Traditional And Ethnic Music In Indonesia
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Traditional And Ethnic Music In Indonesia
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Author : Museum Musik Indonesia
language : en
Publisher: Media Nusa Creative (MNC Publishing)
Release Date : 2022-12-02
Traditional And Ethnic Music In Indonesia written by Museum Musik Indonesia and has been published by Media Nusa Creative (MNC Publishing) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-12-02 with Biography & Autobiography categories.
Indonesia is a country that has a diverse culture, including the art of music. From Sumatra in the west to Papua in the east, each has a unique character. Nowadays People can easily see this cultural diversity through social media in the internet network. Various traditional processions, various dances and various musical arts are scattered on the YouTube channel.Traditional and Ethnic Music in Indonesia
Indonesian Music And Dance
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Author : Jaap Kunst
language : en
Publisher: Kit Pub
Release Date : 1994
Indonesian Music And Dance written by Jaap Kunst and has been published by Kit Pub this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Biography & Autobiography categories.
Jaap Kunst (1891-1960) was a pioneer in the study of non-Western music. This is the first translation of Dutch articles and lectures by Jaap Kunst, the founding father of ethnomusicology, on general aspects of traditional music and on music and dance in Indonesia. Offering a broad view on Indonesian musical traditions, these articles enable the reader to trace Kunst's important contribution to the development of ethnomusicology as a scientific discipline in its own right. In addition to his writings, biographical essays on Jaap Kunst, his work, and his participation in the scientific debate on 'comparative musicology' are included.
Focus Gamelan Music Of Indonesia
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Author : Henry Spiller
language : en
Publisher: Routledge
Release Date : 2010-04-15
Focus Gamelan Music Of Indonesia written by Henry Spiller and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-15 with Music categories.
Focus: Gamelan Music of Indonesia is an introduction to the familiar music from Southeast Asia's largest country - both as sound and cultural phenomenon. An archipelago of over 17,000 islands, Indonesia is a melting pot of Hindu, Buddhist, Islamic, Portuguese, Dutch, and British influences. Despite this diversity, it has forged a national culture, one in which music plays a significant role. Gamelan music, in particular, teaches us much about Indonesian values and modern-day life. Focus: Gamelan Music of Indonesia provides an introduction to present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan music through ethnic, social, cultural, and global perspectives. Part One, Music and Southeast Asian History ̧ provides introductory materials for the study of Southeast Asian music. Part Two, Gamelan Music in Java and Bali, moves to a more focused overview of Gamelan music in Indonesia. Part Three, Focusing In, takes an in-depth look at Sundanese gamelan traditions, as well modern developments in Sundanese music and dance. The accompanying downloadable resources offer vivid examples of traditional Indonesian gamelan music.
Focus Gamelan Music Of Indonesia
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Author : Henry Spiller
language : en
Publisher: Routledge
Release Date : 2022-02-08
Focus Gamelan Music Of Indonesia written by Henry Spiller and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-02-08 with Music categories.
Focus: Gamelan Music of Indonesia, Third Edition, introduces the emblematic music of Southeast Asia’s largest country, as sound and as cultural phenomenon, highlighting the significant role gamelan music plays in the national culture while teaching of Indonesian values and modern-day life. Despite Indonesia’s great diversity—a melting pot of indigenous, Hindu, Buddhist, Islamic, Portuguese, Dutch, British, and modern global influences—a forged national identity is at its core. This volume explores that identity, understanding present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan music through ethnic, social, cultural, and global perspectives. New to the third edition: Updated content throughout to reflect current Indonesian history and geography, as well as revivals of gamelan ensembles by the Cirebonese courts Modern examples of Indonesian musics, along with new uses of gamelan and other traditional musics An examination of school gamelan and ISBI as a center of innovation Expanded discussion on dangdut and its current status in Indonesia, along with Islam’s effect on dangdut Listening examples now posted as online eResources
Change And Identity In The Music Cultures Of Lombok Indonesia
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Author : David D. Harnish
language : en
Publisher: BRILL
Release Date : 2021-09-13
Change And Identity In The Music Cultures Of Lombok Indonesia written by David D. Harnish and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-09-13 with Music categories.
This is a longitudinal study of music that weaves the complex stories of many disparate musics into a coherent account of quests for identities that illuminates Lombok’s history, its complex religious and ethnic composition, and its current political circumstances.
Radical Traditions
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Author : Andrew Clay McGraw
language : en
Publisher: Oxford University Press
Release Date : 2013-10-08
Radical Traditions written by Andrew Clay McGraw and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-08 with Music categories.
For the modern West, Bali has long served as an icon of exotic pre-modern innocence. Yet the reality of modern Bali stands in stark contrast to this prevailing and enduring image, a contrast embodied by a movement of local musical experimentation, musik kontemporer, which emerged in the 1970s and which still thrives today. In Radical Traditions, author Andrew Clay McGraw shows how music kontemporer embodies the tensions between culture as represented and lived, between the idea of Balinese culture and the experience of living it. Through a highly interdisciplinary approach informed by ethnomusicology, cultural studies, postcolonial studies, anthropology, and theater studies, McGraw presents an all-encompassing social and musical history of musik kontemporer, and its intersections with class, ethnicity, and globalization. As the first English language monograph on this important Indonesian musical genre, Radical Traditions is an essential resource for anyone fascinated by modern Indonesian and Balinese music and culture.
Gongs And Pop Songs
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Author : Jennifer A. Fraser
language : en
Publisher: Ohio University Press
Release Date : 2015-06-15
Gongs And Pop Songs written by Jennifer A. Fraser and has been published by Ohio University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-15 with Music categories.
Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago. Jennifer A. Fraser counters this tendency by exploring a little-known gong tradition from Sumatra called talempong, long associated with people who identify themselves as Minangkabau. Grounded in rich ethnographic data and supplemented with online audiovisual materials, Gongs and Pop Songs is the first study to chronicle the history and variety of talempong styles. It reveals the continued vitality of older modes in rural communities in the twenty-first century, while tracing the emergence of newer ones with radically different aesthetic frames and values. Each talempong style discussed incorporates into its repertoire Minangkabau pop or indigenous songs, both of which have strong associations with the place and people. These contemporary developments in talempong have taken place against a shifting political, social, and economic backdrop: the institutionalization of indigenous arts, a failed regional rebellion, and the pressures of a free-market economy. Fraser adopts a cognitive approach to ethnicity, asking how people understand themselves as Minangkabau through talempong and how different styles of the genre help create and articulate ethnic sentiments—that is, how they help people sound Minangkabau.
The Music Of Arabs The Sound Of Islam
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Author : Birgit Anna Berg
language : en
Publisher:
Release Date : 2007
The Music Of Arabs The Sound Of Islam written by Birgit Anna Berg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Arabs categories.
Central to my study is an examination of the ways in which ethnic and religious groups negotiate their group affiliations through sonic and linguistic markers and reinvent cultural boundaries and community through performance. My research suggests that Arab-Indonesian culture, while sometimes presented as primarily ethnic in identification, is also used increasingly as an exemplar of global/Islamic expression due to recent changes in ideological landscapes of ethnic pride and religious conformism in Indonesia.
Musical Nationalism In Indonesia
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Author : Sharifah Faizah Syed Mohammed
language : en
Publisher: Springer Nature
Release Date : 2021-04-21
Musical Nationalism In Indonesia written by Sharifah Faizah Syed Mohammed and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-21 with History categories.
This book charts the growth of the Indonesian nationalistic musical genre of lagu seriosa in relation to the archipelago's history in the 1950s and 1960s, examining how folk songs were implemented as a valuable tool for promoting government propaganda. The author reveals how the genre was shaped to fit state ideologies and agendas in the Sukarno and Soeharto eras. It also reveals the very significant role played by Radio Republik Indonesia in the genre’s development and dissemination. Little research has been done to investigate how Indonesian music contributed to nation-building during Indonesia’s immediate post-colonial period. Emulating the European art song, the genre was adapted to compose songs with the purpose of promoting a strengthened collective Indonesian identity, fostered by a group of musicians who functioned as gatekeepers, monitoring and devising various mechanisms for songs to conform to the propagandistic needs of the Indonesian government at the time. The result was the development of classical style of singing and the cultivation of a patriotic collection of music during the Guided Democracy period (1959–1965), which peaked at the height of the Konfrontasi (1963–1966). Lagu seriosa lost popularity as popular music infiltrated Indonesia in the 1970s, but it remains an iconic yet understudied aspect of the nationalistic agenda in Indonesia. The case studies of selected songs reflected continuity and change in musical style and over time. This book is of interest to scholars studying the intersection between history, politics, identity, arts and cultural studies in Indonesia. It is also of interest to researchers investigating the role of music in identity formation and nation-building more widely.
Inventing The Performing Arts
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Author : Matthew Isaac Cohen
language : en
Publisher: University of Hawaii Press
Release Date : 2016-02-29
Inventing The Performing Arts written by Matthew Isaac Cohen and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-29 with History categories.
Indonesia, with its mix of ethnic cultures, cosmopolitan ethos, and strong national ideology, offers a useful lens for examining the intertwining of tradition and modernity in globalized Asia. In Inventing the Performing Arts, Matthew Isaac Cohen explores the profound change in diverse arts practices from the nineteenth century until 1949. He demonstrates that modern modes of transportation and communication not only brought the Dutch colony of Indonesia into the world economy, but also stimulated the emergence of new art forms and modern attitudes to art, disembedded and remoored traditions, and hybridized foreign and local. In the nineteenth century, access to novel forms of entertainment, such as the circus, and newspapers, which offered a new language of representation and criticism, wrought fundamental changes in theatrical, musical, and choreographic practices. Musical drama disseminated print literature to largely illiterate audiences starting in the 1870s, and spoken drama in the 1920s became a vehicle for exploring social issues. Twentieth-century institutions—including night fairs, the recording industry, schools, itinerant theatre, churches, cabarets, round-the-world cruises, and amusement parks—generated new ways of making, consuming, and comprehending the performing arts. Concerned over the loss of tradition and "Eastern" values, elites codified folk arts, established cultural preservation associations, and experimented in modern stagings of ancient stories. Urban nationalists excavated the past and amalgamated ethnic cultures in dramatic productions that imagined the Indonesian nation. The Japanese occupation (1942–1945) was brief but significant in cultural impact: plays, songs, and dances promoting anti-imperialism, Asian values, and war-time austerity measures were created by Indonesian intellectuals and artists in collaboration with Japanese and Korean civilian and military personnel. Artists were registered, playscripts censored, training programs developed, and a Cultural Center established. Based on more than two decades of archival study in Indonesia, Europe, and the United States, this richly detailed, meticulously researched book demonstrates that traditional and modern artistic forms were created and conceived, that is "invented," in tandem. Intended as a general historical introduction to the performing arts in Indonesia, it will be of great interest to students and scholars of Indonesian performance, Asian traditions and modernities, global arts and culture, and local heritage.
