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Who S Afraid Of Red Yellow And Blue

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Who S Afraid Of Red Yellow And Blue

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Author : Lyell Cresswell
language : en
Publisher:
Release Date : 1996

Who S Afraid Of Red Yellow And Blue written by Lyell Cresswell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Piano music categories.

Who S Afraid Of Red Yellow And Blue

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Author : Staatliche Kunsthalle Baden-Baden
language : en
Publisher: Walther Konig Verlag
Release Date : 2007

Who S Afraid Of Red Yellow And Blue written by Staatliche Kunsthalle Baden-Baden and has been published by Walther Konig Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.

Curated by Karola Grasslin, this exhibition and the accompanying catalogue takes as its theme the beginings of minimalist art and the development of colour field painting. It represented a fundamental and at the same time radical enquiry into the traditional concept of the picture in painting.

Barnett Newman

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Author : Barnett Newman
language : en
Publisher:
Release Date : 2002

Barnett Newman written by Barnett Newman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with categories.

The Destruction Of Art

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Author : Dario Gamboni
language : en
Publisher: Reaktion Books
Release Date : 2013-06-01

The Destruction Of Art written by Dario Gamboni and has been published by Reaktion Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-06-01 with Art categories.

Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art. Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts. Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of modern art, destruction of artworks, and the long history of iconoclasm. From the controversial removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza to suffragette protests at London’s National Gallery, Gamboni probes the concept of artist’s rights, the power of political protest and how iconoclasm sheds light on society’s relationship to art and material culture. Compelling and thought-provoking, The Destruction of Art forces us to rethink the ways that we interact with art and react to its power to shock or subdue.