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The Venetian Instrumental Concerto During Vivaldi S Time


The Venetian Instrumental Concerto During Vivaldi S Time
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The Venetian Instrumental Concerto During Vivaldi S Time


The Venetian Instrumental Concerto During Vivaldi S Time
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Author : Piotr Wilk
language : en
Publisher: Peter Lang D
Release Date : 2021-02-10

The Venetian Instrumental Concerto During Vivaldi S Time written by Piotr Wilk and has been published by Peter Lang D this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-10 with Concerto categories.


This is an extensive and thorough survey of the Venetian instrumental concerto of the Baroque era. It provides sufficient details to identify composers of lesser and greater stature, but also to pinpoint relationships, similarities and stylistic differences between various authors and localities.



Venetian Instrumental Music From Gabrieli To Vivaldi


Venetian Instrumental Music From Gabrieli To Vivaldi
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Author : Eleanor Selfridge-Field
language : en
Publisher: [New York] : Praeger Publishers
Release Date : 1975

Venetian Instrumental Music From Gabrieli To Vivaldi written by Eleanor Selfridge-Field and has been published by [New York] : Praeger Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with Music categories.


Definitive treatment traces instrumental music from 1550 to 1750; development of canzona, sonata, concerto; careers of Gabrieli, Albinoni, others.



Vivaldi


Vivaldi
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Author : Paul Everett
language : en
Publisher: Cambridge University Press
Release Date : 1996-02-22

Vivaldi written by Paul Everett and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-02-22 with Music categories.


The Four Seasons and the rest of the concertos in Op. 8 represent Vivaldi's remarkable innovation in the field of the Baroque concerto. This detailed guide examines the work's origin and construction in a way that enables the reader to distinguish what is extraordinary about the Seasons and what constitutes the composer's customary method of 'characterising' the solo concerto. Drawing on recent research and his own expertise in the appraisal of Vivaldi's manuscripts, the author draws interesting and sometimes startling conclusions about the conception of the Seasons, the origin of their programme, the dating of the concertos and the rationale behind the collection's ritornello-form structures and aria-like slow movements. The significance of Vivaldi's idiosyncratic art is thus revealed in some of the most popular concert music of all time.



Vivaldi


Vivaldi
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Author : Kelly Mass
language : en
Publisher: Efalon Acies
Release Date : 2024-01-14

Vivaldi written by Kelly Mass and has been published by Efalon Acies this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-01-14 with Music categories.


Antonio Lucio Vivaldi was an acclaimed Italian composer, virtuoso violinist, teacher, impresario, and Catholic priest during the Baroque musical era. Born in Venice, the capital of the Venetian Republic, Vivaldi is regarded as one of the greatest Baroque composers. In his time, his influence was felt across Europe, inspiring countless imitators and admirers. He was instrumental in shaping the instrumental music of Johann Sebastian Bach as well as the French concerto tradition (including Michel Corrette, Jean-Joseph de Mondonville, Louis-Nicholas Clérambault). Vivaldi composed numerous instrumental concertos for violin and other instruments, sacred choral works, and over fifty operas. His most famous piece remains The Four Seasons, a sequence of violin concertos. Many of his works were written for the Ospedale della Pietà, a home for abandoned children, and its all-female music ensemble. Vivaldi served as a Catholic priest in two stints, from 1703-1715 and 1723-1740. In Venice, Mantua, and Vienna, Vivaldi enjoyed some success staging his operas in lavish productions. After meeting Emperor Charles VI, Vivaldi moved to Vienna in hopes of gaining imperial patronage. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later.



Venetian Instrumental Music From Gabrieli To Vivaldi Eleanor Selfridge Field


Venetian Instrumental Music From Gabrieli To Vivaldi Eleanor Selfridge Field
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Author :
language : en
Publisher:
Release Date : 1975

Venetian Instrumental Music From Gabrieli To Vivaldi Eleanor Selfridge Field written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with categories.




The Cambridge Companion To The Concerto


The Cambridge Companion To The Concerto
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Author : Simon P. Keefe
language : en
Publisher: Cambridge University Press
Release Date : 2005-10-27

The Cambridge Companion To The Concerto written by Simon P. Keefe and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-10-27 with Music categories.


A rare volume dedicated entirely to scholarship on the genre of the concerto.



Vivaldi S Music For Flute And Recorder


Vivaldi S Music For Flute And Recorder
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Author : Michael Talbot
language : en
Publisher: Routledge
Release Date : 2017-07-05

Vivaldi S Music For Flute And Recorder written by Michael Talbot and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.



The Finale In Western Instrumental Music


The Finale In Western Instrumental Music
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Author : Michael Talbot
language : en
Publisher: Oxford Monographs on Music
Release Date : 2001

The Finale In Western Instrumental Music written by Michael Talbot and has been published by Oxford Monographs on Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Language Arts & Disciplines categories.


The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.



The Vivaldi Compendium


The Vivaldi Compendium
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Author : Michael Talbot
language : en
Publisher: Boydell Press
Release Date : 2011

The Vivaldi Compendium written by Michael Talbot and has been published by Boydell Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Biography & Autobiography categories.


The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.



Vivaldi


Vivaldi
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Author : Michael Talbot
language : en
Publisher: Routledge
Release Date : 2017-07-05

Vivaldi written by Michael Talbot and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.