Xi Ru Ren Sheng
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Xi Ru Ren Sheng
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Author : Charles Wang
language : en
Publisher:
Release Date : 2019-12-10
Xi Ru Ren Sheng written by Charles Wang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-10 with categories.
T
Ren Sheng Ru Xi
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Author : 新风霞
language : en
Publisher:
Release Date : 2011
Ren Sheng Ru Xi written by 新风霞 and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Actresses categories.
Xi Yu Ren Sheng
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Author : Ge Peng
language : zh-CN
Publisher:
Release Date : 1984
Xi Yu Ren Sheng written by Ge Peng and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.
Ren Sheng Shi Hsun
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Author :
language : zh-CN
Publisher:
Release Date : 1979
Ren Sheng Shi Hsun written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with categories.
Ren Sheng Shi Jin Shi
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Author : Dingjun Wang
language : zh-CN
Publisher:
Release Date : 1976
Ren Sheng Shi Jin Shi written by Dingjun Wang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with Conduct of life categories.
Xin Ren Sheng Guan De Qi Shi
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Author : Jianyi Zhucun
language : zh-CN
Publisher:
Release Date : 1982
Xin Ren Sheng Guan De Qi Shi written by Jianyi Zhucun and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with categories.
Writing Taiwan
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Author : Dewei Wang
language : en
Publisher: Duke University Press
Release Date : 2007-01-24
Writing Taiwan written by Dewei Wang and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-24 with Literary Criticism categories.
This collection is the first volume in English to examine the entire span of modern Taiwanese literature, from the first decades of the twentieth century to the present.
The Spatiality Of Emotion In Early Modern China
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Author : Ling Hon Lam
language : en
Publisher: Columbia University Press
Release Date : 2018-05-15
The Spatiality Of Emotion In Early Modern China written by Ling Hon Lam and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-15 with Literary Criticism categories.
Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing). Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatricality turned the dreamer into a spectator who is no longer falling through endless oneiric layers but pausing in front of the dream. Through the lens of this genealogy of emotion-realms, Lam remaps the Chinese histories of morals, theater, and knowledge production, which converge at the emergence of sympathy, redefined as the dissonance among the dimensions of the emotion-realm pertaining to theatricality.The book challenges the conventional reading of Chinese literature as premised on interior subjectivity, examines historical changes in the spatial logic of performance through media and theater archaeologies, and ultimately uncovers the different trajectories that brought China and the West to the convergence point of theatricality marked by self-deception and mutual misreading. A major rethinking of key terms in Chinese culture from a comparative perspective, The Spatiality of Emotion in Early Modern China develops a new critical vocabulary to conceptualize history and existence.
An Annotated Bibliography For Taiwan Film Studies
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Author : Jim Cheng
language : en
Publisher: Columbia University Press
Release Date : 2016-04-19
An Annotated Bibliography For Taiwan Film Studies written by Jim Cheng and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-19 with Performing Arts categories.
Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.
The Authorship Of Place
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Author : Dennis Lo
language : en
Publisher: Hong Kong University Press
Release Date : 2020-09-14
The Authorship Of Place written by Dennis Lo and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-14 with Performing Arts categories.
The Authorship of Place is the first monograph dedicated to the study of the politics, history, aesthetics, and practices of location shooting for Taiwanese, Mainland Chinese, and coproduced art cinemas shot in rural communities since the late 1970s. Dennis Lo argues that rural location shooting, beyond serving aesthetic and technical needs, constitutes practices of cultural survival in a region beset with disruptive and disorienting social changes, including rapid urbanization, geopolitical shifts, and ecological crises. In response to these social changes, auteurs like Hou Xiaoxian, Jia Zhangke, Chen Kaige, and Li Xing engaged in location shooting to transform sites of film production into symbolically meaningful places of collective memories and aspirations. These production practices ultimately enabled auteurs to experiment with imagining Taiwanese, Mainland Chinese, and cross-strait communities in novel and contentious ways. Deftly guiding readers on a cross-strait tour of prominent shooting locations for the New Chinese Cinemas, this book shows how auteurs sought out their disappearing cultural heritage by reenacting lived experiences of nation building, homecoming, and cultural salvage while shooting on-location. This was an especially daunting task when auteurs encountered the shooting locations as spaces of unresolved historical, social, and geopolitical contestations, tensions which were only intensified by the impact of filmmaking on rural communities. This book demonstrates how these complex circumstances surrounding location shooting were pivotal in shaping both representations of the rural on-screen, as well as the production communities, institutions, and industries off-screen. Informed by cutting-edge perspectives in cultural geography and media anthropology, The Authorship of Place both revises Chinese-language film history and theorizes groundbreaking approaches for investigating the cultural politics of film authorship and production. “This extraordinary book discusses the uses of location shooting in films by contemporary Taiwanese and Mainland Chinese directors ranging from Li Xing to Jia Zhangke. It highlights the ways in which place, memory, and identity stances respond to social changes and geopolitical disparities. In a world full of uncertainty, the argument about the imaginary homeland as an experienced cinematic reality only renders it more urgent and universally relatable.” —Ping-hui Liao, University of California, San Diego “The Authorship of Place is certainly a welcome intervention into the study of Chinese cinemas and their auteurs that further contributes to the wider study of location shooting as well as cultural geographies and place-based imaginaries of film. It is rare to find a book dealing with space/place in and around cinema that is this inventive and nuanced in its methodologies.” —Stephanie DeBoer, Indiana University