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To Fill Forbear Or Adorne


 To Fill Forbear Or Adorne
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To Fill Forbear Or Adorne


 To Fill Forbear Or Adorne
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Author : Rebecca Herissone
language : en
Publisher:
Release Date : 2006

To Fill Forbear Or Adorne written by Rebecca Herissone and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with MUSIC categories.


"This is the first study to provide a systematic and thorough investigation of continuo realization styles appropriate to Restoration sacred music, an area of performance practice that has never previously been properly assessed. Rebecca Herissone undertakes detailed analysis of a group of organ books closely associated with the major Restoration composers Purcell, Blow and Humfrey, and the London institutions where they spent their professional lives. By investigating the relationship between the organ books' two-stave arrangements and full scores of the same pieces, Herissone demonstrates that the books are subtle sources of information to the accompanist, not just short or skeleton scores. Using this evidence, she formulates a model for continuo realization of this repertory based on the doubling of vocal parts, an approach that differs significantly from that adopted by most modern editors, and which throws into question much of the accepted continuo practice in modern performance of this repertory."--Provided by publisher.



To Fill Forbear Or Adorne


 To Fill Forbear Or Adorne
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Author : Rebecca Herissone
language : en
Publisher: Routledge
Release Date : 2017-07-05

To Fill Forbear Or Adorne written by Rebecca Herissone and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


This is the first study to provide a systematic and thorough investigation of continuo realization styles appropriate to Restoration sacred music, an area of performance practice that has never previously been properly assessed. Rebecca Herissone undertakes detailed analysis of a group of organ books closely associated with the major Restoration composers Purcell, Blow and Humfrey, and the London institutions where they spent their professional lives. By investigating the relationship between the organ books' two-stave arrangements and full scores of the same pieces, Herissone demonstrates that the books are subtle sources of information to the accompanist, not just short or skeleton scores. Using this evidence, she formulates a model for continuo realization of this repertory based on the doubling of vocal parts, an approach that differs significantly from that adopted by most modern editors, and which throws into question much of the accepted continuo practice in modern performance of this repertory.



To Fill Forbear Or Adorne


 To Fill Forbear Or Adorne
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Author : Rebecca Herissone
language : en
Publisher: Routledge
Release Date : 2017-07-05

To Fill Forbear Or Adorne written by Rebecca Herissone and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


This is the first study to provide a systematic and thorough investigation of continuo realization styles appropriate to Restoration sacred music, an area of performance practice that has never previously been properly assessed. Rebecca Herissone undertakes detailed analysis of a group of organ books closely associated with the major Restoration composers Purcell, Blow and Humfrey, and the London institutions where they spent their professional lives. By investigating the relationship between the organ books' two-stave arrangements and full scores of the same pieces, Herissone demonstrates that the books are subtle sources of information to the accompanist, not just short or skeleton scores. Using this evidence, she formulates a model for continuo realization of this repertory based on the doubling of vocal parts, an approach that differs significantly from that adopted by most modern editors, and which throws into question much of the accepted continuo practice in modern performance of this repertory.



Before The Baton


Before The Baton
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Author : Peter Holman
language : en
Publisher: Boydell & Brewer
Release Date : 2020

Before The Baton written by Peter Holman and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Music categories.


How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?



Composers Intentions


Composers Intentions
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Author : Andrew Parrott
language : en
Publisher: Boydell & Brewer
Release Date : 2015

Composers Intentions written by Andrew Parrott and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Music categories.


This book comprises selected essays concerning musical performance practice by conductor Andrew Parrott, an acknowledged expert in the field. Spanning some thirty-five years of Parrott's career as both performer and researcher, the volume brings together seminal writings on Monteverdi, Purcell and J. S. Bach, as well as an expanded version of a major new article from 2015. With a focus on vocal and choral music, the book covers a broad timespan (from the fourteenth to eighteenth centuries) and multifarious approaches (from extensive scholarly articles to radio broadcasts). Authoritative, provocative and readable, Parrott's writing is packed with detailed information of value to scholars, performers, students and curious listeners alike. At the same time, the book sheds light on key topics of historically informed performance from the past four decades. ANDREW PARROTT, conductor, is perhaps best known for his many pioneering recordings of pre-classical repertory from Machaut to Handel, principally for EMI with the London-based Taverner Consort, Choir and Players, which he founded in 1973. Recent CDs include his reconstruction of Bach's 'lost' Trauer-Music for Prince Leopold of Anhalt-Cöthen (released in 2011) and a 'thoroughly researched and re-imagined' account of Monteverdi's L'Orfeo (2013). He is also co-editor of The New Oxford Book of Carols (1992) and author of The Essential Bach Choir (The Boydell Press, 2000).



The Ashgate Research Companion To Henry Purcell


The Ashgate Research Companion To Henry Purcell
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Author : Rebecca Herissone
language : en
Publisher: Routledge
Release Date : 2016-04-01

The Ashgate Research Companion To Henry Purcell written by Rebecca Herissone and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-01 with Music categories.


The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.



Concepts Of Creativity In Seventeenth Century England


Concepts Of Creativity In Seventeenth Century England
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Author : Rebecca Herissone
language : en
Publisher: Boydell & Brewer Ltd
Release Date : 2013

Concepts Of Creativity In Seventeenth Century England written by Rebecca Herissone and has been published by Boydell & Brewer Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art categories.


The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. The aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia and Reviews Editor for Eighteenth-Century Music. Contributors: Linda Phyllis Austern, Stephanie Carter, John Cunningham, Marina Daiman, Kirsten Gibson, Raphael Hallett, Rebecca Herissone, Anne Hultzsch, Freyja Cox Jensen, Stephen Rose, Andrew R. Walkling, Amanda Eubanks Winkler, James A. Winn.



Sacred Repertories In Paris Under Louis Xiii


Sacred Repertories In Paris Under Louis Xiii
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Author : Peter Bennett
language : en
Publisher: Taylor & Francis
Release Date : 2023-04-14

Sacred Repertories In Paris Under Louis Xiii written by Peter Bennett and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-14 with Music categories.


The study of sacred music under Louis XIII (r.1610-43) has advanced little in the past hundred years. Despite some important recent contributions by the late Denise Launay and others, much of our current perception of the Latin sacred music of the period is still informed by the pioneering research undertaken by Henri Quittard in the early years of the twentieth century. Even with Quittard’s work, however, the almost complete absence of surviving sources has severely limited our understanding of this era. But by re-examining one of the seventeenth-century ’treasures’ of the Bibliothèque nationale (MS Vma rés. 571), Sacred Repertories in Paris under Louis XIII reveals that, far from being a transitional period in which little music of any interest was produced, the reign of Louis XIII witnessed a flowering of musical activity and the development of musical techniques normally associated with the reign of Louis XIV. Based on an exhaustive and innovative manuscript study, Sacred Repertories shows that Vma rés. 571 (a largely anonymous source of previously unknown provenance) was copied in Paris by the composer André Pechon, and that it preserves three previously unidentified repertories with connections to the court of Louis XIII. The repertoire of the musique de la chambre, until now considered a secular institution, shows it to have been an equal partner of the chapelle in the provision of sacred music at court. The repertoire of the royal parish church of Saint-Germain-l’Auxerrois, the only ’working’ liturgical repertory surviving from the century, illustrates musical practices at this important collegiate church. And the repertoire of the Royal Benedictine Abbey of Montmartre testifies to the richness of musical tradition in Parisian convents during a period when no other comparable music from France survives. Sacred Repertories thus transforms our understanding of the musical landscape of seventeenth-century France and provides a springboard fo



Johann Mattheson Pi S De Clavecin And Das Neu Er Ete Orchestre


Johann Mattheson Pi S De Clavecin And Das Neu Er Ete Orchestre
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Author : Margaret Seares
language : en
Publisher: Routledge
Release Date : 2017-07-05

Johann Mattheson Pi S De Clavecin And Das Neu Er Ete Orchestre written by Margaret Seares and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson?s Pi?s de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to eschew what he saw as the hidebound traditions of the past, and instead embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Beginning with the early non-musical writings by Mattheson, Seares places them in the context of the cosmopolitan city-state of Hamburg, before moving to a detailed study of his first major musical treatise Das neu-er?ffnete Orchestre of 1713, in which he espoused his views about the musics of the past and present and, in particular, the characteristics of the musics of Germany, Italy, France and England. This latter section of the treatise, Part III, is edited and translated into English in the book's appendix - the first such translation available. Seares then moves on to an evaluation of the Pi?s de clavecin as a work in which Mattheson reflects in musical terms the themes of modernism (in the sense of ?a mode) and universalism that are such a strong part of his writings of the period, and a work that represents an important precursor for the keyboard suites of Johann Sebastian Bach and Georg Frideric Handel.



Music In The Collective Experience In Sixteenth Century Milan


Music In The Collective Experience In Sixteenth Century Milan
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Author : Christine Suzanne Getz
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2005

Music In The Collective Experience In Sixteenth Century Milan written by Christine Suzanne Getz and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Music categories.


Using archival documents, music prints, manuscripts and contemporary writing, Getz examines the musical culture of sixteenth-century Milan. The book investigates the musician's role as an actor and a functionary in the political, religious, and social spectacles produced by the Milanese church, state and aristocracy within the city's diverse urban spaces. Furthermore, it establishes a context for the numerous motets, madrigals, and lute intabulations composed and printed in sixteenth-century Milan by examining their function within the urban milieu in which they were first performed.