Two Roumanian Dances Opus 8a
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Two Roumanian Dances Opus 8a
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Author :
language : en
Publisher: Kalmus Edition
Release Date : 1985-03
Two Roumanian Dances Opus 8a written by and has been published by Kalmus Edition this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985-03 with Music categories.
The Two Romanian Folk Dances, Opus 8A, are a piano work written by Béla Bartók, based on Romanian folk music. Written in 1910, they date from the beginning of his interest in folk music.
Bart K For Piano
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Author : David Yeomans
language : en
Publisher: Indiana University Press
Release Date : 2000-06-22
Bart K For Piano written by David Yeomans and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-06-22 with Music categories.
" . . . detailed and thorough . . . a wealth of information . . . David Yeomans deserves our thanks for a job exceedingly well done." —American Music Teacher " . . . a must for pianists . . . " —American Reference Book Annual "David Yeomans's study is certainly to be recommended for all good music libraries, pianists and students of Bartók." —The Music Review "Although there are currently more than 15 books in print about composer Béla Bartók, this short volume is unique in its focus on his complete oeuvre for solo piano. . . . Recommended for pianists, piano teachers, and students from lower-division undergraduate level and above." —Choice " . . . the entire book is indispensable for any of us before we play another Bartók piece." —Clavier "This work collects in one place an enormous number of 'facts' about the piano music of Bartók . . . for planning concerts and student repertoire, and as a survey of an important body of 20th-century music, this listing is valuable." —Library Journal This chronological listing of more than 400 pieces and movements presents in convenient form essential information about each of Bartók's solo piano works, including its various editions, timing, level of difficulty, pertinent remarks by the composer, and bibliographical references to it.
Two Romanian Dances
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Author : Béla Bartók
language : en
Publisher:
Release Date : 1965
Two Romanian Dances written by Béla Bartók and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with categories.
2 Roumanian Dances For Piano Solo
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Author : Béla Bartók
language : en
Publisher:
Release Date : 1969
2 Roumanian Dances For Piano Solo written by Béla Bartók and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1969 with Dance music categories.
Two Roumanian Dances Op 8a Piano Solo
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Author : Béla BARTÓK
language : en
Publisher:
Release Date : 1950
Two Roumanian Dances Op 8a Piano Solo written by Béla BARTÓK and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1950 with categories.
Musical Symbolism In The Operas Of Debussy And Bartok
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Author : Elliot Antokoletz
language : en
Publisher: Oxford University Press
Release Date : 2004-07-22
Musical Symbolism In The Operas Of Debussy And Bartok written by Elliot Antokoletz and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-07-22 with Music categories.
Musical Symbolism in the Operas of Debussy and Bartók explores the means by which two early 20th century operas - Debussy's Pelléas et Mélisande (1902) and Bartók's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, Béla Balázs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.
B La Bart K
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Author : Elliott Antokoletz
language : en
Publisher: Routledge
Release Date : 2011-04-14
B La Bart K written by Elliott Antokoletz and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-04-14 with Music categories.
This research guide is an annotated bibliography of primary and secondary sources and catalogue of Bartók’s compositions. Since the publication of the second edition, a wealth of information has been proliferating in the field of Bartók research. The third edition of this research guide provides an update in this field and represents the multidisciplinary research areas in the growing Bartók literature.
The Cambridge Companion To Bart K
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Author : Amanda Bayley
language : en
Publisher: Cambridge University Press
Release Date : 2001-03-26
The Cambridge Companion To Bart K written by Amanda Bayley and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-03-26 with Music categories.
This is a wide-ranging and accessible guide to Bartók and his music.
B La Bart K In Italy
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Author : Nicolò Palazzetti
language : en
Publisher: Boydell & Brewer
Release Date : 2021
B La Bart K In Italy written by Nicolò Palazzetti and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with History categories.
Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero. This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music. The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.
Bart K Perspectives
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Author : Elliott Antokoletz
language : en
Publisher: Oxford University Press
Release Date : 2000-07-20
Bart K Perspectives written by Elliott Antokoletz and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-07-20 with Music categories.
In profound ways, music in the twentieth century reflects the influence of Béla Bartók. His compositions remain at the heart of the modern repertoire, and his scholarly writings on music and his studies of folk music continue to inspire new generations of scholars and musicians. Bartók Perspectives seeks to paint a complete portrait of this complex figure, presenting essays from a wide range of perspectives and disciplines. The book collects new work by leading scholars and important new voices on Bartók. While each essay can be read independently, together they provide a coherent view of Bartók's life and work. The book includes integrative theoretic-analytical approaches to Bartók's musical language and studies of his system of composition from its early stages to maturity. It also includes explorations of Bartók's folk-music materials in connection with his fieldwork, transcription techniques, classification methodology, and compositional influences. Many of the chapters examine the broad historical, philosophical, and cultural questions intimately linked to Bartók's work. Anyone with an interest in Bartók or in serious music in the twentieth century will find Bartók Perspectives an invaluable resource and guide.