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Theatre Symposium Vol 27


Theatre Symposium Vol 27
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Theatre Symposium Vol 27


Theatre Symposium Vol 27
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Author : Sarah McCarroll
language : en
Publisher: Theatre Symposium
Release Date : 2019-10-08

Theatre Symposium Vol 27 written by Sarah McCarroll and has been published by Theatre Symposium this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-08 with Art categories.


A substantive exploration of bodies and embodiment in theatre Theatre is inescapably about bodies. By definition, theatre requires the live bodies of performers in the same space and at the same time as the live bodies of an audience. And, yet, it's hard to talk about bodies. We talk about characters; we talk about actors; we talk about costume and movement. But we often approach these as identities or processes layered onto bodies, rather than as inescapably entwined with them. Bodies on the theatrical stage hold the power of transformation. Theatre practitioners, scholars, and educators must think about what bodies go where onstage and what stories which bodies to tell. The essays in Theatre Symposium, Volume 27 explore a broad range of issues related to embodiment. The volume begins with Rhonda Blair's keynote essay, in which she provides an overview of the current cognitive science underpinning our understanding of what it means to be "embodied" and to talk about "embodiment." She also provides a set of goals and cautions for theatre artists engaging with the available science on embodiment, while issuing a call for the absolute necessity for that engagement, given the primacy of the body to the theatrical act. The following three essays provide examinations of historical bodies in performance. Timothy Pyles works to shift the common textual focus of Racinian scholarship to a more embodied understanding through his examination of the performances of the young female students of the Saint-Cyr academy in two of Racine's Biblical plays. Shifting forward in time by three centuries, Travis Stern's exploration of the auratic celebrity of baseball player Mike Kelly uncovers the ways in which bodies may retain the ghosts of their former selves long after physical ability and wealth are gone. Laurence D. Smith's investigation of actress Manda Björling's performances in Miss Julie provides a model for how cognitive science, in this case theories of cognitive blending, can be integrated with archival theatrical research and scholarship. From scholarship grounded in analysis of historical bodies and embodiment, the volume shifts to pedagogical concerns. Kaja Amado Dunn's essay on the ways in which careless selection of working texts can inflict embodied harm on students of color issues an imperative call for careful and intentional classroom practice in theatre training programs. Cohen Ambrose's theorization of pedagogical cognitive ecologies, in which subjects usually taught disparately (acting, theatre history, costume design, for example) could be approached collaboratively and through embodiment, speaks to ways in which this call might be answered. Tessa Carr's essay on "The Integration of Tuskegee High School" brings together ideas of historical bodies and embodiment in the academic theatrical context through an examination of the process of creating a documentary theatre production. The final piece in the volume, Bridget Sundin's exchange with the ghost of Marlene Dietrich, is an imaginative exploration of how it is possible to open the archive, to create new spaces for performance scholarship, via an interaction with the body.



Theatre Symposium Vol 27


Theatre Symposium Vol 27
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Author : Sarah Elizabeth McCarroll
language : en
Publisher:
Release Date : 2019

Theatre Symposium Vol 27 written by Sarah Elizabeth McCarroll and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Theater categories.




Theatre Symposium A Journal Of The Southeastern Theatre Conference


Theatre Symposium A Journal Of The Southeastern Theatre Conference
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Author : [Anonymus AC02238415]
language : en
Publisher:
Release Date : 1995

Theatre Symposium A Journal Of The Southeastern Theatre Conference written by [Anonymus AC02238415] and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with categories.




Theatre History Studies 2007 Vol 27


Theatre History Studies 2007 Vol 27
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Author : Theatre History Studies
language : en
Publisher: University of Alabama Press
Release Date : 2007-09-30

Theatre History Studies 2007 Vol 27 written by Theatre History Studies and has been published by University of Alabama Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-09-30 with Performing Arts categories.


Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.



Theatre Symposium Vol 24


Theatre Symposium Vol 24
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Author : Arnab Banerji
language : en
Publisher: University of Alabama Press
Release Date : 2016-07-19

Theatre Symposium Vol 24 written by Arnab Banerji and has been published by University of Alabama Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07-19 with Architecture categories.


At a time when so many options exist for access to theatrical entertainments, it is no surprise that theatre practitioners and scholars are often preoccupied with the role of the audience. While space undoubtedly impacts the rehearsal and production processes, its greater significance seems to rest in the impact a specific location has on the audience. This volume delves into issues of theatre and space, traversing traditional theatre spaces such as the African Grove Theater discussed by Gregory Carr, Tony Gunn's examination of Edward Gorey's theatrical designs, and George Pate's reflections on Beckett's stage directors. Also highlighted are some decidedly innovative spaces, like those described by J. K. Curry in her examination of "Theatre for One" and modern uses of medieval sacred spaces as detailed by Carla Lahey. Whether positive or negative in scope, meanings generated within theatre spaces are impacted by the cultural context from which they emerge--the ways in which space is conceived, scrutinized, and experiences. As a result, the relationship between space, theatre, and audience is diverse, complex, and ever changing in practice.



Theatre Symposium Vol 31


Theatre Symposium Vol 31
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Author : Chase Bringardner
language : en
Publisher: University of Alabama Press
Release Date : 2024-06-21

Theatre Symposium Vol 31 written by Chase Bringardner and has been published by University of Alabama Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-06-21 with Performing Arts categories.


A new issue of the longstanding theatre journal, documenting conversations that traverse disciplinary boundaries The essays in the thirty-first volume of Theatre Symposium traverse disciplinary boundaries to explore what constitutes the "popular" in theater and performance in an increasingly frenetic and mediated landscape. Amid the current resurgence of populist discourse and the enduring impact of popular culture, this volume explores what is considered popular, how that determination gets made, and who makes it. The answers to these questions shape the structures and systems of performance in an interaction that is reciprocal, intricate, and multifaceted. Productions often succeed or fail based on their ability to align with what is popular--sometimes productively, sometimes clumsily, sometimes brazenly, and sometimes tragically. In our current moment, what constitutes the popular profoundly affects the real world politically, economically, and socially. Controversies about the electoral college system hinge on the primacy of the "popular" vote. Streaming services daily update lists of their most popular content and base future decisions on opaque measures of popularity. Social media platforms broadcast popular content across the globe, triggering new products, social activism, and political revolutions. The contributors to this volume engage with a range of contemporary and historical examples and argue with clarity and acuity the interplay of performance and the popular. Theatre and performance deeply engage with the popular at every level--from audience response to box office revenue. The variety of methodologies and sites of inquiry showcased in this volume demonstrates the breadth and depth of the popular and the importance of such work to understanding our present moment onstage and off. CONTRIBUTORS Mysia Anderson / Chase Bringardner / Elizabeth M. Cizmar / Chelsea Curto / Janet M. Davis / Tom Fish / Kyla Kazuschyk / Sarah McCarroll / Eleanor Owicki / Sunny Stalter-Pace / Chelsea Taylor / Chris Woodworth



Theatre Symposium Vol 20


Theatre Symposium Vol 20
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Author : Edward Bert Wallace
language : en
Publisher: University of Alabama Press
Release Date : 2012-09-17

Theatre Symposium Vol 20 written by Edward Bert Wallace and has been published by University of Alabama Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-09-17 with Performing Arts categories.


The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of Victorian audiences, and historical attempts to create ideal audiences. Edited by E. Bert Wallace, this latest publication from the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. Contributors To Volume 20 Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Marty



Theatre Symposium Vol 15


Theatre Symposium Vol 15
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Author : M. Scott Phillips
language : en
Publisher: University of Alabama Press
Release Date : 2007-09-23

Theatre Symposium Vol 15 written by M. Scott Phillips and has been published by University of Alabama Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-09-23 with Performing Arts categories.


The essays gathered together in Volume 15 of the annual journal Theatre Symposium investigate how, historically, the theatre has been perceived both as a source of moral anxiety and as an instrument of moral and social reform. Essays consider, among other subjects, ethnographic depictions of the savage “other” in Buffalo Bill’s engagement at the Columbian Exposition of 1893; the so-called “Moral Reform Melodrama” in the nineteenth century; charity theatricals and the ways they negotiated standards of middle-class respectability; the figure of the courtesan as a barometer of late nineteenth and early twentieth-century moral and sexual discourse; Aphra Behn’s subversion of Restoration patriarchal sexual norms in The Feigned Courtesans; and the controversy surrounding one production of Tony Kushner Angels in America, during which officials at one of the nation’s more prominent liberal arts colleges attempted to censor the production, a chilling reminder that academic and artistic freedom cannot be taken for granted in today’s polarized moral and political atmosphere.



Theatre Symposium Vol 17


Theatre Symposium Vol 17
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Author : Jay Malarcher
language : en
Publisher: University of Alabama Press
Release Date : 2009-09-27

Theatre Symposium Vol 17 written by Jay Malarcher and has been published by University of Alabama Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-09-27 with Performing Arts categories.


Outdoor drama takes many forms: ancient Greek theatre, open-air performances of Shakespeare at summer festivals, and re-enactments of landmark historical events. The essays gathered in "Outdoor Performance," Volume 17 of the annual journal Theatre Symposium, address outdoor theatre's many manifestations, including the historical and non-traditional. Among other subjects, these essays explore the rise of "airdomes" as performance spaces in the American Midwest in the first half of the 20th century; the civic-religious pageants staged by certain Mormon congregations; Wheels-A-Rolling, and other railroad themed pageants; first-hand accounts of the innovative Hunter Hills theatre program in Tennessee; the role of traditional outdoor historical drama, particularly the long-running performances of Paul Green's The Lost Colony; and the rise of the part dance, part sport, part performance phenomenon "parkour"-- the improvised traversal of obstacles found in both urban and rural landscapes.



Theatre Symposium Vol 9


Theatre Symposium Vol 9
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Author :
language : en
Publisher: University of Alabama Press
Release Date : 2001-07-02

Theatre Symposium Vol 9 written by and has been published by University of Alabama Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-07-02 with Music categories.


This collection of essays explores how drama can teach political principles and entertain at the same time. Political commentary is possible through "variety" theatre, this volume contends. Compiled from the April 2000 Theatre Symposium held on the campus of the University of Tennessee-Knoxville, this collection of essays presents a compelling mix of theoretical and practical viewpoints from a broad diversity of scholars from around the country. What remains to be learned about the political objectives of Brecht's Lehrstriucke? What political power is resident in the satirical humor of Dario Fo's drama? What can we learn from Mordecai Gorelik's political/artistic philosophy that might inform contemporary practice? What was the impact of political theatre on Broadway between the wars? Is Thornton Wilder's Our Town the play we've always imagined it to be, or does it challenge the politics of its time? What is the role of theatre activism in raising consciousness about gender politics? These are only some of the questions addressed by this lively, informative discussion.