta Hartmann and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Education categories.


Offering a study of "empty elements" in language use.



The Sound Patterns Of Syntax


The Sound Patterns Of Syntax
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Author : Nomi Erteschik-Shir
language : en
Publisher: Oxford Studies in Theoretical
Release Date : 2010

The Sound Patterns Of Syntax written by Nomi Erteschik-Shir and has been published by Oxford Studies in Theoretical this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Language Arts & Disciplines categories.


In this book leading scholars address the issues surrounding the syntax-phonology interface. These principally concern whether the phonological component can influence syntax and if so how far and in what ways: such questions are a prominent component of current work on the biolinguistics of speech production and reception. The problematic relationship between syntax and phonology has long piqued the interest of syntacticians and phonologists: the connections between sound and structure have played a key role in generative grammar from its inception, initially relating to focus and the prosodic marking of constituent structure and more recently to word-order constraints. This book advances this work in a series of critical and interlinked presentations of the latest thinking and research. In doing so it draws on data from a wide range of languages, evidence from disordered language, and related work in language acquisition.



Phonology And Syntax


Phonology And Syntax
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Author : Elisabeth O. Selkirk
language : en
Publisher:
Release Date : 1978

Phonology And Syntax written by Elisabeth O. Selkirk and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with categories.




Sound Syntax And Contact In The Languages Of Asturias


Sound Syntax And Contact In The Languages Of Asturias
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Author : Guillermo Lorenzo
language : en
Publisher: John Benjamins Publishing Company
Release Date : 2022-03-01

Sound Syntax And Contact In The Languages Of Asturias written by Guillermo Lorenzo and has been published by John Benjamins Publishing Company this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-03-01 with Language Arts & Disciplines categories.


This is the first generative-oriented volume ever published about Asturian and Asturian Galician, two Romance languages which, along with their intrinsic interest, are crucial to understand the parametric distance between Spanish and Galician/Portuguese. Its chapters offer new insights about old puzzles, like pronominal enclisis or apparent violations of bans on clitic combinatorics, but they also deal with less explored grounds, like aspect, negation or prosody. Chapters make special emphasis on how the concerned issues result from complex interactions between syntax proper and its interfaces with sound and meaning. The book focuses on particular aspects of Asturian and Asturian Galician, as well as on some effects of their contact with Spanish in their corresponding locations.



The Syntax Of Desire


The Syntax Of Desire
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Author : Elena Lombardi
language : en
Publisher: University of Toronto Press
Release Date : 2007-01-01

The Syntax Of Desire written by Elena Lombardi and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-01 with Literary Criticism categories.


In medieval culture, the consideration of language is deeply connected to other aspects of the system of knowledge. One interesting connection takes place between theories of language and theories of larger concepts such as love and desire. The Syntax of Desire is an interdisciplinary examination of the interlacing operation of syntax and desire in three medieval 'grammars:' theological, linguistic, and poetic. Exploring three representative aspects of medieval language theory, Elena Lombardi uncovers the ways in which syntax and desire were interrelated in the Middle Ages. She suggests that, in Augustine's theology, the creative act of God in the universe emerges as a syntax that the human individual must interpret by means of desire; in the linguistic theory of the Modistae, she sees the syntax of language as parallel to a syntax of reality, one organized by the desiring interplay of matter and form; in Dante's poetry, she argues that the language of the fallen human is bound together by the syntax of poetry, an act of desire that restores language to its primitive innocence. In addition to detailed analyses of medieval texts, The Syntax of Desire examines some aspects of the same relationship in light of contemporary linguistics, philosophy of language, and psychoanalysis.



Report On The Word Sound


Report On The Word Sound
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Author : Tim Ballschmiede
language : en
Publisher: GRIN Verlag
Release Date : 2015-02-06

Report On The Word Sound written by Tim Ballschmiede and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-06 with Literary Collections categories.


Seminar paper from the year 2015 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, University of Birmingham (School of English), course: Grammar & Vocabulary, language: English, abstract: Bei der vorliegenden Arbeit handelt es sich um einen linguistischen Report, den ich während meines Auslandsaufenthaltes an der Birmingham City University verfasst habe. Dabei wurden grundlegende linguistische Phänomene anhand eines Wortes ("sound") wie bspw. Morphologie oder Syntax untersucht. Der erste Teil der Arbeit beschäftigt sich mit der Wortherkunft (Etymologie) sowie den verschiedenen Bedeutungen und Flexiven. Aufbauend auf diese grundlegenden Informationen untersucht der zweite Teil die unterschiedliche Flexive im Bezug auf ihre benachbarten Wörter (Kollokationen). Mit Hilfe des British National Corpus werden sowohl mehrere Beispiele herausgestellt als auch Diagramme und Tabellen verwendet, um die Ergebnisse hervorzuheben. Das kurze Fazit stellt noch einmal die wichtigsten Punkte zusammen. Nachfolgend die Einleitung aus der Arbeit: The following report is dedicated to investigate the word “sound” (/saʊnd/) with regards to some of the main linguistic features: meaning, morphology, syntax, collocation. First of all, this brief introduction will look at the word in its common meaning as well as its etymology. If one hears the word sound, one will automatically associate it with noise. According to the Oxford Dictionary of English sound relating to noise has its origin in two other languages: Anglo-Norman French and Latin. The former includes the noun soun and the verb suner, the latter the noun sonus. The word entered the English language for the first time in the Middle English period. At that time it was written soun like the Anglo-Norman French version and the -d was added in the Early Modern English period (Oxforddictionaries.com, 2014). The next section will present other main senses of the word as well as their etymology (meaning). Afterwards, the section on morphology will focus on the word classes and inflec- tions of the word “sound” (morphology). Based on these introductory sections, the analysis of this report will be examined with the help of the British National Corpus in the last two sec- tions. Therefore, it will be outlined how the word operates in English syntax as well as the regular lexical phrases it enters. Ultimately, the conclusion will discuss the results that have been discovered in the analysis.



Introducing Syntax


Introducing Syntax
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Author : Olaf Koeneman
language : en
Publisher: Cambridge University Press
Release Date : 2017-04-13

Introducing Syntax written by Olaf Koeneman and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-13 with Language Arts & Disciplines categories.


This lively textbook introduces readers to the formal theory of syntax, presenting contemporary insights without unnecessary technical detail.



The Lexicon Syntax Interface In Second Language Aquisition


The Lexicon Syntax Interface In Second Language Aquisition
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Author : Roeland van Hout
language : en
Publisher: John Benjamins Publishing
Release Date : 2003-01-01

The Lexicon Syntax Interface In Second Language Aquisition written by Roeland van Hout and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-01-01 with Language Arts & Disciplines categories.


Second language acquisition has to integrate the totality of the SLA process, which includes both the learning of the core syntax of a language and the learning of the lexical items that have to be incorporated into that syntax. But these two domains involve different kinds of learning. Syntax is learnt through a process of implementing a particular set of universal structures, whereas the learning of lexis is characterised by the building up of associations (or connections). Yet these two systems must come together in the creation of a whole linguistic system in the mind of an individual. This book is designed to state the implications of these two paradigms in as clear a way as possible through examples of the research carried out within each paradigm and to examine how they can be made to inter-relate in a way which would enable us to explain better the overall process of SLA.



Wave Forms


Wave Forms
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Author : James H. Bunn
language : en
Publisher: Stanford University Press
Release Date : 2002

Wave Forms written by James H. Bunn and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Language Arts & Disciplines categories.


In this daring book, the author proposes that artistic and literary forms can be understood as modulations of wave forms in the physical world. By the phrase "natural syntax," he means that physical nature enters human communication literally by way of a transmitting wave frequency. This premise addresses a central question about symbolism in this century: How are our ideas symbolically related to physical reality? The author outlines a theory of communication in which nature is not reached by reference to an object; rather, nature is part of the message known only tacitly as the wavy carrier of a sign or signal. One doesn't refer to nature, even though one might be aiming to; one refers with nature as carrier vehicle. The author demonstrates that a natural language of transmission has an inherent physical syntax of patterned wave forms, which can also be described as certain "laws of form"—a phrase used by D'Arcy Thompson, L. L. Whyte, Noam Chomsky, and Stephen Jay Gould. He describes a syntax inherent in natural languages that derives from the rhythmic form of a propelling wave. Instead of the "laws" of a wave's form, however, the author speaks of its elements of rhythmic composition, because "rythmos" means "wave" in Greek and because "composition" describes the creative process across the arts. In pursuing a philosophy of rhythmic composition, the author draws on cognitive science and semiotics. But he chiefly employs symmetry theory to describe the forms of art, and especially the patterns of poetry, as structures built upon the natural syntax of wave forms. Natural syntax, it turns out, follows a fascinating group of symmetry transformations that derive from wave forms.



Sound Of Music


Sound Of Music
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Author : Stephen Gislason
language : en
Publisher: Environmed Research Inc
Release Date : 2018-06-01

Sound Of Music written by Stephen Gislason and has been published by Environmed Research Inc this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-01 with Music categories.


book by Stephen Gislason emerged from his Music Notes collected over many years. The topics cover a wide range of interests from the history of instruments, music theory, composing to the most current technologies involved in music composition and sound recording. A special chapter on the Musical Brain explains current knowledge in the brain processing of sound as it applies to language and music decoding. A chapter on the Music Business reviews the dramatic changes in music marketed and discusses some of the dilemmas and controversies facing musicians. Preface This book emerged from notes I have kept for several decades. I have spent much time studying music theory, electronics applied to sound reproduction and to performance skills. I decided to assemble my music notes so that any person interested in music could benefit from simple, clear explanations. Music descriptions often are too complicated and the use of terms can be inconsistent and confusing. As with other subjects I have tackled, I assumed that with a little extra effort more precise descriptions would be welcomed by readers seeking a practical understanding of music. The book begins with a consideration of what sound is and how animals use sounds to communicate. Music is not a human invention, but we do elaborate sound communication more than other animals in our production of both speech and musical performances. The discussion continues with noise, an important topic that is poorly understood. A well informed musician will refrain from making noise and understand Ambrose Bierce when he stated: Of all noise, music is the less offensive." I include acoustic and electronic instruments in my discussions of music creation. In my world, electronics dominate every aspect of work and play and most music I create and listen to was created, stored and distributed electronically. The art and science of recording is an important study for all 21st century musicians. Increased sophistication about the nature of sound, the art of combining musical sounds, and the effect on the listener's brain are all required for music to advance beyond noise toward a more effective means of human communication. Stephen Gislason 2016