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Towards A Theory Of Musical Reproduction


Towards A Theory Of Musical Reproduction
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Towards A Theory Of Musical Reproduction


Towards A Theory Of Musical Reproduction
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Author : Theodor W. Adorno
language : en
Publisher: John Wiley & Sons
Release Date : 2014-11-05

Towards A Theory Of Musical Reproduction written by Theodor W. Adorno and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-05 with Philosophy categories.


At the beginning of his career in the 1920s, Adorno sketched a planto write a major work on the theory of musical reproduction, a taskhe returned to time and again throughout his career but nevercompleted. The choice of the word reproduction as opposed tointerpretation indicates a primary supposition: that there is aclearly defined musical text whose precision exceeds what isvisible on the page, and that the performer has the responsibilityto reproduce it as accurately as possible, beyond simply playingwhat is written. This task, according to Adorno, requires adetailed understanding of all musical parameters in theirhistorical context, and his reflections upon this task lead to afundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards aTheory of Musical Reproduction, one finds Adorno constantlycircling around an irresolvable paradox: interpretation can onlyfail the work, yet only through it can musics true essence becaptured. While he at times seems more definite in hispronouncement of a musical scores absolute value just as a book isread silently, not aloud his discourse repeatedly displays hisinability to cling to that belief. It is this quality ofuncertainty in his reflections that truly indicates the scope ofthe discourse and its continuing relevance to musical thought andpractice today.



Towards A Theory Of Musical Reproduction


Towards A Theory Of Musical Reproduction
DOWNLOAD
Author : Theodor W. Adorno
language : en
Publisher: John Wiley & Sons
Release Date : 2014-11-05

Towards A Theory Of Musical Reproduction written by Theodor W. Adorno and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-05 with Philosophy categories.


At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply playing what is written. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.



The Mediations Of Music


The Mediations Of Music
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Author : Gianmario Borio
language : en
Publisher: Taylor & Francis
Release Date : 2022-08-17

The Mediations Of Music written by Gianmario Borio and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-17 with Music categories.


Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication – in particular, pedagogy and dissemination through the media. Each of the book’s four parts deal with different aspects of the mediation process. The contributing authors outline the problematic moments in Adorno’s reasoning but also highlight its potential. In many chapters the pole of immediacy is explicitly brought into play, its different manifestations often proving to be fundamental for the understanding of mediation processes. The prime reference sources are Adorno’s Current of Music, Towards a Theory of Musical Reproduction and Composing for the Films. Critical readings of these texts are supplemented by reflections on performance studies, media theories, sociology of listening, post-structuralism and other contiguous research fields.



Authenticity Performance And Truth


Authenticity Performance And Truth
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Author : John Orluk
language : en
Publisher:
Release Date : 2009

Authenticity Performance And Truth written by John Orluk and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with categories.


This paper investigates the problematic role of musical performance in the writings of Theodor Adorno. For Adorno, the performance of music, as a mediation between composer and listener, could be viewed as a process capable only of detracting from a musical work itself. In fact, he envisioned a time when playing music could be a superfluous gesture such as speaking a written text. However, it is also clear that he felt a worthwhile performance could be attainable following proper analysis. Furthermore, a close reading of Adorno's texts reveals that performance is an integral part of the dialectical nature of music. This paper examines Adorno's views concerning performance in detail, focusing on the areas of sociology of music, the nature of the musical work, and authenticity in music.



Deep Refrains


Deep Refrains
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Author : Michael Gallope
language : en
Publisher: University of Chicago Press
Release Date : 2017-11-14

Deep Refrains written by Michael Gallope and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-14 with Literary Criticism categories.


Deep Refrains is a wide-ranging investigation of the philosophy of music. Michael Gallope asks what it means for music to "speak” when it is not saying anything in particular. To answer this question, he turns to the writings of some of the most revered thinkers of the twentieth century--Ernst Bloch, Theodor Adorno, Vladimir Jank�l�vitch, Gilles Deleuze, and F�lix Guattari. For these theorists, Gallope argues, the paradox that music is both ineffable and yet harbors deep philosophical wisdoms is fertile ground for thinking outside of conceptual boundaries. It provides the lens for a utopian potentiality that inspires hope (Bloch), an ethical critique of modernity (Adorno), an exemplification of the ephemeral movement of lived time (Jank�l�vitch), and a sonic extension of the syncopated, contrapuntal rhythms of sense and social life (Deleuze and Guattari). Gallope argues that a philosophical engagement with music’s ineffability rarely calls for silence or declarations of the unspeakable. Rather, it asks us to think through the ways in which the impact of music is made to address complex philosophical problems specific to the modern world.



Immediacy And The Mediations Of Music


Immediacy And The Mediations Of Music
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Author : Gianmario Borio
language : en
Publisher: Routledge
Release Date : 2022

Immediacy And The Mediations Of Music written by Gianmario Borio and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Music categories.


"Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication - in particular, pedagogy and dissemination through the media. The book's four parts each deal with different aspects of the mediation process. The contributing authors outline the problematic moments in Adorno's reasoning but also highlight its potential. In many chapters the pole of immediacy is explicitly brought into play, its different manifestations often proving to be fundamental for the understanding of mediation processes. The prime reference sources are Adorno's Current of Music, Towards a Theory of Musical Reproduction and Composing for the Films. Critical readings of these texts are supplemented by reflections on performance studies, media theories, sociology of listening, post-structuralism and other contiguous research fields"--



Adorno And Performance


Adorno And Performance
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Author : W. Daddario
language : en
Publisher: Springer
Release Date : 2014-10-16

Adorno And Performance written by W. Daddario and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-16 with Performing Arts categories.


Adorno and Performance offers the first comprehensive examination of the vital role of performance within the philosophy of Theodor W. Adorno. Capacious in its ramifications for contemporary life, the term 'performance' here unlocks Adorno's dialectical thought process, which aimed at overcoming the stultifying uniformity of instrumental reason.



The Oxford Handbook Of Critical Improvisation Studies


The Oxford Handbook Of Critical Improvisation Studies
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Author : George Lewis
language : en
Publisher: Oxford University Press
Release Date : 2016

The Oxford Handbook Of Critical Improvisation Studies written by George Lewis and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.


V. 1. Cognitions -- v. 2. Critical theories



The Oxford Handbook Of Critical Improvisation Studies Volume 2


The Oxford Handbook Of Critical Improvisation Studies Volume 2
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Author : George E. Lewis
language : en
Publisher: Oxford University Press
Release Date : 2016-08-22

The Oxford Handbook Of Critical Improvisation Studies Volume 2 written by George E. Lewis and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-22 with Music categories.


Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.



Musical Revolutions In German Culture


Musical Revolutions In German Culture
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Author : M. Hall
language : en
Publisher: Springer
Release Date : 2014-10-23

Musical Revolutions In German Culture written by M. Hall and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-23 with History categories.


Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.