Zhongguo Jindai Wenxue Lunwenji 1949 1979
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Zhongguo Jindai Wenxue Lunwenji
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Author :
language : en
Publisher:
Release Date : 1982
Zhongguo Jindai Wenxue Lunwenji written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with categories.
Zhongguo Jindai Wenxue Lunwen Ji
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Author : Zhongguo shehui kexueyuan wenxue yanjiusuo jindai wenxue yanjiuzu
language : zh-CN
Publisher:
Release Date : 1981
Zhongguo Jindai Wenxue Lunwen Ji written by Zhongguo shehui kexueyuan wenxue yanjiusuo jindai wenxue yanjiuzu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Chinese literature categories.
Zhongguo Jindai Wenxue Lunwenji 1949 1979
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Author : Zhongguo shehui kexueyuan wensue yanjiuso
language : zh-CN
Publisher:
Release Date : 1982
Zhongguo Jindai Wenxue Lunwenji 1949 1979 written by Zhongguo shehui kexueyuan wensue yanjiuso and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Chinese drama categories.
Chinese Ibsenism
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Author : Kwok-kan Tam
language : en
Publisher: Springer Nature
Release Date : 2019-09-10
Chinese Ibsenism written by Kwok-kan Tam and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-10 with Performing Arts categories.
This book is a study of the relation between theatre art and ideology in the Chinese experimentations with new selfhood as a result of Ibsen’s impact. It also explores Ibsenian notions of self, women and gender in China and provides an illuminating study of Chinese theatre as a public sphere in the dissemination of radical ideas. Ibsen is the major source of modern Chinese selfhood which carries notions of personal and social liberation and has exerted great impacts on Chinese revolutions since the beginning of the twentieth century. Ibsen’s idea of the self as an individual has led to various experimentations in theatre, film and fiction to project new notions of selfhood, in particular women’s selfhood, throughout the history of modern China. Even today, China is experimenting with Ibsen’s notions of gender, power, individualism and self. Kwok-kan Tam is Chair Professor of English and Dean of Humanities and Social Science at the Hang Seng University of Hong Kong. He was Head (2012-18) and is currently a member of the International Ibsen Committee, University of Oslo. He is a Foundation Fellow of the Hong Kong Academy of the Humanities. He has held teaching, research and administrative positions in various institutions, including the East-West Center, the Chinese University of Hong Kong and the Open University of Hong Kong. He has published numerous books and articles on Ibsen, Gao Xingjian, modern drama, Chinese film, postcolonial literature, and world Englishes. His recent books include Ibsen, Power and the Self: Postsocialist Experimentations in Stage Performance and Film (2019), The Englishized Subject: Postcolonial Writings in Hong Kong, Singapore and Malaysia (2019), and a co-edited volume Fate and Prognostication in the Chinese Literary Imagination (2019).
Modernization Of Asian Theatres
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Author : Yasushi Nagata
language : en
Publisher: Springer
Release Date : 2019-05-13
Modernization Of Asian Theatres written by Yasushi Nagata and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-13 with Performing Arts categories.
This volume focuses on the theatre history of Asian countries, and discusses the specific context of theatre modernization in Asia. While Asian theatre is one of the primary interests within theatre scholarship in the world today, knowledge of Asian theatre history is very limited and often surprisingly incorrect. Therefore, this volume addresses a major gap in contemporary theatre studies. The volume discusses the conflict between tradition and modernity in theatre, suggesting that the problems of modernity are closely related to the idea of tradition. Although Asian countries preserved the traditional form and values of their respective theatres, they had to also confront the newly introduced values or mechanisms of European modernity. Several papers in this volume therefore provide critical surveys of the history of theatre modernization in Asian countries or regions—Japan, Korea, Taiwan, Hong Kong, India Malaysia, Singapore, and Uyghur. Other papers focus on specific case studies of the history of modernization, discussing contemporary Taiwanese performances, translations of modern French comedy into Chinese, the modernization of Chinese Xiqu, modern Okinawan plays, Malaysian traditional performances, Korean national theatre, and Japanese plays during World War II. Renowned academics and theatre critics have contributed to this volume, making it a valuable resource for researchers and students of theatre studies, literature, and cultural studies.
Inscribing Jingju Peking Opera
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Author : David Rolston
language : en
Publisher: BRILL
Release Date : 2021-08-09
Inscribing Jingju Peking Opera written by David Rolston and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-08-09 with History categories.
What was the most influential mass medium in China before the internet reaching both literate and illiterate audiences? The answer may surprise you...it’s Jingju (Peking opera). This book traces the tradition’s increasing textualization and the changes in authorship, copyright, performance rights, and textual fixation that accompanied those changes.
Ibsen In China 1908 1997
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Author : Kwok-kan Tam
language : en
Publisher: Chinese University of Hong Kong Press
Release Date : 2001
Ibsen In China 1908 1997 written by Kwok-kan Tam and has been published by Chinese University of Hong Kong Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Education categories.
Ibsen has been considered by many literary historians as the most important source, besides Goethe, of Western influence in modern Chinese literary thinking. While Goethe is recognized for his impact on the romantic trend in modern Chinese literature, particularly in the 1930s, Ibsen remains to be influential in both the modern Chinese theatre and the Chinese women's movement throughout the twentieth century. Most of Ibsen's major plays have been translated and staged in China, and scholars in the field of modern Chinese intellectual history fully acknowledge the contribution Ibsen made to the May 4th Movement that marked the beginning of modern Chinese culture. Apart from its value as a reference tool for the study of modern Chinese theatre and women's movement, this critical-annotated bibliography serves, more importantly, to chart an aspect of the path along which modern Chinese culture has developed.
Translated Images Of The Foreign In The Early Works Of Lin Shu 1852 1924 And Pearl S Buck 1892 1973
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Author : Margaret John Baker
language : en
Publisher:
Release Date : 1997
Translated Images Of The Foreign In The Early Works Of Lin Shu 1852 1924 And Pearl S Buck 1892 1973 written by Margaret John Baker and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with categories.
Papers On Far Eastern History
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Author :
language : en
Publisher:
Release Date : 1984
Papers On Far Eastern History written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Asia categories.
Intellectuals In Revolutionary China 1921 1949
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Author : Hung-yok Ip
language : en
Publisher: Routledge
Release Date : 2004-11-23
Intellectuals In Revolutionary China 1921 1949 written by Hung-yok Ip and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-11-23 with History categories.
This book originally examines how prominent communist intellectuals in China during the revolutionary period (1921 to 1940) constructed and presented identities for themselves and how they narrated their place in the revolution.