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Victorian Culture And The Idea Of The Grotesque


Victorian Culture And The Idea Of The Grotesque
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Victorian Culture And The Idea Of The Grotesque


Victorian Culture And The Idea Of The Grotesque
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Author : Colin Trodd
language : en
Publisher: Ashgate Publishing
Release Date : 1999

Victorian Culture And The Idea Of The Grotesque written by Colin Trodd and has been published by Ashgate Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Art categories.


An interdisciplinary study of the the concept of the Grotesque and its proliferations in Victorian culture.



Routledge Revivals Victorian Culture And The Idea Of The Grotesque 1999


Routledge Revivals Victorian Culture And The Idea Of The Grotesque 1999
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Author : Colin Trodd
language : en
Publisher: Routledge
Release Date : 2018-02-01

Routledge Revivals Victorian Culture And The Idea Of The Grotesque 1999 written by Colin Trodd and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-01 with Literary Criticism categories.


Originally published in 1999, Victorian Culture and the Idea of the Grotesque is the first fully interdisciplinary study of the subject and examines a wide range of sources and materials to provide new readings between ‘style’ and ‘concept’. The book provides an original analysis of key articulations of the Grotesque in the literary culture of Ruskin, Browning and Dickens, where represents the eruptions, intensities, confusions and disturbed vitality of modern cultural experience such as the scientific revolution associated with Darwin and the nature of industrial society.



Aubrey Beardsley Dandy Of The Grotesque


Aubrey Beardsley Dandy Of The Grotesque
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Author : Chris Snodgrass
language : en
Publisher:
Release Date : 2023

Aubrey Beardsley Dandy Of The Grotesque written by Chris Snodgrass and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with Grotesque in art categories.


This analysis of Beardsley's most characteristic works clarifies why his art is indispensable to an understanding of fin-de-siecle Victorian culture.



The Grotesque In The Fiction Of Charles Dickens And Other 19th Century European Novelists


The Grotesque In The Fiction Of Charles Dickens And Other 19th Century European Novelists
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Author : Isabelle Hervouet-Farrar
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2015-01-12

The Grotesque In The Fiction Of Charles Dickens And Other 19th Century European Novelists written by Isabelle Hervouet-Farrar and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-12 with Literary Criticism categories.


This book provides an overview of the literary grotesque in 19th-century Europe, with special emphasis on Charles Dickens, whose use of this complex aesthetic category is thus addressed in relation with other 19th-century European writers. The crossing of geographical boundaries allows an in-depth study of the different modes of the grotesque found in 19th-century fiction. It provides a comprehensive analysis of the reasons behind the extensive use of such a favoured mode of expression. Intertextuality and comparative or cultural analysis are thus used here to shed new light on Dickens’s influences (both given and received), as well as to compare and contrast his use of the grotesque with that of key 19th-century writers like Hugo, Gogol, Thackeray, Hardy and a few others. The essays of this volume examine the various forms taken by the grotesque in 19th-century European fiction, such as, for example, the fusion of the familiar and the uncanny, or of the terrifying and the comic; as well as the figures and narrative techniques best suited for the expression of a novelist’s grotesque vision of the world. These essays contribute to an assessment of the links between the grotesque, the gothic and the fantastic, and, more generally, the genres and aesthetic categories which the 19th-century grotesque fed on, like caricature, the macabre and tragicomedy. They also examine the novelists’ grotesque as contributing to the questioning of society in Victorian Britain and 19th-century Europe, echoing its raging conflicts and the shocks of scientific progress. This study naturally adopts as its theoretical basis the works of key theorists and critics of the grotesque: namely, Victor Hugo, Charles Baudelaire and John Ruskin in the 19th century, and Mikhail Bakhtin, Wolfgang Kayser, Geoffrey Harpham and Elisheva Rosen in the 20th century.



Victorian Literature


Victorian Literature
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Author : David Amigoni
language : en
Publisher: Edinburgh University Press
Release Date : 2011-03-23

Victorian Literature written by David Amigoni and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-03-23 with Literary Criticism categories.


How were the genres of literature changed by new methods of serialization and publishing? How did a widespread culture of performance emerge in the period to shape as well as to be shaped by the novel and poetry? David Amigoni draws on the most recent critical approaches to the novel, Victorian melodrama and poetry to answer these and other questions. The work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, the New Woman, gothic, horror and the Victorian stage.



The Grotesque And The Unnatural


The Grotesque And The Unnatural
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Author : Markku Salmela
language : en
Publisher:
Release Date : 2014-05-14

The Grotesque And The Unnatural written by Markku Salmela and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-14 with BIOGRAPHY & AUTOBIOGRAPHY categories.


The grotesque has provided both laymen and scholars with extreme delights for centuries: from the ornamental combining of rare motifs in antiquity to a hybridisation of structural genres in recent times; from fantastical fusions of humans and beasts to comic exaggerations of bodily aberrations and prosthetic postmodern visions. Eluding clear classification at all times, the notion has often been identified with ideas of contradiction and conflation and observed in relation to principles and categories such as estrangement (Wolfgang Kayser) and carnival (Mikhail Bakhtin), the sublime (Victor Hugo) and Victorian Gothic imagination (John Ruskin). In this context, the present volume appears as a synthesis and radical questioning of existing historical developments.The book contributes to current discussions on the grotesque in contemporary literary and cultural theory from the perspective of one specific motif: the unnatural. Quite like the grotesque, observing the unnatural (and unnaturalness) reveals a resilient strain in critical thought, and the significance of this history gradually unfolds as the volume charts the progress of its main themes from the Renaissance to the present day. While in much current talk about theory and criticism certain related notions are still posited for and against each other--what is seen as normal or natural and what is not, and what should be seen as normal or natural and what should not--the discussions in The Grotesque and the Unnatural go a long way toward founding a new vista from which to observe this beguiling opposition.The book presents a new perspective on the grotesque by considering it as a phenomenon which comes into being only through a negation of sorts, yet refusing to place it in a simple, normative pattern as nature's antithesis or expressive gesture. As the articles demonstrate, the grotesque is always in the process of subverting or surpassing something, always not being ideal or sufficient to either nature or a social rule, and this very negation affects its status as a tool of transformation or emancipation from norm: the grotesque figure does not represent any particular stage of development or natural state of being. As such, the grotesque hints at and hinges on something that exceeds habitual spheres of culture and communication but, as the book aims to show, this elusiveness of meaning gives no cause for analytic despair. By tracing the involutions of the grotesque with the unnatural in specific literary cases, the book evokes centuries of Western cultural history and ultimately focuses on two questions: How and why does the grotesque tend to negate nature, and how does it affect our understanding of what we see?The diverse materials and historical scope of The Grotesque and the Unnatural make the book, in its exceptional thematic unity, a valuable addition to the fields of literary and cultural studies.



Pre Raphaelite Masculinities


Pre Raphaelite Masculinities
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Author : Serena Trowbridge
language : en
Publisher: Routledge
Release Date : 2017-07-05

Pre Raphaelite Masculinities written by Serena Trowbridge and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Drawing on recent theoretical developments in gender and men?s studies, Pre-Raphaelite Masculinities shows how the ideas and models of masculinity were constructed in the work of artists and writers associated with the Pre-Raphaelite movement. Paying particular attention to the representation of non-normative or alternative masculinities, the contributors take up the multiple versions of masculinity in Dante Gabriel Rossetti?s paintings and poetry, masculine violence in William Morris?s late romances, nineteenth-century masculinity and the medical narrative in Ford Madox Brown?s Cromwell on His Farm, accusations of ?perversion? directed at Edward Burne-Jones?s work, performative masculinity and William Bell Scott?s frescoes, the representations of masculinity in Pre-Raphaelite illustration, aspects of male chastity in poetry and art, Tannh?er as a model for Victorian manhood, and masculinity and British imperialism in Holman Hunt?s The Light of the World. Taken together, these essays demonstrate the far-reaching effects of the plurality of masculinities that pervade the art and literature of the Pre-Raphaelite Brotherhood.



Gaslight Melodrama


Gaslight Melodrama
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Author : Guy Barefoot
language : en
Publisher: Bloomsbury Publishing
Release Date : 2016-10-06

Gaslight Melodrama written by Guy Barefoot and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-06 with Performing Arts categories.


In 1945, a year when American crime films were apparently moving out on to the streets of contemporary Los Angeles and New York, one reviewer noted the emergence of a 'cycle of mystery and horror pictures placed in the gaslight era of the turn of the century.' For another critic, it seemed that for Hollywood there was 'no world of today save the world of London by gaslight'. In Gaslight Melodrama, Guy Barefoot examines the films that gave rise to such comments, and the pattern of discourse that gave rise to such films. The book's main focus is provided by 1940s Hollywood melodramas such as Gaslight, Dr. Jekyll and Mr. Hyde and Hangover Square. It also discusses a related cycle of British films that located murder and melodrama in Victorian or Edwardian settings, and then looks beyond cinema to the Gothic novels of the 18th century, 19th century discussions of gas lighting in street, home and theatre, and ambivalent 20th century responses to the Victorian era. Combining close analysis of particular film texts with attention to cinema's cultural context, Gaslight Melodrama provides an exploration of the ways in which the past has been the site of contested meaning, and an examination of the network of melodramatic narratives embedded within familiar and lesser-known examples of classical Hollywood cinema.



Defining The Victorian Nation


Defining The Victorian Nation
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Author : Catherine Hall
language : en
Publisher: Cambridge University Press
Release Date : 2000-05-25

Defining The Victorian Nation written by Catherine Hall and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-05-25 with History categories.


Defining the Victorian Nation offers a fresh perspective on one of the most significant pieces of legislation in nineteenth-century Britain. Hall, McClelland and Rendall demonstrate that the Second Reform Act was marked by controversy about the extension of the vote, new concepts of masculinity and the masculine voter, the beginnings of the women's suffrage movement, and a parallel debate about the meanings and forms of national belonging. Fascinating illustrations illuminate the argument, and a detailed chronology, biographical notes and a selected bibliography offer further support to the student reader.



Frederic Leighton


Frederic Leighton
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Author : KerenRosa Hammerschlag
language : en
Publisher: Routledge
Release Date : 2017-07-05

Frederic Leighton written by KerenRosa Hammerschlag and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Keren Rosa Hammerschlag's Frederic Leighton: Death, Mortality, Resurrection offers a timely reexamination of the art of the late Victorian period's most institutionally powerful artist, Frederic Lord Leighton (1830-1896). As President of the Royal Academy from 1878 to 1896, Leighton was committed to the pursuit of beauty in art through the depiction of classical subjects, executed according to an academic working-method. But as this book reveals, Leighton's art and discourse were beset by the realisation that academic art would likely die with him. Rather than achieving classical perfection, Hammerschlag argues, Leighton's figures hover in transitional states between realism and idealism, flesh and marble, life and death, as gothic distortions of the classical ideal. The author undertakes close readings of key paintings, sculptures, frescos and drawings in Leighton's oeuvre, and situates them in the context of contemporaneous debates about death and resurrection in theology, archaeology and medicine. The outcome is a pleasurably macabre counter-biography that reconfigures what it meant to be not just a late-Victorian neoclassicist and royal academician, but President of the Victorian Royal Academy.