Good Morning Music Calls Directions For Old Time Dancing
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Good Morning Music Calls Directions For Old Time Dancing
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Author : NULL DATA.
language : en
Publisher:
Release Date : 1943
Good Morning Music Calls Directions For Old Time Dancing written by NULL DATA. and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1943 with Square dancing categories.
Good Morning
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Author :
language : en
Publisher:
Release Date : 1943
Good Morning written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1943 with Ballroom dancing categories.
Good Morning
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Author : Benjamin B. Lovett
language : en
Publisher:
Release Date : 1941
Good Morning written by Benjamin B. Lovett and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1941 with categories.
Good Morning
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Author : Benjamin B. Lovett
language : en
Publisher:
Release Date : 1941
Good Morning written by Benjamin B. Lovett and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1941 with Square dancing categories.
Good Morning Music Calls And Directions For Old Time Dancing
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Author : Henry Ford, Jr.
language : en
Publisher: Mackaye Press
Release Date : 2010-08
Good Morning Music Calls And Directions For Old Time Dancing written by Henry Ford, Jr. and has been published by Mackaye Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-08 with Sports & Recreation categories.
This early work is a fascinating read for any dance enthusiast or historian of the art. On the final pages illustrations are presented showing many of the movements. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Good Morning
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Author : Benjamin B. Lovett
language : en
Publisher: Dearborn, Mich. : [s.n.]
Release Date : 1943
Good Morning written by Benjamin B. Lovett and has been published by Dearborn, Mich. : [s.n.] this book supported file pdf, txt, epub, kindle and other format this book has been release on 1943 with Ballroom dancing categories.
Good Morning After A Sleep Of Twenty Five Years
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Author : Dearborn publishing company
language : en
Publisher:
Release Date : 1941
Good Morning After A Sleep Of Twenty Five Years written by Dearborn publishing company and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1941 with Dance categories.
Good Morning After A Sleep Of Twenty Five Years
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Author : Dearborn publishing company
language : en
Publisher:
Release Date : 1943
Good Morning After A Sleep Of Twenty Five Years written by Dearborn publishing company and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1943 with Dance categories.
The Song Is Not The Same
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Author : Bruce Zuckerman
language : en
Publisher: Purdue University Press
Release Date : 2011
The Song Is Not The Same written by Bruce Zuckerman and has been published by Purdue University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with History categories.
This volume of the Casden Institute's The Jewish Role in American Life annual series introduces new scholarship on the long-standing relationship between Jewish-Americans and the worlds of American popular music. Edited by scholar and critic Josh Kun, the essays in the volume blend single-artist investigations with looks at the industry of music making as a whole. They range from Jewish sheet music to the risqué musical comedy of Belle Barth and Pearl Williams, from the role of music in the shaping of Henry Ford's anti-Semitism to Bob Dylan's Jewishness, from the hybridity of the contemporary "Radical Jewish Culture" scene to the Yiddish experiments of 1930s African-American artists. Contents: Foreword (Gayle Wald); Introduction (Josh Kun); "Cohen Owes Me Ninety-Seven Dollars, and other Tales from the Jewish Sheet- Music Trade" (Jody Rosen); "'Dances Partake of the Racial Characteristics of the People Who Dance Them' : Nordicism, Antisemitism, and Henry Ford's Old Time Music and Dance Revival" (Peter La Chapelle); "Ovoutie Slanguage is Absolutely Kosher: Yiddish in Scat- Singing, Jazz Jargon, and Black Music" (Jonathan Z. S. Pollack); "'If I Embarrass You, Tell Your Friends' : Belle Barth, Pearl Williams, and the Space of the Risque" (Josh Kun); "'Here's a foreign song I learned in Utah' : The Anxiety of Jewish Influence in the Music of Bob Dylan" (David Kaufman); "Jazz Liturgy, Yiddishe Blues, Cantorial Death Metal, and Free Klez: Musical Hybridity in Radical Jewish Culture" (Jeff Janeczco).
Designed For Dancing
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Author : Janet Borgerson
language : en
Publisher: MIT Press
Release Date : 2021-10-19
Designed For Dancing written by Janet Borgerson and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-19 with Design categories.
When Americans mamboed in the kitchen, waltzed in the living room, polkaed in the pavilion, and tangoed at the club; with glorious, full-color record cover art. In midcentury America, eager dancers mamboed in the kitchen, waltzed in the living room, Watusied at the nightclub, and polkaed in the pavilion, instructed (and inspired) by dance records. Glorious, full-color record covers encouraged them: Let’s Cha Cha Cha, Dance and Stay Young, Dancing in the Street!, Limbo Party, High Society Twist. In Designed for Dancing, vinyl record aficionados and collectors Janet Borgerson and Jonathan Schroeder examine dance records of the 1950s and 1960s as expressions of midcentury culture, identity, fantasy, and desire. Borgerson and Schroeder begin with the record covers—memorable and striking, but largely designed and created by now-forgotten photographers, scenographers, and illustrators—which were central to the way records were conceived, produced, and promoted. Dancing allowed people to sample aspirational lifestyles, whether at the Plaza or in a smoky Parisian café, and to affirm ancestral identities with Irish, Polish, or Greek folk dancing. Dance records featuring ethnic music of variable authenticity and appropriateness invited consumers to dance in the footsteps of the Other with “hot” Latin music, Afro-Caribbean rhythms, and Hawaiian hulas. Bought at a local supermarket, department store, or record shop, and listened to in the privacy of home, midcentury dance records offered instruction in how to dance, how to dress, how to date, and how to discover cool new music—lessons for harmonizing with the rest of postwar America.