The Technique And Style Of William Byrd In His Latin Church Music
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The Technique And Style Of William Byrd In His Latin Church Music
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Author : Josef Schnelker
language : en
Publisher:
Release Date : 1942
The Technique And Style Of William Byrd In His Latin Church Music written by Josef Schnelker and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1942 with Church music categories.
The Masses And Motets Of William Byrd
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Author : Joseph Kerman
language : en
Publisher: Univ of California Press
Release Date : 1981-01-01
The Masses And Motets Of William Byrd written by Joseph Kerman and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981-01-01 with Music categories.
In this, the first of a three-volume study of Byrd's complete output, under the general title The Music of William Byrd, the author essays a first full-scale historical and critical assessment of Byrd's sacred music to Latin words - one of the great glories of the Elizabethan Age. Each of the approximately 175 compositions is considered, at least briefly, with fuller appreciation accorded to such masterpieces as Emendemus in Melius, Tristitia et anxietas, Iusorum animae, Ave verum corpus, the lamentations and the three famous masses. There are more than sixty musical examples, some of considerable length. In critical prose that slights neither technicalities nor the intense emotional qualities of his subject matter, the author sheds fresh and often unexpected illumination on Byrd's musical rhetoric and on his powerful, endlessly inventive musical structures. Re-examining the known facts of Byrd's life in relation to the patronage and politics of the time, the author boldly argues that while the impetus behind Byrd's early motets was primarily traditionalist and technical, that behind his Cantiones sacrae motets of the 1580s was essentially political: they were covert laments and protests on behalf of the embattled recusant community.
William Byrd
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Author : Roger Bowers
language : en
Publisher: Routledge
Release Date : 2012
William Byrd written by Roger Bowers and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Music categories.
This book surveys the most significant published materials relating to William Byrd. It presents a collection of all-new original essays covering everything from feminist to postcolonial readings of his play as well as source queries and analysis of historical performances of the play.
Stylistic Aspects Of The Church Music Of William Byrd
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Author : Louis Philip Nash
language : en
Publisher:
Release Date : 1948
Stylistic Aspects Of The Church Music Of William Byrd written by Louis Philip Nash and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1948 with categories.
William Byrd And His Contemporaries
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Author : Philip Brett
language : en
Publisher: Univ of California Press
Release Date : 2007
William Byrd And His Contemporaries written by Philip Brett and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Biography & Autobiography categories.
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Canons And Canonic Techniques 14th 16th Centuries
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Author : Katelijne Schiltz
language : en
Publisher: Peeters Publishers
Release Date : 2007
Canons And Canonic Techniques 14th 16th Centuries written by Katelijne Schiltz and has been published by Peeters Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contributions in this book shed light on canons and canonic techniques from a wide range of perspectives, such as music theory and analysis, compositional and performance practice, palaeography and notation, as well as listening expectations and strategies. Especially in the case of riddle canons, insights from other disciplines such as literature, theology, iconography, emblematics, and philosophy have proved crucial for a better understanding and interpretation of how such pieces were created. The essays extend from the early period of canonic writing to the seventeenth century, ending with three contributions concerned with the reception history of medieval and Renaissance canons in music and writings on music from the Age of Enlightenment to the present. This book was awarded the Special Citation by the Society for Music Theory in November 2008.
A Comparison Of The Latin And English Sacred Choral Compositions Of William Byrd
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Author : Walter Bernard Gray
language : en
Publisher:
Release Date : 1962
A Comparison Of The Latin And English Sacred Choral Compositions Of William Byrd written by Walter Bernard Gray and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1962 with Choral music categories.
The Performance Of William Byrd S Church Music
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Author : Frederick Hudson
language : en
Publisher:
Release Date : 1972
The Performance Of William Byrd S Church Music written by Frederick Hudson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with categories.
Music From The Earliest Notations To The Sixteenth Century
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Author : Richard Taruskin
language : en
Publisher: Oxford University Press
Release Date : 2006-08-14
Music From The Earliest Notations To The Sixteenth Century written by Richard Taruskin and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-08-14 with Music categories.
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks- the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. This first volume in Richard Taruskin's majestic history, Music from the Earliest Notations to the Sixteenth Century , sweeps across centuries of musical innovation to shed light on the early forces that shaped the development of the Western classical tradition. Beginning with the invention of musical notation more than a thousand years ago, Taruskin addresses topics such as the legend of Saint Gregory and Gregorian chant, Augustine's and Boethius's thoughts on music, the liturgical dramas of Hildegard of Bingen, the growth of the music printing business, the literary revolution and the English madrigal, the influence of the Reformation and the Counter-Reformation, and the operas of Monteverdi. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Music In The Middle Ages And The Renaissance
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Author : Harold Gleason
language : en
Publisher: Alfred Music Publishing
Release Date : 1981
Music In The Middle Ages And The Renaissance written by Harold Gleason and has been published by Alfred Music Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Music categories.
This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.