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The Twelve Ayerie Fancies

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Twelve Ayerie Fancies

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Author : Michael East
language : de
Publisher:
Release Date : 1954

Twelve Ayerie Fancies written by Michael East and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1954 with categories.

The Twelve Ayerie Fancies

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Author : Michael East
language : en
Publisher:
Release Date : 1984

The Twelve Ayerie Fancies written by Michael East and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Canons, fugues, etc categories.

A Dictionary Of Musical Terms

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Author : John Stainer
language : en
Publisher:
Release Date : 1876

A Dictionary Of Musical Terms written by John Stainer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1876 with categories.

Catalog Of Copyright Entries

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Author : Library of Congress. Copyright Office
language : en
Publisher:
Release Date : 1954

Catalog Of Copyright Entries written by Library of Congress. Copyright Office and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1954 with Copyright categories.

Canadiana

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Author :
language : en
Publisher:
Release Date : 1985

Canadiana written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Canada categories.

Early English Viols Instruments Makers And Music

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Author : Michael Fleming
language : en
Publisher: Taylor & Francis
Release Date : 2016-11-18

Early English Viols Instruments Makers And Music written by Michael Fleming and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-18 with Music categories.

Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.