Zeiten Des Aufbruchs Popul Re Musik Als Medium Gesellschaftlichen Wandels
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Zeiten Des Aufbruchs Popul Re Musik Als Medium Gesellschaftlichen Wandels
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Author : Dominik Schrage
language : de
Publisher: Springer-Verlag
Release Date : 2019-11-05
Zeiten Des Aufbruchs Popul Re Musik Als Medium Gesellschaftlichen Wandels written by Dominik Schrage and has been published by Springer-Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-05 with Social Science categories.
Dieser Band fragt nach dem Beitrag der populären Musik zu den gesellschaftlichen Transformationen der 1960er bis 1980er Jahre und verbindet kultursoziologische, musik- und kulturwissenschaftliche Perspektiven. Welchen neuartigen Erlebensweisen, welchen sozialen Akteursgruppen verschafft Musik Geltung? Viele zeitgenössische Akteure, aber auch akademische Arbeiten deuten das Auftreten neuer Musikstile (Beat, Rock, Punk etc.) auf der Bühne der Geschichte als Bestandteil eines befürworteten gesellschaftlichen „Aufbruchs“ (jeweils neuer Generationskohorten). Der Band beobachtet diese Metapher des Aufbruchs indes als eine feldtypische Deutung, anhand derer das Zusammenwirken von Musik und gesellschaftlichen Transformationen bereits kenntlich wird.
Handbuch Sound
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Author : Daniel Morat
language : de
Publisher: Springer-Verlag
Release Date : 2018-07-09
Handbuch Sound written by Daniel Morat and has been published by Springer-Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-09 with Social Science categories.
Dieses Handbuch bietet einen Überblick über Sound in den Kultur-, Geistes- und Sozialwissenschaften. Ausgehend von der Beobachtung, dass Sound ein soziales und damit auch ein historisches Phänomen ist, greifen die Autorinnen und Autoren die Vielfalt von Sound in unterschiedlichen Erscheinungs- und Darstellungsformen auf und verfolgen ihre Spuren in Geschichte und Gegenwart. Sie skizzieren methodisch-theoretische Zugänge und Begriffe der Soundforschung und gehen auf disziplinäre Perspektiven und Traditionen ebenso ein wie auf einzelne akustische Phänomene. Dabei werden spezifische Räumlichkeiten genauso berücksichtigt wie die medialen und politischen Kontexte, in denen Sound produziert und erfasst, angeeignet und genutzt wird. Das Handbuch gibt damit nicht nur eine breite Übersicht über die aktuelle Diskussion zu Sound, sondern liefert auch vielfältige Anregungen für zukünftige Forschungen.
Independent Theatre In Contemporary Europe
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Author : Manfred Brauneck
language : en
Publisher: transcript Verlag
Release Date : 2017-03-31
Independent Theatre In Contemporary Europe written by Manfred Brauneck and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-31 with Performing Arts categories.
Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. Additionally, it includes essays on experimental musical theatre and different cultural policies for independent theatre scenes in a range of European countries.
Dj Culture
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Author : Ulf Poschardt
language : en
Publisher: Quartet Books (UK)
Release Date : 1998
Dj Culture written by Ulf Poschardt and has been published by Quartet Books (UK) this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Disc jockeys categories.
From the first ever radio transmission in 1906, to the underworld New York club parties of the sixties to the future concept of the DJ as cultural producer, the transition of the DJ from record-spinner to musician is the central theme of the book.
The Sage Handbook Of Cultural Sociology
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Author : David Inglis
language : en
Publisher: SAGE
Release Date : 2016-03-01
The Sage Handbook Of Cultural Sociology written by David Inglis and has been published by SAGE this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-01 with Social Science categories.
Cultural sociology - or the sociology of culture - has grown from a minority interest in the 1970s to become one of the largest and most vibrant areas within sociology globally. In The SAGE Handbook of Cultural Sociology, a global range of experts explore the theory, methodology and innovations that make up this ever-expanding field. The Handbook's 40 original chapters have been organised into five thematic sections: Theoretical Paradigms Major Methodological Perspectives Domains of Inquiry Cultural Sociology in Contexts Cultural Sociology and Other Analytical Approaches Both comprehensive and current, The SAGE Handbook of Cultural Sociology will be an essential reference tool for both advanced students and scholars across sociology, cultural studies and media studies.
Listening To Popular Music Or How I Learned To Stop Worrying And Love Led Zeppelin
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Author : Theodore Gracyk
language : en
Publisher: University of Michigan Press
Release Date : 2007
Listening To Popular Music Or How I Learned To Stop Worrying And Love Led Zeppelin written by Theodore Gracyk and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Music categories.
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Music In The Third Reich
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Author : Erik Levi
language : en
Publisher: Springer
Release Date : 1996-04-15
Music In The Third Reich written by Erik Levi and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-04-15 with History categories.
In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.
Top 40 Democracy
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Author : Eric Weisbard
language : en
Publisher: University of Chicago Press
Release Date : 2014-11-27
Top 40 Democracy written by Eric Weisbard and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-27 with History categories.
A capacious and stimulating tour de force of the mainstream music industry that reveals the cultural import of even the most deliberately banal performers and songs. Weisbard finds depths in our culture s shallows as he investigates and articulates the cultural construction of such phenomena as Dolly Parton, Elton John, the Isley Brothers, A&M Records, and the rise of radio populism. He further sheds new light on the upheavals in the music industry over the last fifteen years and the implications of them for the audiences the industry has shaped. Each chapter brings us to see afresh precisely that music and those musicians that have become the most familiar and overexposed, by delving into the minutiae of how pop stars and their music were made and framed for repeated consumption in the era dominated by radio."
Art Into Pop
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Author : Simon Frith
language : en
Publisher: Routledge
Release Date : 2016-04-14
Art Into Pop written by Simon Frith and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-14 with Music categories.
This book, first published in 1987, tells the intriguing and culturally complex story of the art school influence on postwar British popular music. Following Romantic attitudes from life class to recording studio, it focuses on two key moments – the early 1960s, when art students like John Lennon and Eric Clapton begin to play their own versions of American rock and blues and inflected youth music with Bohemian dreams, and the late 1970s, when punk musicians emerged from design courses and fashion departments to disrupt what were, by then, art-rock routines. Sixties rock Bohemians and seventies pop Situationists were, in their different ways, trying to solve the art students’ perennial problem – how to make a living from their art. Art Into Pop shows how this problem has been shaped by the history of British art education, from its nineteenth-century origins to current arguments about ‘pure’ and ‘applied’ training. In their simultaneous pursuit of authenticity and artifice, art school musicians exemplify the postmodern condition, the collapse of any distinction between ‘high’ and ‘low’ culture, the confusions of personal and commercial creativity. And so high pop theorists rub shoulders here with low pop practitioners, experimental musicians debate avant-garde ideas with corporate packagers, and artistic integrity becomes a matter of making oneself up.
Composing The Party Line
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Author : David G. Tompkins
language : en
Publisher: Purdue University Press
Release Date : 2013-10-15
Composing The Party Line written by David G. Tompkins and has been published by Purdue University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-15 with History categories.
This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to late-1950s. The author explores how the Communist parties in both countries expressed their attitudes to music of all kinds, and how composers, performers, and audiences cooperated with, resisted, and negotiated these suggestions and demands. Based on a deep analysis of the archival and contemporary published sources on state, party, and professional organizations concerned with musical life, Tompkins argues that music, as a significant part of cultural production in these countries, played a key role in instituting and maintaining the regimes of East Central Europe. As part of the Stalinist project to create and control a new socialist identity at the personal as well as collective level, the ruling parties in East Germany and Poland sought to saturate public space through the production of music. Politically effective ideas and symbols were introduced that furthered their attempts to, in the parlance of the day, "engineer the human soul." Music also helped the Communist parties establish legitimacy. Extensive state support for musical life encouraged musical elites and audiences to accept the dominant position and political missions of these regimes. Party leaders invested considerable resources in the attempt to create an authorized musical language that would secure and maintain hegemony over the cultural and wider social worlds. The responses of composers and audiences ran the gamut from enthusiasm to suspicion, but indifference was not an option.