Theatres Of Immanence
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Theatres Of Immanence
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Author : Laura Cull Ó Maoilearca
language : en
Publisher: Springer
Release Date : 2012-10-10
Theatres Of Immanence written by Laura Cull Ó Maoilearca and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-10 with Performing Arts categories.
Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Deleuze's philosophy for theatre and performance. Drawing from Goat Island, Butoh, Artaud and Kaprow, as well from Deleuze, Bergson and Laruelle, the book conceives performance as a way of thinking immanence.
Performing Immanence
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Author : Jan Suk
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2021-01-18
Performing Immanence written by Jan Suk and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-18 with Literary Criticism categories.
Performing Immanence: Forced Entertainment is a unique probe into the multi-faceted nature of the works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari. Jan Suk explores the transformation-potentiality of the territory between the actors and the spectators, namely via Forced Entertainment’s structural patterns, sympathy provoking aesthetics, audience integration and accentuated emphasis of the now. Besides writings of Tim Etchells, the company’s director, the foci of the analyses are devised as well as durational projects of Forced Entertainment. The examination includes a wider spectrum of state-of the-art live artists, e.g. Tehching Hsieh, Franko B or Goat Island, discussed within the contemporary performance discourse. Performing Immanence: Forced Entertainment investigates how the immanent reading of Forced Entertainment’s performances brings the potentiality of creative transformative experience via the thought of Gilles Deleuze. The interconnections of Deleuze’s thought and the contemporary devised performance theatre results in the symbiotic relationship that proves that such readings are not mere academic exercises, but truly life-illuminating realizations.
Immanence And Transcendence The Theater Of Jean Rotrou 1609 1650
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Author : Robert James Nelson
language : en
Publisher: [Columbus] : Ohio State University Press
Release Date : 1969
Immanence And Transcendence The Theater Of Jean Rotrou 1609 1650 written by Robert James Nelson and has been published by [Columbus] : Ohio State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1969 with Theater categories.
Immanence And Transcendence
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Author : Robert J. Nelson
language : en
Publisher:
Release Date : 2015-12-18
Immanence And Transcendence written by Robert J. Nelson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-12-18 with Literary Criticism categories.
Jean Rotrou is France's neglected classic. Generations of critics have recognized his merits but have done so in a tangential manner. He has been called the "mentor of Corneille" and has been celebrated as the precursor of Racine in classical tragedy and of Moliere in classical comedy. That Routrou can be linked to all three of France's great classical dramatists has been responsible in part for the respectful neglect of the thirty-five of his plays that have survived from a production assumed to be many times as great. Mr. Nelson turns to Rotrou in the dramatist's own setting: the perfervid philosophical and religious atmosphere of the first half of the seventeenth century, a period presumed by some scholars to have prepared the age of Racine, that dramatist of transcendence, in the specifically religious sense, who sees the things of this world as signs of man's dissociation from the Divine Ground of Being. Yet this current of "Le Dieu Cache" was not dominant in the century; a strong belief in "Le Dieu Visible"-an "immanentist current," so to speak-made itself felt in both formal religious writing and in imaginative literature of the period. Indeed, if Racine was by tendency the dramatist of transcendence, so his great rival, Corneille, might be thought of as the dramatist of immanence. An elaborate expression of both tendencies is to be found in Rotrou, to whose dramatic example both Corneille and Racine turned at various moments of their careers. Profoundly preoccupied with the relation between the human and the divine, Rotrou's theater of sacrament and sacrilege demonstrates the continuity of, as well as the disparity between, Christianity and the classical heritage. Robert J. Nelson is professor of French at the University of Illinois, Urbana."
Immanence And Transcendance
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Author : Robert J.. Nelson
language : en
Publisher:
Release Date : 1969
Immanence And Transcendance written by Robert J.. Nelson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1969 with categories.
Performing Immanence
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Author : Jan Suk
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2021-01-18
Performing Immanence written by Jan Suk and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-18 with Literary Criticism categories.
Performing Immanence: Forced Entertainment is a unique probe into the multi-faceted nature of the works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari. Jan Suk explores the transformation-potentiality of the territory between the actors and the spectators, namely via Forced Entertainment’s structural patterns, sympathy provoking aesthetics, audience integration and accentuated emphasis of the now. Besides writings of Tim Etchells, the company’s director, the foci of the analyses are devised as well as durational projects of Forced Entertainment. The examination includes a wider spectrum of state-of the-art live artists, e.g. Tehching Hsieh, Franko B or Goat Island, discussed within the contemporary performance discourse. Performing Immanence: Forced Entertainment investigates how the immanent reading of Forced Entertainment’s performances brings the potentiality of creative transformative experience via the thought of Gilles Deleuze. The interconnections of Deleuze’s thought and the contemporary devised performance theatre results in the symbiotic relationship that proves that such readings are not mere academic exercises, but truly life-illuminating realizations.
Encounters In Performance Philosophy
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Author : Laura Cull Ó Maoilearca
language : en
Publisher: Springer
Release Date : 2014-10-16
Encounters In Performance Philosophy written by Laura Cull Ó Maoilearca and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-16 with Performing Arts categories.
Encounters in Performance Philosophy is a collection of 14 essays by international researchers which demonstrates the vitality of the field of Performance Philosophy. The essays address a wide range of concerns common to performance and philosophy including: the body, language, performativity, mimesis and tragedy.
A History Of Collective Creation
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Author : Kathryn Mederos Syssoyeva
language : en
Publisher: Springer
Release Date : 2013-07-24
A History Of Collective Creation written by Kathryn Mederos Syssoyeva and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-24 with Performing Arts categories.
Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century.
Sac Journal 2
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Author : Sanford Kwinter
language : en
Publisher: AADR – Art Architecture Design Research
Release Date : 2015-07-21
Sac Journal 2 written by Sanford Kwinter and has been published by AADR – Art Architecture Design Research this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-21 with Architecture categories.
MEDIATED ARCHITECTURE: Vivid, Effervescent and Nervous, the second issue of the SAC JOURNAL, presents three projects de- signed at SAC during the last eight years. The three projects are: The Theatre of Immanence (2007), an installation and exhibition project in Städelschule's Portikus gallery; Digital Bodies (2013-14), an experimental research project; and Orkhēstra (2014), which was an installation on a large, public square in Frankfurt and part of Luminale, 'Biennale of Lighting Culture'. The projects vary in scale and nature from gallery installation via laboratory-style modelling experiment to an urban intervention. They span a period in which architecture's contribution to the production of space has become increasingly me- diated by technology. Each in their own way, the three projects probe this condition and explore new design opportunities given to archi- tecture. The results are vivid, effervescent and nervous – and always a mediated architecture. Accompanying extensive portfolios of drawi- ngs and pictures that document the respective design processes and their results, are texts that expound on the theoretical and practical implications of each project
Immersive Theatres
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Author : Josephine Machon
language : en
Publisher: Bloomsbury Publishing
Release Date : 2017-09-16
Immersive Theatres written by Josephine Machon and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-16 with Performing Arts categories.
This comprehensive text is the first survey to explore the theory, history and practice of immersive theatre. Charting the rise of the immersive theatre phenomenon, Josephine Machon shares her wealth of expertise in the field of contemporary performance, inviting the reader to immerse themselves within this abundantly illustrated text. The first section of the book introduces concepts of immersion, situating them within a historical context and establishing a clear critical vocabulary for discussion. The second section then presents contributions from a wealth of immersive artists. Assuming no prior knowledge with its critical commentary, this is a rich resource for lecturers and students at all levels and internationally, including undergraduates and post-graduates, as well as practitioners and researchers of contemporary performance. This would also be an ideal text for general enthusiasts and readers with an interest in immersive theatre.