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Understanding The Public Sector In Egyptian Cinema


Understanding The Public Sector In Egyptian Cinema
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Understanding The Public Sector In Egyptian Cinema


Understanding The Public Sector In Egyptian Cinema
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Author : Tamara Chahine Maatouk
language : en
Publisher:
Release Date : 2019

Understanding The Public Sector In Egyptian Cinema written by Tamara Chahine Maatouk and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Motion pictures categories.


Public and government attitudes to the role of the public sector in Egyptian cinema In 1957 the public sector in Egyptian cinema was established, followed shortly by the emergence of public-sector film production in 1960, only to end eleven years later, in 1971. Assailed with negativity since its demise, if not earlier, this state adventure in film production was dismissed as a complete failure, financially, administratively and, most importantly, artistically. Although some scholars have sporadically commented on the role played by this state institution, it has not been the object of serious academic research aimed at providing a balanced, nuanced general assessment of its overall impact. This issue of Cairo Papers hopes to address this gap in the literature on Egyptian cinema. After discussing the part played by the public sector in attempts to alleviate the financial crisis that threatened the film industry, this study investigates whether there was a real change in the general perception of the cinema, and the government’s attitude toward it, following the June 1967 Arab–Israeli war.



Understanding The Public Sector In Egyptian Cinema A State Venture


Understanding The Public Sector In Egyptian Cinema A State Venture
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Author : Tamara Chahine Maatouk
language : en
Publisher: American University in Cairo Press
Release Date : 2019-11-04

Understanding The Public Sector In Egyptian Cinema A State Venture written by Tamara Chahine Maatouk and has been published by American University in Cairo Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-04 with History categories.


In 1957 the public sector in Egyptian cinema was established, followed shortly by the emergence of public-sector film production in 1960, only to end eleven years later, in 1971. Assailed with negativity since its demise, if not earlier, this state adventure in film production was dismissed as a complete failure, financially, administratively and, most importantly, artistically. Although some scholars have sporadically commented on the role played by this sector, it has not been the object of serious academic research aimed at providing a balanced, nuanced general assessment of its overall impact. This issue of Cairo Papers hopes to address this gap in the literature on Egyptian cinema. After discussion of the role played by the public sector in trying to alleviate the financial crisis that threatened the film industry, this study investigates whether there was a real change in the general perception of the cinema, and the government’s attitude toward it, following the June 1967 Arab–Israeli war.



Popular Egyptian Cinema


Popular Egyptian Cinema
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Author : Viola Shafik
language : en
Publisher: Oxford University Press
Release Date : 2007

Popular Egyptian Cinema written by Viola Shafik and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Performing Arts categories.


In this groundbreaking work, film scholar Viola Shafik examines popular and commercial movies from Egypt's film industry, including a number of the biggest box-office hits widely distributed in Egypt and the Arab world. Turning a critical eye on a major player in Egyptian cultural life, Shafik examines these films against the backdrop of the country's overall socio-political development, from the emergence of the film industry in the 1930s, through the Nasser and Sadat eras, up to the era of globalization.This is the first comprehensive book on popular Egyptian cinema in English, a milestone at a time when numerous disciplines have shown an increasing interest in popular culture. As this book ably demonstrates, popular cinema is a form of wish-fulfillment that expresses mass audiences' dreams and fears, while symbolically translating and negotiating social realities.In unearthing the largely contradictory meanings conveyed by different films, Popular Egyptian Cinema examines a broad array of themes, from gender relations to feminism, Islamism and popular ideas about sexuality and morality. Focusing on representations of religious and ethnic minorities-primarily Copts, Jews, and Nubians-Shafik draws out issues such as the formation of the Egyptian nation, cinematic stereotyping, and political and social taboos. Shafik also considers pivotal genres, such as melodrama, realism, and action film, in relation to public debates over highbrow and lowbrow culture and in light of local and international film criticism.Popular Egyptian Cinema marks an important contribution to international film studies while offering general readers an engrossing and informative look at some of the most popular films in Egyptian cinema.



Public Sector In Egypt


Public Sector In Egypt
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Author : Manabu Shimizu
language : en
Publisher:
Release Date : 1986

Public Sector In Egypt written by Manabu Shimizu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with categories.




African Cinema Manifesto And Practice For Cultural Decolonization


African Cinema Manifesto And Practice For Cultural Decolonization
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Author : Michael T. Martin
language : en
Publisher: Indiana University Press
Release Date : 2023-08-08

African Cinema Manifesto And Practice For Cultural Decolonization written by Michael T. Martin and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-08-08 with Art categories.


Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Three of this landmark series on African cinema spans the past century and is devoted to the documentation of decoloniality in cultural policy in both Africa and the Black diaspora worldwide. A compendium of formal resolutions, declarations, manifestos, and programmatic statements, it chronologically maps the long history and trajectories of cultural policy in Africa and the Black Atlantic. Beginning with the 1920 declaration of the Rights of the Negro Peoples of the World, which anticipates cinema as we know it today, and the formal oppositional assertions--aspirational and practical. The first part of this work references formal statements that pertain directly to cultural policy and cinematic formations in Africa, while the next part addresses the Black diaspora. Each entry is chronologically ordered to account for when the statement was created, followed by where and in what context it was enunciated.



The Arab National Project In Youssef Chahine S Cinema


The Arab National Project In Youssef Chahine S Cinema
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Author : Malek Khouri
language : en
Publisher: American Univ in Cairo Press
Release Date : 2010

The Arab National Project In Youssef Chahine S Cinema written by Malek Khouri and has been published by American Univ in Cairo Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Performing Arts categories.


An examination of the work of Egypts best-known filmmaker



The National Imaginarium


The National Imaginarium
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Author : Magdy Mounir El-Shammaa
language : en
Publisher: American University in Cairo Press
Release Date : 2021-06-22

The National Imaginarium written by Magdy Mounir El-Shammaa and has been published by American University in Cairo Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-22 with Performing Arts categories.


A cultural, social, and economic history of Egyptian cinema of the twentieth century Spanning a century of Egyptian filmmaking, this work weaves together culture, history, politics, and economics to form a narrative of how Egyptian national identity came to be constructed and reconstructed over time on film. It goes beyond the films themselves to explore the processes of filmmaking—the artists that made it possible, the institutional networks, structures, and rules that bound them together, the changing social and political environment in which the films were produced, and the role of the state. In peeling back the curtain to reveal the complexities behind the screen, Magdy El-Shammaa shows cinema as at once both a reflection and a producer of larger cultural imaginings of the nation. The National Imaginarium provides an in-depth description of the films discussed. It explores the construction of a populist consciousness that permeated and transcended class structures at mid-century in Egypt, and how this subsequently came undone in the face of the bewildering social, economic, and political transformations that the country underwent in the decades that followed. More than similar treatments of the topic, this book draws on theoretical ideas from outside the immediate discipline of Film Studies, including investigations into the materiality and colonial foundations of cosmopolitanism, the stakes and aesthetics of realism, policy shifts around women’s rights, transnational economic contexts, and the broader history of the country and region, including insightful snapshots of everyday life.



Arab Film And Video Manifestos


Arab Film And Video Manifestos
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Author : Kay Dickinson
language : en
Publisher: Springer
Release Date : 2018-11-30

Arab Film And Video Manifestos written by Kay Dickinson and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-30 with Performing Arts categories.


Arab Film and Video Manifestos presents, in their entirety, five key documents that have fundamentally shaken up and helped change the face of image culture in the Middle East and beyond. The book collects together, for the first time, these influential, collectively written calls and directives that span a fifty-year period and hail from a range of different countries. Each urges a radical rethinking of film and video’s role in culture, its relation to politics, and its potential to instigate profound change. Kay Dickinson carefully positions the manifestos within their broader socio-historical contexts and provides supplementary reading and viewing suggestions for readers who cannot access Arabic-language sources.



Cinema In The Arab World


Cinema In The Arab World
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Author : Ifdal Elsaket
language : en
Publisher: Bloomsbury Publishing
Release Date : 2023-01-26

Cinema In The Arab World written by Ifdal Elsaket and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-01-26 with History categories.


Cinema in the Arab world has been the subject of varied and rigorous studies, but most have focused on films as text, providing in-depth analyses of plot, style, ideologies, or examination of the biographies of prominent directors or actors. This innovative new volume shifts the focus on Arab cinema off-screen, to examine the histories, politics, and conditions of distribution, exhibition, and cinema-going in the Arab world. Through broadening the frame of study beyond the screen, the book widens understanding of the cinema, not merely as a collection of films-as-texts, but as a site of cultural and political contestation in the Arab world. Divided into two sections, and guided by interdisciplinary considerations, the contributors examine historical and contemporary issues of Arab cinema in terms of the experience of movie-going and filmmaking. They examine the networks of distribution and exhibition, as well as the contested and multiple meanings that the cinema embodied through diverse historical periods and geographical locations. Part I focuses on new histories of Arab cinema in terms of film production, distribution, exhibition and audience's experiences of cinema-going. Part II deals with more recent issues within scholarship on Arab cinema such as issues of politics, economics, ideologies, as well as issues related to Arab movies' international circulation and screenings at festivals. Together, the chapters enrich our understanding of the cinema in the Arab world, showing how deeply embedded it is within its social, political, and economic contexts.



Togo Mizrahi And The Making Of Egyptian Cinema


Togo Mizrahi And The Making Of Egyptian Cinema
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Author : Deborah A. Starr
language : en
Publisher: University of California Press
Release Date : 2020-09-22

Togo Mizrahi And The Making Of Egyptian Cinema written by Deborah A. Starr and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-22 with Social Science categories.


A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.