My People What Have I Done To You The Good Friday Popule Meus Verses In Chant And Exegesis C 380 880
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My People What Have I Done To You The Good Friday Popule Meus Verses In Chant And Exegesis C 380 880
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Author : Armin Karim
language : en
Publisher: Armin Karim
Release Date : 2014-04-04
My People What Have I Done To You The Good Friday Popule Meus Verses In Chant And Exegesis C 380 880 written by Armin Karim and has been published by Armin Karim this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-04 with Music categories.
The Roman Catholic Good Friday liturgy includes a series of chants known today as the Improperia ("Reproaches") beginning with the following text: Popule meus, quid feci tibi? aut in quo contristavi te? responde mihi. Quia eduxi te de terra Egypti, parasti crucem Salvatori tuo ("My people, what have I done to you, or in what have I grieved you? Answer me. Because I led you out of the land of Egypt, you prepared a cross for your Savior"). The earliest witness to the chants is a Carolingian liturgical book from around 880, but it is agreed among scholars that their history extends back farther than this. Employing comparative analysis of Biblical exegesis, chant texts, and chant melodies, this study suggests that the initial chant verse, Micah 6:3-4a plus a Christianizing addendum ("My people... you prepared..."), originated in northwestern Italy between the end of the 4th century and the end of the 7th century and carried associations of the Last Judgment, the Passion, and Christian works, penitence, and forgiveness. Although previous scholarship has sometimes pointed to the Reproaches as a key text of Christian anti-Jewish history, it is clear that the initial three verses, the Popule meus verses, originally held allegorical rather than literal meanings. The fact that there are several preserved Popule meus chants across various liturgical repertoires and, moreover, several sets of Popule meus verses in a smaller subset of these repertoires--in northern Italy, southern France, and the Spanish March--bespeaks the pre-Carolingian origins of the Popule meus verses and raises the question of why the verses appear in the Carolingian liturgy when they do. This study proposes that the Popule meus verses were incorporated into the Carolingian liturgy at the Abbey of Saint-Denis under the abbacy of Charles the Bald (867-77). In the Adoration of the Cross ceremony adopted from Rome, paired with the Greek Trisagion, and carrying Gallican melody and meaning, the Carolingian Popule meus verses would have been an ecumenical declaration, as they spread, of the expediency of the crucified Christ and a penitent people, even in the face of impending political disintegration.
Micah In Ancient Christianity
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Author : Riemer Roukema
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2019-09-02
Micah In Ancient Christianity written by Riemer Roukema and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-02 with Religion categories.
What happened when the writing of the Old Testament prophet Micah from the 8th century BCE was read and interpreted by Christians in the 1st to 5th century BCE? This research meticulously describes data from patristic commentaries and other ancient Christian works in Greek and Latin, as well as the remains of Gnostic receptions of Micah, and it analyses the interpretative strategies that were adopted. Attention is paid to the partial retrieval of Origen’s Commentary on Micah, which is lost nowadays, but was used by later Christian authors, especially Jerome. This work includes the ancient delimitation of the Septuagint version and patristic observations on the meaning of particular terms. Other aspects are the liturgical readings from Micah’s book up to the Middle Ages, its use in Christ’s complaints about Israel on Good Friday (the Improperia), and a rabbinic tradition about Jesus quoting Micah. It is noted whenever patristic authors implicitly use or explicitly quote Jewish interpretations, many of which are supplied with parallels in contemporaneous or medieval Jewish works. This first comprehensive survey of the ancient Christian reception and interpretation of Micah is a valuable tool for Biblical scholars and historians.
Hearing The Scriptures
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Author : Eugen J. Pentiuc
language : en
Publisher: Oxford University Press
Release Date : 2021
Hearing The Scriptures written by Eugen J. Pentiuc and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Religion categories.
Throughout the ages, interpreters of the Christian scriptures have been wonderfully creative in seeking to understand and bring out the wonders of these ancient writings. That creativity has often been overlooked by recent scholarship, concentrated as it is in the so-called critical period. In this study, Eugen J. Pentiuc illuminates the remarkable way in which the Byzantine hymnographers (liturgists) expressed their understanding of the Old Testament in their compositions, an interpretive process that he terms "liturgical exegesis."In authorship and methodology, patristic exegesis and liturgical exegesis are closely related. Patristic exegesis, however, is primarily linear and sequential, proceeding verse by verse, while liturgical exegesis offers a more imaginative and eclectic mode of interpretation, ranging over various parts of the Bible. In this respect, says Pentiuc, liturgical exegesis resembles cubist art. To illuminate the multi-faceted creativity of liturgical exegesis, Pentiuc has chosen the vast and rich hymnography of Byzantine Orthodox Holy Week as a case study, offering a detailed lexical, biblical, and theological analysis of selected hymns. His analysis reveals the many different and imaginative ways in which creative liturgists incorporated and interpreted scriptural material in these hymns.By drawing attention to the way in which the bible is used by Byzantine hymnographers in the living Orthodox tradition, Hearing the Scriptures makes a ground-breaking contribution to the history of the reception of the scriptures.
From Theodulf To Rashi And Beyond Texts Techniques And Transfer In Western European Exegesis 800 1100
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Author :
language : en
Publisher: BRILL
Release Date : 2022-08-08
From Theodulf To Rashi And Beyond Texts Techniques And Transfer In Western European Exegesis 800 1100 written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-08 with History categories.
This book offers a new and inclusive approach to Western exegesis up to 1100. For too long, modern scholars have examined Jewish and Christian exegesis apart from each other. This is not surprising, given how religious, social, and linguistic borders separated Jews and Christians. But they worked to a great extent on the same texts. Christians were keenly aware that they relied on translation. The contributions to this volume reveal how both sides worked on parallel tracks, posing similar questions and employing more or less the same techniques, and in some rare instances, interdependently.
Cultural Transfer Of Music Between Byzantium And The West
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Author : Nina-Maria Wanek
language : en
Publisher: BRILL
Release Date : 2024-05-06
Cultural Transfer Of Music Between Byzantium And The West written by Nina-Maria Wanek and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-06 with Religion categories.
This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.
Text Liturgy And Music In The Hispanic Rite
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Author : Raquel Rojo Carrillo
language : en
Publisher:
Release Date : 2021
Text Liturgy And Music In The Hispanic Rite written by Raquel Rojo Carrillo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Music categories.
This groundbreaking book offers the first detailed analysis of the textual, liturgical, and musical aspects of the vespertinus, the chant genre most central to the Christian practices that shaped the religious and cultural landscape of medieval Iberia.
La Capilla Del Lignum Crucis Del Monasterio De Santo Toribio En Li Bana 1674 1721 Y La Arquitectura Barroca De Su Tiempo
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Author : Celestina Losada Varea
language : es
Publisher: Ed. Universidad de Cantabria
Release Date : 2023-04-26
La Capilla Del Lignum Crucis Del Monasterio De Santo Toribio En Li Bana 1674 1721 Y La Arquitectura Barroca De Su Tiempo written by Celestina Losada Varea and has been published by Ed. Universidad de Cantabria this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-26 with Architecture categories.
El presente estudio es el resultado de proyecto de investigación desarrollado en los últimos seis años en archivos públicos y privados, así como en centros de estudios, bibliotecas y hemerotecas del ámbito local, nacional e internacional, cuyos resultados aportan una ingente documentación histórica hasta ahora inédita que nos permite reconstruir el proceso constructivo de la que debe considerarse la obra barroca más interesante de Cantabria y una de las más espectaculares de todo el norte peninsular: la Capilla del Lignum Crucis del Monasterio de Santo Toribio de Liébana. Las aportaciones documentales que aquí se analizan cambian completamente la visión e interpretación de lo que hasta ahora se ha escrito sobre tan insigne obra arquitectónica y sobre su evidente simbolismo espiritual, pues la relaciona a nivel internacional con una corriente artística llegada desde centro Europa a través de la presencia de artistas foráneos que se asientan en el obispado de Calahorra-La Calzada, los Raón, implantando un nuevo modo de hacer arquitectura desde la singular estereotomía que ellos importan al territorio diocesano calagurritano y riojano y que se difundirá a lo largo de las tierras bañadas por el Ebro durante las últimas décadas del siglo XVII y primeras del XVIII. Son muchos los arquitectos y maestros de cantería de origen montañés –principalmente trasmeranos– que participan y protagonizan este proceso de cambio y adaptación estilística de la nueva tendencia. A tierras burgalesas primero y a Liébana (Cantabria) pocos años después, llegará esta corriente estética renovadora de la mano de un arquitecto vizcaíno, Juan Bautista de Arbaiza Bazterrechea, activo durante toda la primera mitad del siglo XVIII en los focos artísticos de la Rioja alavesa y del Arzobispado de Burgos, lo que incluye Cantabria. El Monasterio de Santo Toribio, como Priorato de Liébana, dependía del monasterio de Oña, si bien, estuvo bajo la tutela del Obispado de León. En tal cruce de caminos las influencias culturales principalmente incorporadas por las órdenes religiosas en los procesos constructivos de sus cenobios serán determinantes para su difusión y consolidación en el entorno más inmediato. Los talleres de cantería y de escultura locales que participan en estos procesos y trabajan conjuntamente con talleres riojanos adquieren los nuevos saberes que inmediatamente trasladan a sus respectivos ámbitos de actuación. Todo un interesante proceso de permeabilidad artística que explica los cambios de nuestro paisaje edificado y que sitúa a la orden benedictina a la cabeza de la innovación artística en las primeras décadas del siglo XVIII, un periodo de cambio poco estudiado y no siempre bien interpretado.
My People What Have I Done To You The Good Friday Popule Meus Verses In Chant And Exegesis C 380 880
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Author : Armin Karim
language : en
Publisher:
Release Date : 2014
My People What Have I Done To You The Good Friday Popule Meus Verses In Chant And Exegesis C 380 880 written by Armin Karim and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art categories.
The Roman Catholic Good Friday liturgy includes a series of chants known today as the Improperia ("Reproaches") beginning with the following text: Popule meus, quid feci tibi? aut in quo contristavi te? responde mihi. Quia eduxi te de terra Egypti, parasti crucem Salvatori tuo ("My people, what have I done to you, or in what have I grieved you? Answer me. Because I led you out of the land of Egypt, you prepared a cross for your Savior"). The earliest witness to the chants is a Carolingian liturgical book from around 880, but it is agreed among scholars that their history extends back farther than this. Employing comparative analysis of Biblical exegesis, chant texts, and chant melodies, this study suggests that the initial chant verse, Micah 6:3-4a plus a Christianizing addendum ("My people ... you prepared ... "), originated in northwestern Italy between the end of the 4th century and the end of the 7th century and carried associations of the Last Judgment, the Passion, and Christian works, penitence, and forgiveness. Although previous scholarship has sometimes pointed to the Reproaches as a key text of Christian anti-Jewish history, it is clear that the initial three verses, the Popule meus verses, originally held allegorical rather than literal meanings. The fact that there are several preserved Popule meus chants across various liturgical repertoires and, moreover, several sets of Popule meus verses in a smaller subset of these repertoires--in northern Italy, southern France, and the Spanish March--bespeaks the pre-Carolingian origins of the Popule meus verses and raises the question of why the verses appear in the Carolingian liturgy when they do. This study proposes that the Popule meus verses were incorporated into the Carolingian liturgy at the Abbey of Saint-Denis under the abbacy of Charles the Bald (867-77). In the Adoration of the Cross ceremony adopted from Rome, paired with the Greek Trisagion, and carrying Gallican melody and meaning, the Carolingian Popule meus verses would have been an ecumenical declaration, as they spread, of the expediency of the crucified Christ and a penitent people, even in the face of impending political disintegration.
Compendium
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Author : Catholic Church
language : en
Publisher: USCCB Publishing
Release Date : 2006
Compendium written by Catholic Church and has been published by USCCB Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Religion categories.
As hunger for the faith continues to grow, Pope Benedict XVI gives the Catholic Church the food it seeks with 598 questions and answers in the
As The Bandit Will I Confess You
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Author : Mark G. Bilby
language : en
Publisher: Brepols / University of Strasbourg
Release Date : 2013-12-01
As The Bandit Will I Confess You written by Mark G. Bilby and has been published by Brepols / University of Strasbourg this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-01 with Religion categories.
The story of the so-called Good Thief as found in Lc 23, 39-43 has a vibrant and diverse afterlife in early Christianity. Synoptic and eschatological disparities raise concerns and provoke a variety of harmonizations. Controversies notwithstanding, early interpreters occupy themselves most of all with the episode's potential for exhortation as they identify themselves and their hearers with the good bandit. He becomes a model of Christian practices, beliefs and virtues including worship, faith (even Nicea's formulation), justification by faith, conversion, catechesis, confession, martyrdom, baptism (in many modes), endurance, asceticism, simplicity of language, penitence, and last-minute salvation. A wide variety of typological readings fashion the bandit as the first to return to paradise and even a key participant in the pivotal moment of salvation-history. By around the late 4th century, the episode becomes a standard Good Friday lectionary reading and sermon topic in the East.