Xu Qinwen Xiaoshuo Ji

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Xu Qinwen Xiaoshuo Ji

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Author : Qinwen Xu
language : zh-CN
Publisher:
Release Date : 1984

Xu Qinwen Xiaoshuo Ji written by Qinwen Xu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.

Xu Qin Wen Xiao Shuo Ji

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Author : Jin Wen Xu
language : zh-CN
Publisher:
Release Date : 1984

Xu Qin Wen Xiao Shuo Ji written by Jin Wen Xu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.

Xu Hu Qin Yin Wen Xiao Shuo Shui Yue Tuo Xuan Suan Ji

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Author : Qinwen Xu
language : zh-CN
Publisher:
Release Date : 1958

Xu Hu Qin Yin Wen Xiao Shuo Shui Yue Tuo Xuan Suan Ji written by Qinwen Xu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1958 with categories.

Xu Qin Wen Xiao Shuo Xuan Ji

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Author : Qing wen Xu
language : zh-CN
Publisher:
Release Date : 1956

Xu Qin Wen Xiao Shuo Xuan Ji written by Qing wen Xu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1956 with categories.

Revolution Of The Heart

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Author : Haiyan Lee
language : en
Publisher: Stanford University Press
Release Date : 2006-12-07

Revolution Of The Heart written by Haiyan Lee and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-12-07 with Literary Criticism categories.

This book is an engagingly written critical genealogy of the idea of "love" in modern Chinese literature, thought, and popular culture. It examines a wide range of texts, including literary, historical, philosophical, anthropological, and popular cultural genres from the late imperial period to the beginning of the socialist era. It traces the process by which love became an all-pervasive subject of representation and discourse, as well as a common language in which modern notions of self, gender, family, sexuality, and nation were imagined and contested. Winner of the Association for Asian Studies 2009 Joseph Levenson Book Prize for the best English-language academic book on post-1900 China

The Lost Geopoetic Horizon Of Li Jieren

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Author : Kenny Kwok-kwan Ng
language : en
Publisher: BRILL
Release Date : 2015-03-10

The Lost Geopoetic Horizon Of Li Jieren written by Kenny Kwok-kwan Ng and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-03-10 with Literary Criticism categories.

Engaged with the paradigms of cultural geography, local history, spatial politics, and everyday life, The Lost Geopoetic Horizon of Li Jieren unveils a Sichuan writer’s lifelong quest: an independent historical fiction writing project on Chengdu from the turn of the century through China’s 1911 Revolution. Kenny Kwok-kwan Ng's study illuminates the crisis of writing home in a globalized age by rescuing Li Jieren’s repeatedly revised but never finished river-novel series written from Republican to Communist China, struggling to liberate local memory from the national cum revolutionary currents. The book undercuts official historiography and rewrites Chinese literary history from the ground up by highlighting Li’s resilient geopoetics of writing that decenters the nation by adopting the place-based view of a distant province.

Xu Qinwen Xiaoshuo Xuanji

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Author : Qinwen Xu
language : zh-CN
Publisher:
Release Date : 1980

Xu Qinwen Xiaoshuo Xuanji written by Qinwen Xu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with categories.

Literary Remains

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Author : Eileen J. Cheng
language : en
Publisher: University of Hawaii Press
Release Date : 2013-04-30

Literary Remains written by Eileen J. Cheng and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-30 with Literary Criticism categories.

Lu Xun (1881–1936), arguably twentieth-century China’s greatest writer, is commonly cast in the mold of a radical iconoclast who vehemently rejected traditional culture. The contradictions and ambivalence so central to his writings, however, are often overlooked. Challenging conventional depictions, Eileen J. Cheng’s innovative readings capture Lu Xun’s disenchantment with modernity and his transformative engagements with traditional literary conventions in his “modern” experimental works. Lurking behind the ambiguity at the heart of his writings are larger questions on the effects of cultural exchange, accommodation, and transformation that Lu Xun grappled with as a writer: How can a culture estranged from its vanishing traditions come to terms with its past? How can a culture, severed from its roots and alienated from the foreign conventions it appropriates, conceptualize its own present and future? Literary Remains shows how Lu Xun’s own literary encounter with the modern involved a sustained engagement with the past. His creative writings—which imitate, adapt, and parody traditional literary conventions—represent and mirror the trauma of cultural disintegration, in content and in form. His contradictory, uncertain, and at times bizarrely incoherent narratives refuse to conform to conventional modes of meaning making or teleological notions of history, opening up imaginative possibilities for comprehending the past and present without necessarily reifying them. Behind Lu Xun’s “refusal to mourn,” that is, his insistence on keeping the past and the dead alive in writing, lies an ethical claim: to recover the redemptive meaning of loss. Like a solitary wanderer keeping vigil at the site of destruction, he sifts through the debris, composing epitaphs to mark both the presence and absence of that which has gone before and will soon come to pass. For in the rubble of what remains, he recovered precious gems of illumination through which to assess, critique, and transform the moment of the present. Literary Remains shows how Lu Xun’s literary enterprise is driven by a “radical hope”—that, in spite of the destruction he witnessed and the limits of representation, his writings, like the texts that inspired his own, might somehow capture glimmers of the past and the present, and illuminate a future yet to unfold. Literary Remains will appeal to a wide audience of students and scholars interested in Lu Xun, modern China, cultural studies, and world literature.

Mythic And Folk Elements In Modern Chinese Literature

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Author : Ningyi Li
language : en
Publisher:
Release Date : 2008

Mythic And Folk Elements In Modern Chinese Literature written by Ningyi Li and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Literary Criticism categories.

A revisionist analysis employing an anthropological method to interpret folklore in the works of understudied modem Chinese writers.

Chinese Fiction Of The Nineteenth And Early Twentieth Centuries

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Author : Patrick Hanan
language : en
Publisher: Columbia University Press
Release Date : 2004

Chinese Fiction Of The Nineteenth And Early Twentieth Centuries written by Patrick Hanan and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Education categories.

It has often been said that the nineteenth century was a relatively stagnant period for Chinese fiction, but preeminent scholar Patrick Hanan shows that the opposite is true: the finest novels of the nineteenth century show a constant experimentation and evolution. In this collection of detailed and insightful essays, Hanan examines Chinese fiction before and during the period in which Chinese writers first came into contact with western fiction. Hanan explores the uses made of fiction by westerners in China; the adaptation and integration of western methods in Chinese fiction; and the continued vitality of the Chinese fictional tradition. Some western missionaries, for example, wrote religious novels in Chinese, almost always with the aid of native assistants who tended to change aspects of the work to "fit" Chinese taste. Later, such works as Washington Irving's "Rip Van Winkle," Jonathan Swift's "A Voyage to Lilliput," the novels of Jules Verne, and French detective stories were translated into Chinese. These interventions and their effects are explored here for virtually the first time.