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Why Duchamp


Why Duchamp
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Why Duchamp


Why Duchamp
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Author : Gianfranco Baruchello
language : en
Publisher:
Release Date : 1985

Why Duchamp written by Gianfranco Baruchello and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with categories.


The book explores the mythology and critical scaffolding that surrounds Marcel Duchamp. It recaptures the essence of Duchamp's singularly revolutionary art and discover as well the man behind the artist.



Marcel Duchamp In Perspective


Marcel Duchamp In Perspective
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Author : Joseph Masheck
language : en
Publisher: Da Capo Press
Release Date : 2002-04-18

Marcel Duchamp In Perspective written by Joseph Masheck and has been published by Da Capo Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-04-18 with Art categories.


Best known for cheeky conceptual works—like his signed urinals ("R. Mutt") and his graffitioed Mona Lisa—Marcel Duchamp (1887–1968) was also an extraordinary painter and sculptor (Nude Descending a Staircase) who changed the language of twentieth-century art and reigns with Picasso and Matisse as one of its greatest influences. Joseph Masheck has compiled a sampler of the best writing on Duchamp, with pieces that include Duchamp's obituary from Artforum, written by Jasper Johns; Octavio Paz on the ready-mades; a Duchamp post-mortem by Hans Richter; Donald Judd's investigation of Rrose Sélavy; a "Counter-Avant-Garde" by Clement Greenberg; a consideration by Guillaume Apollinaire; and John Cage's "26 Statements on Marcel Duchamp." Illustrated with photographs of Duchamp's seminal pieces, and updated with a substantial preface that offers new scholarship as well as a fascinating consideration of why Duchamp's popularity has exponentially increased since this book first appeared, this is an essential volume for the Duchamp devotee.



Duchamp S Last Day


Duchamp S Last Day
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Author : Donald Shambroom
language : en
Publisher: David Zwirner Books
Release Date : 2018-11-20

Duchamp S Last Day written by Donald Shambroom and has been published by David Zwirner Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-20 with Art categories.


Published on the fiftieth anniversary of Marcel Duchamp’s death, Duchamp’s Last Day offers a radical reading of the artist’s final hours. Just moments after Duchamp died, his closest friend Man Ray took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom begins to examine the surrounding context—the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere, and the larger question of whether this radical artist’s death can be read as an extension of his work. Shambroom’s in-depth research into this final night, and his analysis of the photograph, feeds into larger questions about the very nature of artworks and authorship which Duchamp raised in his lifetime. In the case of this mysterious and once long-lost photograph, who is the author? Man Ray or Duchamp? Is it an artwork or merely a record? Has the artist himself turned into one of his own readymades? A fascinating essay that is both intimate and steeped in art history, Duchamp’s Last Day is filled with intricate details from decades of research into this peculiar encounter between art, life, and death. Shambroom’s book is a wonderful study of one of the greatest artists of the twentieth century.



Marcel Duchamp


Marcel Duchamp
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Author : Rudolf E. Kuenzli
language : en
Publisher: MIT Press
Release Date : 1991

Marcel Duchamp written by Rudolf E. Kuenzli and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Art categories.


Artist of the Century. These eleven illustrated essays explore the structure and meaning of Duchamp's work as part of an ongoing critical enterprise that has just begun.



Why Duchamp


Why Duchamp
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Author : Gianfranco Baruchello
language : en
Publisher:
Release Date : 1985

Why Duchamp written by Gianfranco Baruchello and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Art categories.


In this natural sequel to How to Imagine the authors direct their attention to the mythology and critical scaffolding that surrounds the enigmatic figure of Marcel Duchamp. What exactly is the value of his work today? How can we thread our way through the intricacies of his thought and achieve some greater understanding of its implications? Baruchello and Martin recapture the essence of Duchamp's singularly revolutionary art and discover as well the man behind the Artist. One again, the story is told in Baruchello's absorbing voice, at once and the same time a voice of authority and disarming modesty. This edition features ten photographs of Duchamp and his work (many taken by Baruchello). A selected bibliography on Duchamp is included.



Marcel Duchamp In Perspective


Marcel Duchamp In Perspective
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Author : Joseph Masheck
language : en
Publisher: Prentice Hall
Release Date : 1974

Marcel Duchamp In Perspective written by Joseph Masheck and has been published by Prentice Hall this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974 with Artists categories.


Best known for cheeky conceptual works -- like his signed urinals ("R. Mutt") and his graffitioed Mona Lisa -- Marcel Duchamp (1887–1968) was also an extraordinary painter and sculptor ("Nude Descending a Staircase") who changed the language of twentieth-century art and reigns with Picasso and Matisse as one of its greatest influences. Joseph Masheck has compiled a sampler of the best writing on Duchamp, with pieces that include Duchamp's obituary from Artforum, written by Jasper Johns; Octavio Paz on the ready-mades; a Duchamp post-mortem by Hans Richter; Donald Judd's investigation of Rrose Sélavy; a "Counter-Avant-Garde" by Clement Greenberg; a consideration by Guillaume Apollinaire; and John Cage's "26 Statements on Marcel Duchamp." Illustrated with photographs of Duchamp's seminal pieces, and updated with a substantial preface that offers new scholarship as well as a fascinating consideration of why Duchamp's popularity has exponentially increased since this book first appeared, this is an essential volume for the Duchamp devotee. -- From product description.



Kant After Duchamp


Kant After Duchamp
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Author : Thierry De Duve
language : en
Publisher: Mit Press
Release Date : 1998

Kant After Duchamp written by Thierry De Duve and has been published by Mit Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art categories.


Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.Part I of the book revolves around Duchamp's famous/infamous Fountain. Part II explores his passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Third Critique. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition.The essays : Art Was a Proper Name. Given the Richard Mutt Case. The Readymade and the Tube of Paint. The Monochrome and the Blank Canvas. Kant after Duchamp. Do Whatever. Archaeology of Pure Modernism. Archaeology of Practical Modernism.



Aka Marcel Duchamp


Aka Marcel Duchamp
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Author : Anne Collins Goodyear
language : en
Publisher: Smithsonian Institution
Release Date : 2014-12-30

Aka Marcel Duchamp written by Anne Collins Goodyear and has been published by Smithsonian Institution this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-30 with Art categories.


aka Marcel Duchamp is an anthology of recent essays by leading scholars on Marcel Duchamp, arguably the most influential artist of the twentieth century. With scholarship addressing the full range of Duchamp's career, these papers examine how Duchamp's influence grew and impressed itself upon his contemporaries and subsequent generations of artists. Duchamp provides an illuminating model of the dynamics of play in construction of artistic identity and legacy, which includes both personal volition and contributions made by fellow artists, critics, and historians. This volume is not only important for its contributions to Duchamp studies and the light it sheds on the larger impact of Duchamp's art and career on modern and contemporary art, but also for what it reveals about how the history of art itself is shaped over time by shifting agendas, evolving methodologies, and new discoveries.



Marcel Duchamp And The Art Of Life


Marcel Duchamp And The Art Of Life
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Author : Jacquelynn Baas
language : en
Publisher: MIT Press
Release Date : 2019-11-19

Marcel Duchamp And The Art Of Life written by Jacquelynn Baas and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-19 with Art categories.


A groundbreaking reading of Duchamp's work as informed by Asian “esoterism, ” energetic spiritual practices identifying creative energy with the erotic impulse. Considered by many to be the most important artist of the twentieth century, the object of intensive critical scrutiny and extensive theorizing, Marcel Duchamp remains an enigma. He may be the most intellectual artist of all time; and yet, toward the end of his life, he said, “If you wish, my art would be that of living: each second, each breath is a work which is inscribed nowhere, which is neither visual or cerebral.” In Marcel Duchamp and the Art of Life, Jacquelynn Baas offers a groundbreaking new reading of Duchamp, arguing in particular that his work may have been informed by Asian “esoterism, ” energetic spiritual practices that identify creative energy with the erotic impulse. Duchamp drew on a wide range of sources for his art, from science and mathematics to alchemy. Largely overlooked, until now, have been Asian spiritual practices, including Indo-Tibetan tantra. Baas presents evidence that Duchamp's version of artistic realization was grounded in a western interpretation of Asian mind training and body energetics designed to transform erotic energy into mental and spiritual liberation. She offers close readings of many Duchamp works, beginning and ending with his final work, the mysterious, shockingly explicit Étant donnés: 1° la chute d'eau 2° le gaz d'éclairage, (Given: 1. The Waterfall, 2. The Illuminating Gas). Generously illustrated, with many images in color, Marcel Duchamp and the Art of Life speculates that Duchamp viewed art making as part of an esoteric continuum grounded in Eros. It asks us to unlearn what we think we know, about both art and life, in order to be open to experience.



Marcel Duchamp S Fountain


Marcel Duchamp S Fountain
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Author : Robert Kilroy
language : en
Publisher: Springer
Release Date : 2017-12-04

Marcel Duchamp S Fountain written by Robert Kilroy and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-04 with Art categories.


This book marks the centenary of Marcel Duchamp’s Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work’s significance. The author brings together Duchamp’s own statements to argue Fountain’s verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.