The Unconscious Beethoven
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The Unconscious Beethoven
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Author : Ernest Newman
language : en
Publisher:
Release Date : 1930
The Unconscious Beethoven written by Ernest Newman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1930 with Composers categories.
The Unconscious Beethoven
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Author :
language : en
Publisher:
Release Date : 1930
The Unconscious Beethoven written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1930 with categories.
The Unconscious Beethoven
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Author : Ernest Newman
language : en
Publisher:
Release Date : 1970
The Unconscious Beethoven written by Ernest Newman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with categories.
The Unconscious Beethoven An Essay In Musical Psychology With A Portrait
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Author : Ernest NEWMAN (Music Critic.)
language : en
Publisher:
Release Date : 1927
The Unconscious Beethoven An Essay In Musical Psychology With A Portrait written by Ernest NEWMAN (Music Critic.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1927 with categories.
The Unconscious Beethoven Revised Edition
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Author : Ernest NEWMAN (Music Critic.)
language : en
Publisher:
Release Date : 1968
The Unconscious Beethoven Revised Edition written by Ernest NEWMAN (Music Critic.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with categories.
The Unconscious Beethoven
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Author : Ernest Newman
language : en
Publisher:
Release Date : 1927
The Unconscious Beethoven written by Ernest Newman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1927 with Music categories.
Beethoven
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Author : J.W.N. Sullivan
language : en
Publisher: Vintage
Release Date : 2013-07-24
Beethoven written by J.W.N. Sullivan and has been published by Vintage this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-24 with Biography & Autobiography categories.
From the Author's Preface: "I believe that in his greatest music Beethoven was primarily concerned to express his personal vision of life. This vision was, of course, the product of his character and his experience. Beethoven the man and Beethoven the composer are not two unconnected entities, and the known history of the man may be used to throw light upon the character of his music." Clifton Fadiman has said of this classic study: "It is the most interesting book on music that I have ever read and it is not written for musical experts; rather for people like myself who like to listen to music but can boast no special knowledge of it. It deals not only with music, on which I do not speak with authority, but with human life in general, about which you and I speak with authority every day of our lives."
From Beethoven To Shostakovich The Psychology Of The Composing Process
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Author : Max Graf
language : en
Publisher: Coss Press
Release Date : 2008-11
From Beethoven To Shostakovich The Psychology Of The Composing Process written by Max Graf and has been published by Coss Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-11 with Music categories.
From Beethoven To Shostakovich The Psychology of the Composing Process By MAX GRAF PHILOSOPHICAL LIBRARY NEW YORK To Dagobert D. Runes TABLE OF CONTENTS PART I. SOURCES OF MUSICAL IMAGINATION I. The Magic in Music 3 II Artistic Fancy 23 III. Classical and Romantic Fantasy 35 IV. The Erotic Forces of Fantasy 52 V. The Subconscious 77 VI. Forms and Figures in the Subconscious 118 VII. Childhood Memories 155 VIII. External and Internal Experiences 177 IX. Retrospect The Origin of Beethovens Ninth Symphony 221 PART II. THE WORK. OF MUSICAL FANTASY X Organizing the Musical Fantasy 245 XL Productive Moods 273 XIL Musical Conception 308 XIII. The Beginning of Critical Work The Sketches 329 XIV, The Composition Process 377 XV, Retrospect The Path of Musical Imag ination The Musical Work of Art 448 Index 462 PART I. Sources of Musical Imagination CHAPTER I. L Cagic in THE AVERAGE music lover, listening to one of the great music works, does not give a thought to how these compositions may have originated. He enjoys their grand musical constructions, the sym phonies, sonatas, chamber music, songs and choruses. He derives pleasure from the tonal beauty and from the musical expression and feels his whole being elevated, his sensual powers augmented and his entire personality transformed. The world in which he ordinarily moves, and which is the scene of his activity, seems to vanish. He feels himself transplanted to another world wherein every thing that would normally catch his interest ceases to exist his work, his human relations, his worries and hopes and fears, his plans and his everyday sentiments. In this new and exalted world there are only sound ing forms, and within the tones only thelustre of beau ty a lustre that has always been sensed by all susceptible individuals by some more clearly than by others as a light coming from a loftier region, Even those who seek in the enjoyment of music mere ly the sensual pleasure of sounds, still sense in music firm order and a lawful form which elevate the simplest melody far above the tumult of everyday life. The attitude of musical audiences in the concert hall demonstrates most effectively the transformation of a m FROM BEETHOVEN TO SHOSTAKOVICH crowd of people from its commonplace conduct to a new form of existence. Before the program starts, the audiences gossip and discuss their private affairs they laugh, exchange pleas antries., flirt, tell one another vicious or witty or mean ingless matters about life and society. As yet there is no audience in the concert hall, and no unity only groups or individuals. Then the conductor or the soloist makes his appear ance on the stag cmd as if at a given command, the conglomeration of listeners changes to a single audience that listens as if with a single ear. At the first sound of a tone or chord the attention of thousands converges in one direction. The listeners are transformed into a single being whose entire emo tional life is changed. It f 5 eems as though the souls of thousands would merge fn a new, uniform soul that permits music to penetrate. There is a new tension in the souls of all those present sensations take on a higher degree of warmth emotions move more rapidly than in ordinary life. At this moment an event takes place in the concert halls similar to that in Catholic churches when, at the moment of Transubstantiation the music becomes si lent as the little bellrings through the high room. At this point the pious kneel down as the priest raises the monstrance, and out of hundreds of devout there emerges a single congregation in whose collective soul lives the identical mystic awareness of the presence of their God. One can observe something similar at every theatrical show, every mass meeting and at every sports event the transformation of a gathering of people, and of life and C4 THE MAGIC IN MUSIC sentiments of thousands into a new, more strongly braced, intensified emotion...
Beethoven S Empire Of The Mind
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Author : John Crabbe
language : en
Publisher: Lowell Baines
Release Date : 1982
Beethoven S Empire Of The Mind written by John Crabbe and has been published by Lowell Baines this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Biography & Autobiography categories.
Beethoven And The Musical Archetypes
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Author : Adão José Gonçalves Da Cruz
language : en
Publisher: Adao Jose Goncalves Da Cruz
Release Date : 2023-01-12
Beethoven And The Musical Archetypes written by Adão José Gonçalves Da Cruz and has been published by Adao Jose Goncalves Da Cruz this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-01-12 with categories.
The sound of each Germinal Idea is at the core of projected thought, because, by human biology, this sound originates in the nature of the psyche. Therefore, in the nature of the psyche there are different sounds that manifest themselves through archetype because each archetype is alive and is relatively autonomous. Some of these archetypes are independent and stand out in the sphere of human consciousness, e.g., the Ego, the persona, the anima, the animus, the shadow, the Self, the old sage, the personality etc. The sounds of archetype can be found in the original myths, in the most varied regions with their religions and rites; however, they are revitalized by the ancient legends that are part of the collective cultural baggage. Each sound is singular in the subconscious or personal unconscious. For example, the sound of each archetype is identified with the maternal figure, the image of the father, the child, the hero, the divine, the personality, etc., because these sounds constitute immaterial manifestations that model psychic-quantum events in the nature of the psyche, through its two layers: the collective unconscious and the personal unconscious. As we are in a time of profound psychic and spiritual transformations, it becomes necessary to learn and open the mind to different realities, in different space-times in the nature of the psyche, from common sense to quantum physics. For example, it is necessary to analyze the quantification of sounds in the nature of the psyche, which originate in and from the psychic-quantum process of archetypes in the human system; however, instead of researching and analyzing only objects and phenomena in the Physical World, that is, of measurable objects from preschool to PhD. However, when the power of the Archetypal Forces that govern visible and invisible objects is reached, it is possible to apprehend Ludwig van Beethoven's Sublime Nine Symphonies. Therefore, when this stage is reached it is possible to observe that the nature of the psyche is being modified by the sounds of the Music of the Spheres.