[PDF] Narrative Complexity In Christopher Nolan S Memento Narrative Structure Unreliability Fabula Construction And Cinematography As Key Elements For The Spectator S Manipulation - eBooks Review

Narrative Complexity In Christopher Nolan S Memento Narrative Structure Unreliability Fabula Construction And Cinematography As Key Elements For The Spectator S Manipulation


Narrative Complexity In Christopher Nolan S Memento Narrative Structure Unreliability Fabula Construction And Cinematography As Key Elements For The Spectator S Manipulation
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Narrative Complexity In Christopher Nolan S Memento Narrative Structure Unreliability Fabula Construction And Cinematography As Key Elements For The Spectator S Manipulation


Narrative Complexity In Christopher Nolan S Memento Narrative Structure Unreliability Fabula Construction And Cinematography As Key Elements For The Spectator S Manipulation
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Author : Claudia Rumms
language : en
Publisher: GRIN Verlag
Release Date : 2015-10-16

Narrative Complexity In Christopher Nolan S Memento Narrative Structure Unreliability Fabula Construction And Cinematography As Key Elements For The Spectator S Manipulation written by Claudia Rumms and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-16 with Performing Arts categories.


Seminar paper from the year 2015 in the subject Film Science, grade: 1,3, University of Münster, language: English, abstract: In my term paper, I will examine the narrative structure in “Memento“ which switches between chronological narration and reversed temporality. With respect to this unique narrative structure, I will take a closer look at the black-and-white and colour sequences, the opening sequence and the outstanding and resolvent scene 22/A, especially regarding the cinematography used. In the further course of my work, you will learn of the essential role of the unreliable narrator regarding my thesis and finally what impact the fabula construction in “Memento” has on his viewers. „Causes and their effects are basic to narrative, but they take place in time“. This quotation from Bordwell’s and Thompson’s work Film Art, an Introduction does not only show a fundamental principle of narration but furthermore depicts a possibility to manipulate the spectator’s understanding of a story. Christopher Nolan’s “Memento” is one example of what a complex narration can be. The film shows two separate stories of Leonard, an ex-insurance investigator who suffers anterograde amnesia and attempts to find the murderer of his wife, which is the last thing he can remember. On the one hand there is a forward moving storyline, the black-and-white scenes while the other one, the colour sequences, tells the story backwards. Although the story behind the film is rather simple, the narrative structure is extremely complex and clever, which demands constant attention from its spectators. This term paper will deal with the methods used in “Memento” which mislead the audience’s understanding of the story. My thesis is therefore: Narrative complexity in Christopher Nolan’s “Memento” – Narrative structure, Narrator’s unreliability, fabula construction and cinematography as key elements for the spectator’s manipulation. Apart from the film “Memento”, the central literature I will work with is the essay by Stefano Ghislotti “Narrative Comprehension Made Difficult: Film, Form and Mnemonic Devices in ‘Memento’”, the documentary “Anatomy of a Scene” about the making of “Memento”, a text by Andy Klein named "Everything You Wanted to Know about ‘Memento’” and different filmic narrativity by Jakob Lothe, David Herman and Edward Branigan. In addition to that, there is a self-generated sequence analysis attached to the term paper in order to have an overall view of the scenes I take a closer look at.



Modular Narratives In Contemporary Cinema


Modular Narratives In Contemporary Cinema
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Author : A. Cameron
language : en
Publisher: Springer
Release Date : 2008-07-11

Modular Narratives In Contemporary Cinema written by A. Cameron and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-07-11 with Performing Arts categories.


Since the early 1990s there has been a trend towards narrative complexity within popular cinema. This book examines a number of contemporary films that play overtly with narrative structure, raising questions of chance and destiny, memory and history, simultaneity and the representation of time.



Christopher Nolan S Memento Analysis Of The Narrative Structure Of A Noirish Revenge Film


Christopher Nolan S Memento Analysis Of The Narrative Structure Of A Noirish Revenge Film
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Author : Torben Schmidt
language : en
Publisher: GRIN Verlag
Release Date : 2003-04-11

Christopher Nolan S Memento Analysis Of The Narrative Structure Of A Noirish Revenge Film written by Torben Schmidt and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-04-11 with Literary Collections categories.


Seminar paper from the year 2003 in the subject English Language and Literature Studies - Other, grade: 1 (A), University of Frankfurt (Main) (Institute for England and American Studies), course: Decadenca and Modernism in Late 20th Century Cinema, language: English, abstract: Christopher Nolan’s low budget film Memento (2000), which is based on the concept of a short story named Memento Mori written by Nolan’s brother Jonathan, was certainly one of the most successful films in the United States in 2000. In most cinemas it was shown for more than 15 weeks in the summer season – the most competitive season of the year. While the success of many modern Hollywood films is a result of “money, hype and more money”, Memento “represents a triumph of writing, directing, and performance” (Klein 2001). This film belongs to the so called neo-noir and revenge-film genre. In this paper these two genres will first of all be described in detail. Afterwards, the plot and the narrative structure of Memento – which is extremely complex, clever and demands intelligence and constant attention from its spectators – will be discussed.



Cinema Of Confinement


Cinema Of Confinement
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Author : Thomas J. Connelly
language : en
Publisher: Northwestern University Press
Release Date : 2019-02-15

Cinema Of Confinement written by Thomas J. Connelly and has been published by Northwestern University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-02-15 with Performing Arts categories.


In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace.



Narrative Justice


Narrative Justice
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Author : Rafe McGregor
language : en
Publisher: Bloomsbury Publishing PLC
Release Date : 2018-09-16

Narrative Justice written by Rafe McGregor and has been published by Bloomsbury Publishing PLC this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-16 with Philosophy categories.


This book introduces narrative justice, a new theory of aesthetic education – the thesis that the cultivation of aesthetic or artistic sensibility can both improve moral character and achieve political justice. The author argues that there is a subcategory of narrative representations that provide moral knowledge regardless of their categorisation as fiction or non-fiction, and which therefore can be employed as a means of moral improvement. McGregor applies this narrative ethics to the criminology of inhumanity, including both crimes against humanity and terrorism. Expanding on the methodology of narrative criminology, he demonstrates that narrative representations can be employed to evaluate responsibility for inhumanity, to understand the psychology of inhumanity, and to undermine inhumanity – and are thus a means to the end of opposing injustice. He concludes that the cultivation of narrative sensibility is an important tool for both moral improvement and political justice.



The Mind Game Film


The Mind Game Film
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Author : Thomas Elsaesser
language : en
Publisher: Routledge
Release Date : 2021-03-28

The Mind Game Film written by Thomas Elsaesser and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-03-28 with History categories.


This book represents the culmination of Thomas Elsaesser’s intense and passionate thinking about the Hollywood mind-game film from the previous two decades. In order to answer what the mind-game film is, why they exist, and how they function, Elsaesser maps the industrial-institutional challenges and constraints facing Hollywood, and the broader philosophic horizon within which American cinema thrives today. He demonstrates how the ‘Persistence of Hollywood’ continues as it has adapted to include new twists and turns, as well as revisions of past concerns, as film moves through the 21st century. Through examples such as Minority Report, Mulholland Drive, Source Code, and Back to the Future, Elsaesser explores how mind-game films challenge us and play games with our perception of reality, creating skepticism and (self-) doubt. He also highlights the mind-game film's tendency to intervene in a complex fashion in the political moment by questioning the dominant power’s intent to program both body and mind alike. Prescient and compelling, The Mind-Game Film will appeal to students, scholars, and enthusiasts of media studies, film studies, philosophy, and politics.



Interpretation And Film Studies


Interpretation And Film Studies
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Author : Phillip Novak
language : en
Publisher: Springer Nature
Release Date : 2020-07-31

Interpretation And Film Studies written by Phillip Novak and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-31 with Performing Arts categories.


This book argues that the sustained interpretation of individual movies has, contrary to conventional wisdom, never been a major preoccupation of film studies—that, indeed, the field is marked by a dearth of effective, engaging, and enlightening critical analyses of single films. The book makes this case by surveying what has been written about four historically important and well-known movies (D. W. Griffith’s Way Down East, Marcel Carné’s Port of Shadows, Mike Nichols’s The Graduate, and Michelangelo Antonioni’s Red Desert), none of which has been the focus of sustained critical attention, and by exhaustively examining the kinds of work published in four influential film journals (Cinema Journal, Screen, Wide Angle, and Movie). The book goes on to argue for the value of the work of interpretation, illustrating this value through extended analyses of Roman Polanski’s Chinatown and Christopher Nolan’s Memento, both of which thematize interpretation. Novak demonstrates the causes and consequences of reading poorly and the importance of reading well.



Puzzle Films


Puzzle Films
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Author : Warren Buckland
language : en
Publisher: John Wiley & Sons
Release Date : 2009-01-12

Puzzle Films written by Warren Buckland and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-01-12 with Performing Arts categories.


Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love. Unites American ‘independent’ cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia



Fictional Minds


Fictional Minds
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Author : Alan Palmer
language : en
Publisher: U of Nebraska Press
Release Date : 2004-01-01

Fictional Minds written by Alan Palmer and has been published by U of Nebraska Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-01-01 with Literary Collections categories.


"Readers create a continuing consciousness out of scattered references to a particular character and read this consciousness as an "embedded narrative" within the whole narrative of the novel. The combination of these embedded narratives forms the plot. This perspective on narrative enables us to explore hitherto neglected aspects of fictional minds such as dispositions, emotions, and action. It also highlights the social public and dialogic mind and the "mind beyond the skin." For example much of our thought is intermental, or joint, group or shared; even our identity is to an extent socially distributed.".



Film Theory


Film Theory
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Author : Thomas Elsaesser
language : en
Publisher: Routledge
Release Date : 2015-03-12

Film Theory written by Thomas Elsaesser and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-03-12 with Performing Arts categories.


What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.