My People What Have I Done To You The Good Friday Popule Meus Verses In Chant And Exegesis C 380 880
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My People What Have I Done To You The Good Friday Popule Meus Verses In Chant And Exegesis C 380 880
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Author : Armin Karim
language : en
Publisher: Armin Karim
Release Date : 2014-04-04
My People What Have I Done To You The Good Friday Popule Meus Verses In Chant And Exegesis C 380 880 written by Armin Karim and has been published by Armin Karim this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-04 with Music categories.
The Roman Catholic Good Friday liturgy includes a series of chants known today as the Improperia ("Reproaches") beginning with the following text: Popule meus, quid feci tibi? aut in quo contristavi te? responde mihi. Quia eduxi te de terra Egypti, parasti crucem Salvatori tuo ("My people, what have I done to you, or in what have I grieved you? Answer me. Because I led you out of the land of Egypt, you prepared a cross for your Savior"). The earliest witness to the chants is a Carolingian liturgical book from around 880, but it is agreed among scholars that their history extends back farther than this. Employing comparative analysis of Biblical exegesis, chant texts, and chant melodies, this study suggests that the initial chant verse, Micah 6:3-4a plus a Christianizing addendum ("My people... you prepared..."), originated in northwestern Italy between the end of the 4th century and the end of the 7th century and carried associations of the Last Judgment, the Passion, and Christian works, penitence, and forgiveness. Although previous scholarship has sometimes pointed to the Reproaches as a key text of Christian anti-Jewish history, it is clear that the initial three verses, the Popule meus verses, originally held allegorical rather than literal meanings. The fact that there are several preserved Popule meus chants across various liturgical repertoires and, moreover, several sets of Popule meus verses in a smaller subset of these repertoires--in northern Italy, southern France, and the Spanish March--bespeaks the pre-Carolingian origins of the Popule meus verses and raises the question of why the verses appear in the Carolingian liturgy when they do. This study proposes that the Popule meus verses were incorporated into the Carolingian liturgy at the Abbey of Saint-Denis under the abbacy of Charles the Bald (867-77). In the Adoration of the Cross ceremony adopted from Rome, paired with the Greek Trisagion, and carrying Gallican melody and meaning, the Carolingian Popule meus verses would have been an ecumenical declaration, as they spread, of the expediency of the crucified Christ and a penitent people, even in the face of impending political disintegration.
Micah In Ancient Christianity
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Author : Riemer Roukema
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2019-09-02
Micah In Ancient Christianity written by Riemer Roukema and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-02 with Religion categories.
What happened when the writing of the Old Testament prophet Micah from the 8th century BCE was read and interpreted by Christians in the 1st to 5th century BCE? This research meticulously describes data from patristic commentaries and other ancient Christian works in Greek and Latin, as well as the remains of Gnostic receptions of Micah, and it analyses the interpretative strategies that were adopted. Attention is paid to the partial retrieval of Origen’s Commentary on Micah, which is lost nowadays, but was used by later Christian authors, especially Jerome. This work includes the ancient delimitation of the Septuagint version and patristic observations on the meaning of particular terms. Other aspects are the liturgical readings from Micah’s book up to the Middle Ages, its use in Christ’s complaints about Israel on Good Friday (the Improperia), and a rabbinic tradition about Jesus quoting Micah. It is noted whenever patristic authors implicitly use or explicitly quote Jewish interpretations, many of which are supplied with parallels in contemporaneous or medieval Jewish works. This first comprehensive survey of the ancient Christian reception and interpretation of Micah is a valuable tool for Biblical scholars and historians.
Hearing The Scriptures
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Author : Eugen J. Pentiuc
language : en
Publisher: Oxford University Press
Release Date : 2021
Hearing The Scriptures written by Eugen J. Pentiuc and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Religion categories.
"This is a book on the use and interpretation of Scriptures in Byzantine Orthodox hymnography. The idea of writing such a book emerged with the publication of my The Old Testament in Eastern Orthodox Tradition (Oxford University Press, 2014). In the last two chapters of that work, I dealt with two media through which liturgists have interpreted the Scriptures, namely, the "aural" (e.g., hymnography, lectionaries, homilies, etc.) and "visual" (e.g., portable icons, mosaics, frescoes, liturgical acts, etc.) modes of interpretation, which I coined "liturgical exegesis." In that work, I made a general remark about liturgical exegesis: "The condensed liturgical exegesis is again a challenge to hearers and readers to locate the texts, events, images, and figures woven into the hymnography." I took on that challenge myself, having researched and written the present book, which seeks to identify Scriptures in Byzantine hymnography, a challenge as difficult as finding the proverbial needle in a haystack. Through a comprehensive and minute analysis of selected hymns, I have strived to make sure that no scriptural needle, as tiny and unobservable as it might be (i.e., scriptural hapax legomena [Gr. forms "occurring once" in the Bible] or rare words), remains hidden in the depths of the hymnic tapestry. Therefore, the first goal of my research was to find Scriptures, primarily Old Testament, in Byzantine Orthodox hymnography. The selection criteria for which hymns to consider rested fundamentally upon the presence of references and hints of the Old Testament in the targeted hymns. However, due to the resilient "hiddenness" of scriptural material within the poetic fabric of the hymns, it took me quite some time to decide which hymns should be selected and then thoroughly analyzed. The second goal of my research was to identify key features and hermeneutical procedures characteristic of "liturgical exegesis" in comparison to "discursive exegesis" (i.e., the interpretive method of ancient biblical commentaries)."--
Cultural Transfer Of Music Between Byzantium And The West
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Author : Nina-Maria Wanek
language : en
Publisher: BRILL
Release Date : 2024-04-25
Cultural Transfer Of Music Between Byzantium And The West written by Nina-Maria Wanek and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-04-25 with Religion categories.
This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.
Text Liturgy And Music In The Hispanic Rite
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Author : Raquel Rojo Carrillo
language : en
Publisher: Oxford University Press
Release Date : 2020-11-20
Text Liturgy And Music In The Hispanic Rite written by Raquel Rojo Carrillo and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-20 with Music categories.
The Hispanic rite, a medieval non-Roman Western liturgy, was practiced across the Iberian Peninsula for over half a millennium and functioned as the most distinct marker of Christian identity in this region. As Christians typically began every liturgical day throughout the year by singing a vespertinus, this chant genre in particular provides a unique window into the cultural and religious life of medieval Iberia. The Hispanic rite has the largest corpus of extant manuscripts of all non-Roman liturgies in the West, which testifies to the importance placed on their transmission through political and cultural upheavals. Its chants, however, use a notational system that lacks clear specification of pitch and has kept them barred from in-depth study. Text, Liturgy and Music in the Hispanic Rite is the first detailed analysis of the interactions between textual, liturgical, and musical variables across the entire extant repertoire of a chant genre central to the Hispanic rite, the vespertinus. By approaching the vespertini through a holistic methodology that integrates liturgy, melody, and text, author Raquel Rojo Carrillo identifies the genre's norms and traces the different shapes it adopts across the liturgical year and on different occasions. In this way, the book offers an unprecedented insight into the liturgical edifice of the Hispanic rite and the daily experience of Christians in medieval Iberia.
From Theodulf To Rashi And Beyond Texts Techniques And Transfer In Western European Exegesis 800 1100
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Author :
language : en
Publisher: BRILL
Release Date : 2022-08-08
From Theodulf To Rashi And Beyond Texts Techniques And Transfer In Western European Exegesis 800 1100 written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-08 with History categories.
This book provides new perspectives on the formation of Western intellectual history by contextualizing both Christian and Jewish exegesis from Theodulf of Orléans to Rashi (800–1100).
La Capilla Del Lignum Crucis Del Monasterio De Santo Toribio En Li Bana 1674 1721 Y La Arquitectura Barroca De Su Tiempo
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Author : Celestina Losada Varea
language : es
Publisher: Ed. Universidad de Cantabria
Release Date : 2023-04-17
La Capilla Del Lignum Crucis Del Monasterio De Santo Toribio En Li Bana 1674 1721 Y La Arquitectura Barroca De Su Tiempo written by Celestina Losada Varea and has been published by Ed. Universidad de Cantabria this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-17 with Architecture categories.
El presente estudio es el resultado de proyecto de investigación desarrollado en los últimos seis años en archivos públicos y privados, así como en centros de estudios, bibliotecas y hemerotecas del ámbito local, nacional e internacional, cuyos resultados aportan una ingente documentación histórica hasta ahora inédita que nos permite reconstruir el proceso constructivo de la que debe considerarse la obra barroca más interesante de Cantabria y una de las más espectaculares de todo el norte peninsular: la Capilla del Lignum Crucis del Monasterio de Santo Toribio de Liébana. Las aportaciones documentales que aquí se analizan cambian completamente la visión e interpretación de lo que hasta ahora se ha escrito sobre tan insigne obra arquitectónica y sobre su evidente simbolismo espiritual, pues la relaciona a nivel internacional con una corriente artística llegada desde centro Europa a través de la presencia de artistas foráneos que se asientan en el obispado de Calahorra-La Calzada, los Raón, implantando un nuevo modo de hacer arquitectura desde la singular estereotomía que ellos importan al territorio diocesano calagurritano y riojano y que se difundirá a lo largo de las tierras bañadas por el Ebro durante las últimas décadas del siglo XVII y primeras del XVIII. Son muchos los arquitectos y maestros de cantería de origen montañés –principalmente trasmeranos– que participan y protagonizan este proceso de cambio y adaptación estilística de la nueva tendencia. A tierras burgalesas primero y a Liébana (Cantabria) pocos años después, llegará esta corriente estética renovadora de la mano de un arquitecto vizcaíno, Juan Bautista de Arbaiza Bazterrechea, activo durante toda la primera mitad del siglo XVIII en los focos artísticos de la Rioja alavesa y del Arzobispado de Burgos, lo que incluye Cantabria. El Monasterio de Santo Toribio, como Priorato de Liébana, dependía del monasterio de Oña, si bien, estuvo bajo la tutela del Obispado de León. En tal cruce de caminos las influencias culturales principalmente incorporadas por las órdenes religiosas en los procesos constructivos de sus cenobios serán determinantes para su difusión y consolidación en el entorno más inmediato. Los talleres de cantería y de escultura locales que participan en estos procesos y trabajan conjuntamente con talleres riojanos adquieren los nuevos saberes que inmediatamente trasladan a sus respectivos ámbitos de actuación. Todo un interesante proceso de permeabilidad artística que explica los cambios de nuestro paisaje edificado y que sitúa a la orden benedictina a la cabeza de la innovación artística en las primeras décadas del siglo XVIII, un periodo de cambio poco estudiado y no siempre bien interpretado.
Western Plainchant
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Author : David Hiley
language : en
Publisher: Oxford University Press
Release Date : 1995
Western Plainchant written by David Hiley and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Compendium
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Author : Catholic Church
language : en
Publisher: USCCB Publishing
Release Date : 2006
Compendium written by Catholic Church and has been published by USCCB Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Religion categories.
As hunger for the faith continues to grow, Pope Benedict XVI gives the Catholic Church the food it seeks with 598 questions and answers in the
The Musical Shape Of The Liturgy
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Author : William Peter Mahrt
language : en
Publisher:
Release Date : 2012
The Musical Shape Of The Liturgy written by William Peter Mahrt and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Church music categories.
"Professor William Mahrt of Santford Univeristy and the Church Music Association of America has written a sweeping book--one that it is at once scholarly and practical--on that most controversial topic of music and the liturgy. He provides an over-whelming argument that every parish must have high standrads for liturgical music and he makes the full case for Gregorian chant as the model and the ideal of that liturgical music." - back cover