Narrative Comprehension And Film


Narrative Comprehension And Film
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Narrative Comprehension And Film


Narrative Comprehension And Film
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Author : Edward Branigan
language : en
Publisher: Routledge
Release Date : 2013-06-17

Narrative Comprehension And Film written by Edward Branigan and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-06-17 with Social Science categories.


Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others. Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.



An Analysis Of The Complex Plot Of Total Recall


An Analysis Of The Complex Plot Of Total Recall
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Author : Dirk Schmelz
language : en
Publisher: GRIN Verlag
Release Date : 2011-03-21

An Analysis Of The Complex Plot Of Total Recall written by Dirk Schmelz and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-03-21 with categories.


Seminar paper from the year 1994 in the subject Film Science, grade: B/A, University of Amsterdam, language: English, abstract: As the film Total Recall was released in 1990 critics were confused. In their attempts to give a summary they all created different stories. Some even figured out some failures in the plot and for some the story line was an enigma.1 Though there was a lot of misunderstanding about this film there was also a consens on the kind of genre the film belonged to. Fred Glass gave in his article 'Totally recalling Arnold' the film 'Total Recall' the label NBF "New Bad Future", which has to be understood as a subgenre of the fertile SF (Science Fiction) of the 1980's. NBF is defined as following: "NBF films tell stories about a future in the grip of feverish social decay. While some posit a post nuclear barbarism (as in the Mad Max trilogy, ...), most envision the world that will emerge without such an apocalyptic break with history. The NBF scenario typically embraces urban expansion on a monstrous scale, where real estate capital has realised its fondest dreams of cancerous growth. (...). The heroes, ..., go up against the corruption and power of the ruling corporations, which exercise a media-based velvet glove/iron fist social control."2 Exactly these characteristics can be found in 'Total Recall'. In consequence it could be read as a film that is following these patterns which are founded in the 1980's Science Fiction. In this respect one could argue that 'Total Recall' is a quite traditional movie. But 'Total Recall' offers something new through using cyberspace. This world that is defined as virtual reality mixes all the patterns and norms of traditional SF and makes this film very special in its appearance. As Paul Verhoeven says about his film: "For the audience every moment in the movie seems to be real. But when you get to the next scene, you can doubt the scene before, yeah? I'm exaggerating, because it would be really terrible to do that



Projecting A Camera Language Games In Film Theory


Projecting A Camera Language Games In Film Theory
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Author : Edward Branigan
language : en
Publisher: Routledge
Release Date : 2013-08-21

Projecting A Camera Language Games In Film Theory written by Edward Branigan and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-08-21 with Performing Arts categories.


In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in film. With its thorough grounding in the philosophy of spectatorship and narrative, Projecting a Camera takes the study of film to a new level. With the care and precision that he brought to Narrative Comprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.



Narrative Theory And Adaptation


Narrative Theory And Adaptation
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Author : Jason Mittell
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2017-04-20

Narrative Theory And Adaptation written by Jason Mittell and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-20 with Performing Arts categories.


Narrative Theory and Adaptation offers a concise introduction to narrative theory in jargon-free language and shows how this theory can be deployed to interpret Spike Jonze's critically acclaimed 2002 film Adaptation. Understanding narrative theory is crucial to make sense of the award-winning film Adaptation. The book explicates, in clear prose for beginners, four key facets important to the narrative theory of film: the distinction between practical vs. critical theory, the role of adaptation, the process of narrative comprehension, and notions of authorship. It then works to unlock Adaptation using these four keys in succession, considering how the film demands a theoretical understanding of the storytelling process. In using this unusual case study of a film, the author makes the case for the importance of narrative theory as a general perspective for filmmakers, critics, and viewers alike.



Narrative Comprehension


Narrative Comprehension
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Author : Catherine Emmott
language : en
Publisher:
Release Date : 1997

Narrative Comprehension written by Catherine Emmott and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Comprehension categories.




Narration In The Fiction Film


Narration In The Fiction Film
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Author : David Bordwell
language : en
Publisher: Routledge
Release Date : 2013-09-27

Narration In The Fiction Film written by David Bordwell and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-27 with Performing Arts categories.


In this study, David Bordwell offers a comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives.



Narrative Complexity In Christopher Nolan S Memento Narrative Structure Unreliability Fabula Construction And Cinematography As Key Elements For The Spectator S Manipulation


Narrative Complexity In Christopher Nolan S Memento Narrative Structure Unreliability Fabula Construction And Cinematography As Key Elements For The Spectator S Manipulation
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Author : Claudia Rumms
language : en
Publisher: GRIN Verlag
Release Date : 2015-10-16

Narrative Complexity In Christopher Nolan S Memento Narrative Structure Unreliability Fabula Construction And Cinematography As Key Elements For The Spectator S Manipulation written by Claudia Rumms and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-16 with Performing Arts categories.


Seminar paper from the year 2015 in the subject Film Science, grade: 1,3, University of Münster, language: English, abstract: In my term paper, I will examine the narrative structure in “Memento“ which switches between chronological narration and reversed temporality. With respect to this unique narrative structure, I will take a closer look at the black-and-white and colour sequences, the opening sequence and the outstanding and resolvent scene 22/A, especially regarding the cinematography used. In the further course of my work, you will learn of the essential role of the unreliable narrator regarding my thesis and finally what impact the fabula construction in “Memento” has on his viewers. „Causes and their effects are basic to narrative, but they take place in time“. This quotation from Bordwell’s and Thompson’s work Film Art, an Introduction does not only show a fundamental principle of narration but furthermore depicts a possibility to manipulate the spectator’s understanding of a story. Christopher Nolan’s “Memento” is one example of what a complex narration can be. The film shows two separate stories of Leonard, an ex-insurance investigator who suffers anterograde amnesia and attempts to find the murderer of his wife, which is the last thing he can remember. On the one hand there is a forward moving storyline, the black-and-white scenes while the other one, the colour sequences, tells the story backwards. Although the story behind the film is rather simple, the narrative structure is extremely complex and clever, which demands constant attention from its spectators. This term paper will deal with the methods used in “Memento” which mislead the audience’s understanding of the story. My thesis is therefore: Narrative complexity in Christopher Nolan’s “Memento” – Narrative structure, Narrator’s unreliability, fabula construction and cinematography as key elements for the spectator’s manipulation. Apart from the film “Memento”, the central literature I will work with is the essay by Stefano Ghislotti “Narrative Comprehension Made Difficult: Film, Form and Mnemonic Devices in ‘Memento’”, the documentary “Anatomy of a Scene” about the making of “Memento”, a text by Andy Klein named "Everything You Wanted to Know about ‘Memento’” and different filmic narrativity by Jakob Lothe, David Herman and Edward Branigan. In addition to that, there is a self-generated sequence analysis attached to the term paper in order to have an overall view of the scenes I take a closer look at.



Introduction To Screen Narrative


Introduction To Screen Narrative
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Author : Paul Taberham
language : en
Publisher: Taylor & Francis
Release Date : 2023-08-29

Introduction To Screen Narrative written by Paul Taberham and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-08-29 with Performing Arts categories.


Bringing together the expertise of world-leading screenwriters and scholars, this book offers a comprehensive overview of how screen narratives work. Exploring a variety of mediums including feature films, television, animation, and video games, the volume provides a contextual overview of the form and applies this to the practice of screenwriting. Featuring over 20 contributions, the volume surveys the art of screen narrative, and allows students and screenwriters to draw on crucial insights to further improve their screenwriting craft. Editors Paul Taberham and Catalina Iricinschi have curated a volume that spans a range of disciplines including screenwriting, film theory, philosophy and psychology with experience and expertise in storytelling, modern blockbusters, puzzle films and art cinema. Screenwriters interviewed include: Josh Weinstein (The Simpsons, Gravity Falls), David Greenberg (Stomping Ground, Used to Love Her), Evan Skolnick and Ioana Uricaru. Ideal for students of Screenwriting and Screen Narrative as well as aspiring screenwriters wanting to provide theoretical context to their craft.



Critical Dictionary Of Film And Television Theory


Critical Dictionary Of Film And Television Theory
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Author : Roberta Pearson
language : en
Publisher: Routledge
Release Date : 2005-12-08

Critical Dictionary Of Film And Television Theory written by Roberta Pearson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-12-08 with Performing Arts categories.


The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms. This dictionary provides readers with the conceptual apparatus to understand the often daunting language and terminology of screen studies. Entries include: *audience * Homi K. Bhabha * black cinema * the body * children and media * commodification * cop shows * deep focus * Umberto Eco * the gaze * Donna Haraway * bell hooks * infotainment * master narrative * medical dramas * morpheme * myth * panopticon * pastiche * pleasure * real time * social realism * sponsorship * sport on television * subliminal * third cinema * virtual reality Consultant Editors: David Black, USA, William Urricchio, University of Utrecht, The Netherlands, Gill Branston, Cardiff University, UK ,Elayne Rapping, USA



Religious Representation In Place


Religious Representation In Place
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Author : M. George
language : en
Publisher: Springer
Release Date : 2014-10-16

Religious Representation In Place written by M. George and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-16 with Religion categories.


Religious Representation in Place brings together an interdisciplinary group of scholars from the Humanities and Sciences to broaden the understanding of how religious symbols and spatial studies interact. The essays consider the relevance of religion in the experience of space, a fundamental dimension of culture and human life.