Zhong Guo Xin Wen Xue Da Xi Dao Lun
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Zhong Guo Xin Wen Xue Da Xi Dao Lun
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Author : Xun Lu
language : zh-CN
Publisher:
Release Date : 1977
Zhong Guo Xin Wen Xue Da Xi Dao Lun written by Xun Lu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with categories.
Zhong Guo Xin Wen Xue Da Xi Dao Lun Xuan Ji
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Author :
language : zh-CN
Publisher:
Release Date : 1966
Zhong Guo Xin Wen Xue Da Xi Dao Lun Xuan Ji written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1966 with Chinese literature categories.
Zhongguo Xin Wen Xue Da Xi Dao Lun Ji
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Author : Yuanpei Cai
language : zh-CN
Publisher:
Release Date : 1940
Zhongguo Xin Wen Xue Da Xi Dao Lun Ji written by Yuanpei Cai and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1940 with Chinese literature categories.
Zhongguo Xin Wen Xue Da Xi Dao Lun Ji
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Author :
language : zh-CN
Publisher:
Release Date : 1982
Zhongguo Xin Wen Xue Da Xi Dao Lun Ji written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with categories.
Zhongguo Xin Wenxue Daxi Daolun Xuanji
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Author : Zhenduo Zheng
language : zh-CN
Publisher:
Release Date : 1966
Zhongguo Xin Wenxue Daxi Daolun Xuanji written by Zhenduo Zheng and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1966 with categories.
Chinese Shakespeares
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Author : Alexander Cheng-Yuan Huang
language : en
Publisher: Columbia University Press
Release Date : 2009
Chinese Shakespeares written by Alexander Cheng-Yuan Huang and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with History categories.
This work concentrates on both Shakespearean performance and Shakespeare's appearance in Sinophone culture in relation to the postcolonial question.
Translingual Practice
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Author : Lydia He Liu
language : en
Publisher: Stanford University Press
Release Date : 1995
Translingual Practice written by Lydia He Liu and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Literary Criticism categories.
After the first chapter, which deals with the theoretical issues, ensuing chapters treat particular instances of translingual practice such as national character, individualism, stylistic innovations, first-person narration, and canon formation
Rewriting Chinese
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Author : Edward Gunn
language : en
Publisher: Stanford University Press
Release Date : 1991-07-01
Rewriting Chinese written by Edward Gunn and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991-07-01 with Literary Criticism categories.
Everyone who has studied the upheavals of modern China knows that one of them has taken place in Chinese writing. Anyone who has read Chinese texts has also eventually pondered the possible significance of this upheaval for understanding the text, and vice versa. By analyzing formal features and speculating about their relevance to the construction of a modern Chinese culture, this book intends to show why the Chinese have come to write the way they do in this century. Drawing on linguistic and rhetorical descriptions of language in writing as features of style, the author reviews the innovations that have been introduced into modern Chinese prose from both Chinese and foreign sources. The social history of these features, the attempts by various writers to assert cultural, political, and aesthetic principles through them and the resulting tensions and conventions that arise all form the critical framework for a study of Chinese prose literature and its most innovative authors in this century. The study is introduced and informed throughout by a succinct review o scholarly research from a wide range of disciplines relevant to the question of style as an object of study in contemporary criticism. The book begins its approach to style with an Introduction that draws on Gestalt theory, information theory, and linguistics to develop a nuanced concept of what "style" is, one that gives adequate weight to the complex interplay of psychological, formal, and historical features at work. Two chapters then examine various aspects of convention, necessarily a historical phenomenon. The fourth chapter, by contrast, discusses the aesthetic prescriptions by which modern Chinese writers sought consciously to introduce innovation and points out the limitations of a prescriptive approach. The final two chapters study the strategies of specific writers. Almost half the book is an Appendix that consists of a rich catalog of rhetorical and stylistic examples, drawn from a wide range of twentieth-century Chinese literary writing. These hundreds of examples, identified by the nomenclature of grammar, rhetoric, and sentence cohesion, constitute a veritable handbook of modern Chinese prose. The book also contains a Glossary of terms draw from rhetoric and linguistics.
The Mother And Narrative Politics In Modern China
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Author : Sally Taylor Lieberman
language : en
Publisher: University of Virginia Press
Release Date : 1998
The Mother And Narrative Politics In Modern China written by Sally Taylor Lieberman and has been published by University of Virginia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Literary Criticism categories.
A modernist icon, an object of forbidden desire, a symbol of loss and suffering, and an incorrigible survivor - the mother takes all of these forms in Chinese literature from the 1920s and 1930s. In an innovative analysis, Sally Taylor Lieberman explores the meanings the maternal figure acquired at a particular place and time and then engages those meanings in a feminist rereading of the master narratives of modern Chinese intellectual and literary history. Drawing on feminist literary criticism and the theories of Julia Kristeva, Melanie Klein, and Sigmund Freud, Lieberman breaks traditional analytical boundaries as she explores the place of the mother in the ideological struggles through which the modern Chinese canon attained its present shape.
Imagining Sisterhood In Modern Chinese Texts 1890 1937
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Author : Yun Zhu
language : en
Publisher: Rowman & Littlefield
Release Date : 2017-03-16
Imagining Sisterhood In Modern Chinese Texts 1890 1937 written by Yun Zhu and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-16 with Literary Criticism categories.
This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent “sisters.” Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around “sisterhood.”