Vom Schmerz Befreit
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Vom Schmerz Befreit
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Author : Peter A. Levine
language : de
Publisher:
Release Date : 2024-03-27
Vom Schmerz Befreit written by Peter A. Levine and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-03-27 with categories.
Vom Schmerz Befreit
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Author : Peter A. Levine
language : de
Publisher: Kösel-Verlag
Release Date : 2024-03-27
Vom Schmerz Befreit written by Peter A. Levine and has been published by Kösel-Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-03-27 with Psychology categories.
Schmerzen erfolgreich selbst lindern Wer unter chronischen Schmerzen leidet – möglicherweise nach Jahren von Behandlung, Medikamentierung und Operationen –, für den zählt nur eine Frage: Wie finde ich anhaltende Linderung? Der Bestseller-Autor und Trauma-Experte Peter A. Levine und die erfahrene Schmerztherapeutin Maggie Phillips zeigen in der überarbeiteten und aktualisierten Neuausgabe ihres erfolgreichen Buches, • wie die »Kampf«-Reaktion des Körpers auf Schmerzen beruhigt werden kann, • wie wir Angst, Frustration und Depression abbauen, die durch frühere Traumata intensiviert werden, und innere Resilienz und Selbstregulierungsfähigkeiten stärken, • wie Schmerzen gelindert werden, die in der Folge von Verletzungen, operativen Eingriffen, Gelenk- und Muskelproblemen, Migränen und anderen Problemen entstanden sind. Unabhängig davon, ob jemand eine Selbstbehandlungsmethode beginnen oder ein bestehendes Behandlungsprogramm erweitern möchte: »Vom Schmerz befreit« bietet erprobte Werkzeuge, wie körperliche und emotionale Blockaden gelöst werden können und anhaltende Linderung möglich wird. Mit 15 praktischen Übungen als Gratis-Audio-Angebot. »Brillant, praktisch und klug: ein enorm hilfreiches Buch. Ich kann es nicht genug empfehlen.« Jack Kornfield, Psychotherapeut und Mediationslehrer
Legend Of Sagenfeld In Germany Die Legende Von Sagenfeld In Deutschland Mit Audio
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Author : Mark Twain
language : en
Publisher: EasyOriginal Verlag
Release Date : 2021-04-12
Legend Of Sagenfeld In Germany Die Legende Von Sagenfeld In Deutschland Mit Audio written by Mark Twain and has been published by EasyOriginal Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-12 with Education categories.
Entdecken Sie die Welt der Fremdsprachen auf eine ganz neue Weise mit der Lesemethode von Ilya Frank, perfekt für alle ab dem Sprachniveau A2. Diese innovative Methode kombiniert Originaltexte mit klaren, direkten Übersetzungen und bietet zusätzliche Erläuterungen direkt im Lesefluss, um ein tiefes Verständnis und schnelles Lernen zu fördern. Ob Sie Ihre Sprachkenntnisse verbessern oder in eine neue Sprache eintauchen möchten, diese Methode bietet ein einzigartiges und effektives Leseerlebnis. Dank der integrierten Hörbücher wird auch das Hörverständnis trainiert. Lesemethode von Ilya Frank ist ideal für alle, die ihre Sprachkenntnisse effektiv erweitern wollen, ohne den natürlichen Lesefluss zu unterbrechen. Entdecken Sie die zeitlose Magie und den Charme von "Legend of Sagenfeld, in Germany", einem entzückenden Meisterwerk, das Sie in eine Welt voller Wunder und Weisheit entführt. In diesem kleinen, von den Turbulenzen der Geschichte unberührten Königreich, wo die Zeit stillzustehen scheint, beginnt die Geschichte mit dem einfachen Leben und den unschuldigen Menschen von Sagenfeld. Als der junge König Hubert den Thron besteigt, wird sein Reich von einer Prophezeiung überschattet, die das Schicksal des Königreichs an die Wahl des süßesten Sängers im Tierreich knüpft. Mit einer Mischung aus Spannung und Zärtlichkeit entfaltet sich die Erzählung, als König Hubert vor die Herausforderung gestellt wird, zwischen den betörenden Melodien der Vögel und der unerwarteten, herzlichen Stimme eines einfachen Esels zu wählen. Diese Wahl birgt das Geheimnis des Überlebens und Wohlstands seines Reiches. "Legend of Sagenfeld, in Germany" ist nicht nur eine Geschichte über die Macht der Musik und die Unschuld der Natur, sondern auch ein tiefgründiges Werk über die Erkenntnis, dass wahre Weisheit oft in den bescheidensten Gestalten zu finden ist. Tauchen Sie ein in eine Erzählung, die mit ihrer Einfachheit verzaubert und gleichzeitig tiefgründige Wahrheiten über Führung, Glauben und die unerwartete Bedeutung der kleinsten Kreaturen in unserem Leben offenbart. Dieses Buch ist eine Hommage an die Kraft der Demut und die unerwartete Weisheit, die oft in den leisesten Stimmen zu finden ist. Es ist ein Muss für jeden, der sich nach einer Geschichte sehnt, die das Herz erwärmt und gleichzeitig zum Nachdenken anregt. Ungekürzter Originaltext. Zweisprachiges Buch Englisch-Deutsch.
Prodesse Et Delectare
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Author : Norbert Kössinger
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2019-12-02
Prodesse Et Delectare written by Norbert Kössinger and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-02 with Literary Criticism categories.
The Horatian formula prodesse et delectare was extremely influential in the production of texts across various languages and genres. While indeed didactic elements can be attested to in almost any medieval text, and while medieval literature displays a range of possibilities to teach and instruct, the scope of the present volume is more closely focused on explicitly didactic literature. This volume combines contributions that analyse didactic literature in high medieval Europe from different vantage points. They open new perspectives on education as a working principle or legitimizing strategy in the heterogeneous forms of writing intended to convey knowledge. This broad thematic, linguistic and geographical scope enables us to view didactic literature as the universal phenomenon it was and prompts us to understand its influence on many aspects of society in high medieval Europe and beyond. While the contributions explore case studies predominantly from this period of transition and the expansion of the categories of knowledge, they also trace some of these developments into the later Middle Ages to spotlight the lasting influence of high medieval teaching and learning in literature. The way medieval writers combine ‘the pleasant’ with ‘the useful’ is this book’s main question.
Schmidt S Jahrbuecher
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Author :
language : en
Publisher:
Release Date : 1835
Schmidt S Jahrbuecher written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1835 with categories.
Der Heilige Wikingerk Nig Olav Haraldsson Und Sein Hagiographisches Dossier 2 Vols
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Author : Lenka Jiroušková
language : en
Publisher: BRILL
Release Date : 2014-10-30
Der Heilige Wikingerk Nig Olav Haraldsson Und Sein Hagiographisches Dossier 2 Vols written by Lenka Jiroušková and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-30 with History categories.
The twelfth-century vita of St Olav, the Norwegian King Olav Haraldsson, is an essential text for the earliest Norwegian literature and culture. The different versions of the hagiographic dossier are comprehensively interpreted and contextualised, and for the first time completely in a critical edition presented.
The Meyerbeer Libretti
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Author : Robert Ignatius Letellier
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2013-02-21
The Meyerbeer Libretti written by Robert Ignatius Letellier and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-21 with Music categories.
Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer’s grands opéras, and his final work. By 1860 long-imposed labor had started to tell upon the composer’s health: he knew that he must concentrate on the “navigator project” which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and César-Victor Perrin, the director of the Opéra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph Fétis, while the libretto was revised by Mélesville. The original title of L’Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L’Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.
The Complete Libretti Of Giacomo Meyerbeer In The Original And In Translation
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Author :
language : en
Publisher: Cambridge Scholars Press
Release Date :
The Complete Libretti Of Giacomo Meyerbeer In The Original And In Translation written by and has been published by Cambridge Scholars Press this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Complete Libretti Of Giacomo Meyerbeer In The Original And In Translation In Five Volumes The
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Author : Richard Arsenty
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2013-02-14
Complete Libretti Of Giacomo Meyerbeer In The Original And In Translation In Five Volumes The written by Richard Arsenty and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-14 with Music categories.
Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer’s grands opéras, and his final work. By 1860 long-imposed labor had started to tell upon the composer’s health: he knew that he must concentrate on the “navigator project” which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and César-Victor Perrin, the director of the Opéra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph Fétis, while the libretto was revised by Mélesville. The original title of L’Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L’Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.
Ein Feldlager In Schlesien
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Author : Robert Ignatius Letellier
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2008-10-01
Ein Feldlager In Schlesien written by Robert Ignatius Letellier and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-10-01 with Music categories.
Giacomo Meyerbeer returned to his native city of Berlin from Paris in 1842 to take up his new position of Generalmusikdirektor to King Friedrich Wilhelm IV. He was invited to compose a new work for the festive occasion of the reopening of the opera house on 7 December 1844, on a theme celebrating the king's famous ancestor, Frederick the Great? Eugene Scribe provided the text, in secret, and Ludwig Rellstab translated it. Feldlager was Meyerbeer’s first opera in 30 years on a less serious topic, and using spoken dialogue.—in other words a Singspiel. Especially in the first and third acts, it is possible to see the influence of lighter composers, especially Lortzing and Auber. But much of the second act, especially the tremendous finale, is in the style of the grand operas. Successful as Feldlager was in Berlin with the brilliant Swedish soprano Jenny Lind, Meyerbeer never considered its narrowly patriotic themes suitable for export. Edouard Hanslick pointed out that in no other of Meyerbeer’s works was the German nation so directly engaged, and emphasized the homely, comfortable tone that permeates the music of the score. The overture and much of act 2 was adapted for Meyerbeer’s and Scribe’s opéra comique, L’Étoile du Nord (1854). Several melodies have become famous because of Constant Lambert’s adaptation of them for the ballet Les Patineurs (16 February 1937). The fame of the beautiful cantabile melody of the third movement has spread all over the world, and is known to so many who remain ignorant of its true provenance—in the finale of Feldlager, where it accompanies Vielka’s dream-vision and becomes a celebration of peace and the promise of wonderful things to come.