Vocal Vibrance
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Vocal Vibrance
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Author : Suzann Kale
language : en
Publisher: Createspace Independent Publishing Platform
Release Date : 2011
Vocal Vibrance written by Suzann Kale and has been published by Createspace Independent Publishing Platform this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Music categories.
Revised Edition "a must-read for anyone serious about singing." Alison Carver VOCAL VIBRANCE is like a voice teacher in a book. It can be used as a self-study guide, or as a tool for diagnosing and solving your own vocal issues. And it's the perfect textbook for voice teachers and coaches. If you want to sing, if you want to be a winner, if you want to sound great while still taking care of your "vocal instrument," VOCAL VIBRANCE is a "must have" for your music library.
Vocal Vibrance Commercial Edition
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Author : Suzann Kale
language : en
Publisher: Lulu.com
Release Date : 2008-02-01
Vocal Vibrance Commercial Edition written by Suzann Kale and has been published by Lulu.com this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-02-01 with Reference categories.
VOCAL VIBRANCE by Suzann Kale is a reference and text book for singers and speakers. Each element of voice has its own chapter, such as "Vibrato," "Registers," or "Breathing." This lets you look up specific items that you want to study. Also included in the book are vocal exercises, classical and contemporary breathing tecniques, scat singing instruction and tips - such as how to handle stage fright and how to handle eye contact with an audience. Purchasing VOCAL VIBRANCE entitles you to free chapter updates and video tutorials as they become available.
Vocal Vibrance
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Author : Suzann Kale
language : en
Publisher:
Release Date : 2022
Vocal Vibrance written by Suzann Kale and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Singing categories.
Sing
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Author : Elisabeth Howard
language : en
Publisher: Alfred Music Publishing
Release Date : 2006
Sing written by Elisabeth Howard and has been published by Alfred Music Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.
Featuring the original Elisabeth Howard Vocal Power Method of Singing, this voice training program includes four CDs that focus on the following: Singing Techniques such as power, range expansion, vibrato control, volume, dynamics, pitch; Singing Styles such as Pop, Rock, Country, Blues, R&B, Broadway, Phrasing, Improvisation, Personal Style; Super Vocals, which includes "Licks and Tricks" for every style; Sing-Aerobics, which includes a 30 minute (at home or in the car) workout for the male and female voices.
The Owner S Manual To The Voice
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Author : Rachael Gates
language : en
Publisher: Oxford University Press, USA
Release Date : 2013-09-19
The Owner S Manual To The Voice written by Rachael Gates and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-19 with Art categories.
The Owner's Manual to the Voice demystifies the voice, enabling singers and all voice professionals - whether actors, broadcasters, teachers, preachers, lawyers, public speakers- to communicate intelligently with physicians and understand dangers, treatments, vocal hygiene and medical procedures.
Heart Based Singing
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Author : Agatha Carubia
language : en
Publisher:
Release Date : 2015-06-26
Heart Based Singing written by Agatha Carubia and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-26 with categories.
Heart-Based Singing is a complete, foundational singing method that comes straight out of an active, vibrant, and current vocal studio. It provides a natural and physical approach to understanding your vocal instrument. This method unravels the functional idiosyncrasies of your voice. Heart-Based Singing melds the Eastern chakra energy system with classical Bel Canto technique.
Singing And Teaching Singing
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Author : Janice L. Chapman
language : en
Publisher: Plural Publishing
Release Date : 2021-12-06
Singing And Teaching Singing written by Janice L. Chapman and has been published by Plural Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-06 with Music categories.
Singing and Teaching Singing: A Holistic Approach to Classical Voice, Fourth Edition continues to be a beloved resource for singers and their teachers, speech-language pathologists, and laryngologists and an adopted text for instructors and students in voice, singing, and performing arts courses. Janice L. Chapman is able to draw on her experiences as a singer with some of the world's leading opera companies to present a teaching technique specifically focusing on voice in the areas of classical and opera singing. Interspersed with the concepts and components of Chapman's methods are vignettes from her life and career, animated by her conversational and vibrant style to guide (and entertain) the reader through the book in a step-by-step fashion. Now expand to include joint authorships with Dr. Ron Morris, the fourth edition draws on his experience as a speech and language therapist, audiologist, and singer, and widens the scope of the book to view current studio teaching practices through a scientific lens. The philosophy of teaching presented combines three main facets: Holistic, Physiological, and Incremental. The Holistic segment emphasizes that the act of singing involves the whole person (i.e., body, mind, spirit, emotion, and voice); the Physiological segment stresses anatomy, muscular function, and effects of muscular interactions so that students and teachers alike can understand and visualize the functional workings of the torso, larynx, and the vocal tract and their impact on good singing practices; and the Incremental section shows that the act of singing and the teaching of singing can be broken down into manageable components that have a natural hierarchy that eventually interact and interlock. This teaching model provides a framework to master one element at a time, with the resulting effect of a complete and integrated mastery of technique. Chapman recommends this framework for rehabilitative work with the dysfunctional singer, for working with the developing singer, and for the ongoing development and maintenance of the technically able professional singer. This highly-readable text includes contributions from renowned voice professionals, case studies, evidence-based and practical examples, exercises, and videos. New to the Fourth Edition: * New editor and co-author, Ron Morris, BSpThy (Hons); MMusStud (Voice), MSPAA, MASA (CC), PhD * The addition of completely new chapters on Laryngeal Registration, Vocal Acoustics and Acoustic Registration * Clarifications and exercises by Dr. Ron Morris on the use of the Accent Method breathing as a highly effective remedial and training technique * Expanded and updated information on Breathing and Support, Vocal Acoustics, Registers (Laryngeal and Acoustic), Teaching and Learning, Hearing and Singing, and Manual Therapy * Exercises have been significantly expanded and now are contained in a chapter of their own, which includes some information on lesson structure and practice * Significant updates reflect the current state of research and the latest advances in voice science and pedagogy have been referenced throughout * A new glossary has been added for ease of reading and clarification of pedagogical terms used in the text
Singing And Teaching Singing
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Author : Janice L.Chapman
language : en
Publisher: Plural Publishing
Release Date : 2016-11-30
Singing And Teaching Singing written by Janice L.Chapman and has been published by Plural Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-30 with Music categories.
Singing and Teaching Singing: A Holistic Approach to Classical Voice, Third Editioncontinues to be a beloved resource for singers and their teachers, speech-language pathologists, and laryngologists and an adopted text for instructors and students in voice, singing, and performing arts courses. Janice L. Chapman is able to draw on her experiences as a singer with some of the world's leading opera companies to present a teaching technique specifically focusing on voice in the areas of classical and opera singing. Interspersed with the concepts and components of Chapman's methods are vignettes from her life and career, animated by her conversational and vibrant style to guide (and entertain) the reader through the book in a step-by-step fashion. The philosophy of teaching presented combines three main facets: Holistic, Physiological, and Incremental. The Holistic segment emphasizes that the act of singing involves the whole person (i.e., body, mind, spirit, emotion, and voice); the Physiological segment stresses anatomy, muscular function, and effects of muscular interactions so that students and teachers alike can understand and visualize the functional workings of the torso, larynx, and the vocal tract and their impact on good singing practices; and the Incremental section shows that the act of singing can be broken down into manageable components that have a natural hierarchy that eventually interact and interlock. This teaching model provides a framework to master one element at a time, with the resulting effect of a complete and integrated mastery of technique. Chapman recommends this framework for rehabilitative work with the dysfunctional singer, for working with the developing singer, and for the ongoing development and maintenance of the technically able professional singer. Case studies, examples, exercises, and contributions from some of the world's best-known voice professionals further highlight the text. New to this edition: The addition of a completely new chapter: an interview with voice specialist osteopath Jacob Lieberman on the subject of manual therapy and voiceA rewriting of Marilyn McCarthy's chapters on teaching and learning in light of advances in the fields of neuroscience and educationUpdates to Pamela Davis's chapter on voice and the brain, as well as John Rubin's chapter on vocal and respiratory anatomy and physiologyClarifications by Ron Morris on the use of the accent method of breathing as a highly effective remedial and training techniqueRefinements to chapters on breathing and support, phonation, and resonance*Disclaimer: Please note that ancillary content (such as documents, audio, and video, etc.) may not be included as published in the original print version of this book.
The Structure Of Singing
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Author : Richard Miller
language : en
Publisher: Schirmer
Release Date : 1986
The Structure Of Singing written by Richard Miller and has been published by Schirmer this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Education categories.
The coordinated vocal onset and release: establishin dynamic muscle equilibrium through onset and release ; The supported singin voice: breath management in singing ; Agility in singing: flexible application of breath power ; The resonant voice: supraglottic cinsiderations in singing ; The well-balansed vowel: vowel differentiation in singing ; Resonance balancing through nasal consonants: the influences of nasal continuants on resonator adjustment ; Resonance balancing through non-nasal consonants on reonator adjustment ; Sustaining the voice: sostenuto ; Unifying the registers of male voices ; Unifying the registers of the female voice ; Vowel modification in singing: aggiustamento ; Range extension and stabilization in singing ; Messa di voce and dynamic control ; Vibrancy in singing: vibrato and vocal timbre ; Coordinating technique and communication ; Pedagogical attitudes: the aesthetics of vocal timre ; Healthy singing ; Appendix 1. Laryngeal structure and function ; Appendix 2. The structure and mechanics of the breath apparatus ; Appendix 3. The physiology of the vocal tract resonator system ; Appendix 4. The physical factors of vocal registration ; Appendix 5. Influences of various voiced and unvoices consonants on resonator adjustment ; Appendix 6. International phonetic alphabet (IPA) symbols.
The Free Voice
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Author : Cornelius L. Reid
language : en
Publisher: Oxford University Press
Release Date : 2018-06-15
The Free Voice written by Cornelius L. Reid and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-15 with Music categories.
Great vocal teachers from the 16th century through the early 19th century discovered through trial and error how to properly develop the singing voice, and the term bel canto came to be applied to both the manner of singing and the vocal music of that period. But by 1858, according to Rossini, the term was already being misused and wrongly confused with fioriture. Well-schooled in the teaching of singing, Rossini more accurately describes bel canto as being composed of: the building of the instrument; technique, or the means of using the instrument; and style, of which the ingredients are taste and feeling. In this 50th anniversary edition of The Free Voice, renowned vocal pedagogue Cornelius L. Reid articulates the teaching principles of his own school of functional vocal training, grounded firmly in the old principles while remaining in line with a modern understanding of the physical value of the vocal instrument. The muscles that move the vocal folds and the vocal folds themselves are involuntary, and as such, the singing voice is not an instrument that can be manipulated directly. Reid's approach to singing is one of indirect control, stemming from an understanding of the vocal registers and how specific patterns of pitch, intensity, and vowel affect the vocal folds. Through the vocal exercises outlined in this book, and catered to each individual, a poorly coordinated musculature can be brought to efficiency. Only when the musculature of the vocal mechanism is well-balanced and coordinated can the voice be free, and the natural beauty and resonance of the individual voice come through without force.